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Author: Christine Buci-Glucksmann
Publisher: Ohio University Press
ISBN: 0821444379
Category : Philosophy
Languages : en
Pages : 195
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Book Description
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Author: Christine Buci-Glucksmann
Publisher: Ohio University Press
ISBN: 0821444379
Category : Philosophy
Languages : en
Pages : 195
Get Book Here
Book Description
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Author: Ofer Gal
Publisher: University of Chicago Press
ISBN: 022621298X
Category : Art
Languages : en
Pages : 348
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Book Description
Presents a perspective on the study of early modern science. This title examines science in the context of the baroque, analyzes the tensions, paradoxes, and compromises that shaped the New Science of the seventeenth century and enabled its spectacular success.
Author: Nicholas Hagger
Publisher: John Hunt Publishing
ISBN: 1803417102
Category : Philosophy
Languages : en
Pages : 641
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Book Description
In A Baroque Vision Nicholas Hagger chose key passages from his verse that convey the thread of his Baroque vision. In its companion volume The Essentials of Universalism he chooses key passages from his prose works that convey the thread of his Universalism, which grew out of his Baroque perspective. Hagger’s literary, mystical, religious, philosophical, historical, cultural and political Universalist writings are innovatory. In 60 books he has: set out a new approach to literature and identified its fundamental theme as a quest for the One, an infinite Reality perceived as Light, that alternates with condemnation of social follies and vices; presented many mystics’ illuminations; seen the Light as the common essence of all religions; created a new philosophy of Universalism that restates the unity of the universe and challenges modern philosophy; charted the history of the rise and fall of civilisations; reconciled the divisions within world culture; and proposed a democratic World State with limited supranational power to abolish war and bring in a Golden Age of peace and prosperity. The Essentials of Universalism is a stunning anthology of his writings that covers all aspects of his thinking and range. Chosen by the author himself, the excerpts include the most important passages in the Hagger canon and are representative of his vast output. Since the book was completed Hagger has brought out The Algorithm of Creation, the first-ever statement of a Theory of Everything and a further development of his Universalism.This anthology makes clear the main thrust of his life’s work and is required reading for all interested in seeing how his many innovations connect.
Author: Nicholas Hagger
Publisher: John Hunt Publishing
ISBN: 1789042747
Category : Literary Collections
Languages : en
Pages : 465
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Book Description
Nicholas Hagger's 55 books include innovatory works on literature, history, philosophy and international politics. In his first published literary work he revived the Preface, which had fallen into disuse after Wordsworth and Shelley. He went on to write Prefaces (sometimes called ‘Prologues’, ‘Introductions’ or ‘Introductory Notes’) for all his subsequent books. Collected Prefaces, a collection of 55 Prefaces (excluding the Preface to this book), sets out his thinking and the reader can follow the development of his philosophy of Universalism (of which he is the main exponent), his literary approach (particularly his combination of Romanticism and Classicism which he calls "neo-Baroque") and his metaphysical thinking. His Prefaces can be read as essays, and as in T.S. Eliot’s Selected Essays there is an interaction between adjacent Prefaces that brings an entirely new perspective to Hagger's works. These Prefaces cover an enormous range. Nicholas Hagger is a Renaissance man at home in many disciplines. His Universalism focuses on humankind’s relationship to the whole universe as reflected in seven key disciplines seen as wholes: the whole of literature, history, philosophy and the sciences, mysticism, religion, international politics and statecraft and world culture. Behind all the Prefaces is Hagger’s fundamental perception of the unity of the universe as the One and of humankind’s position in it. These Prefaces complement his Selected Letters, a companion volume also published by O-Books, and contain startling insights that illumine and send readers to the works the Prefaces introduce.
Author: Monika Kaup
Publisher: University of Virginia Press
ISBN: 0813933145
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Author: Alois Riegl
Publisher: Getty Publications
ISBN: 1606060414
Category : Architecture
Languages : en
Pages : 294
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Book Description
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Author: Robert Harbison
Publisher: Reaktion Books
ISBN: 1861898266
Category : Art
Languages : en
Pages : 273
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Book Description
From its beginnings in the seventeenth century, the Baroque embraced the whole of Catholic Europe and infiltrated Protestant England, Orthodox Russia and even Muslim Turkey. Architecture, paintings, poetry, music, natural science and new forms of piety all have their places on the Baroque map. In this surprising reinterpretation of the Baroque, Robert Harbison offers new readings that stress its eccentric and tumultuous forms, in which a destablized sense of reality is often projected onto the viewer. This strange, subjectively inclined world is manifested in such bizarre phenomena as the small stuccoed universes of Giacomo Serpotta, the Sacred Mounts of Piedmont and the grimacing heads of F. X. Messerschmidt. Harbison explores the Baroque's metamorphoses into later styles, particularly the Rococo, and, in an unexpected twist, pursues the Baroque idea into the nineteenth and twentieth centuries, proposing provocative analyses of pastiches or imitations (in Der Rosenkavalier and the work of Aubrey Beardsley) or resemblances (deliberate or not) in Czech Cubism and Frank Gehry's architecture. Reflections on Baroque demonstrates that the Baroque impulse lives on in the twenty-first century imagination.
Author: Beatriz de Alba-Koch
Publisher: University of Toronto Press
ISBN: 144264883X
Category : Art
Languages : en
Pages : 355
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Book Description
The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance. Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries.
Author: Mieke Bal
Publisher: University of Chicago Press
ISBN: 9780226035567
Category : Art
Languages : en
Pages : 340
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Book Description
A rigorous, rewarding work, "Quoting Caravaggio" is at once a meditation on history as a creative, nonlinear process; a study of the work of Caravaggio and the Baroque; and a brilliant critical exposition of contemporary artistic expression. 62 color plates. 25 halftones.
Author: Jean-Marie Floch
Publisher: A&C Black
ISBN: 184714148X
Category : Language Arts & Disciplines
Languages : en
Pages : 190
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Book Description
The six essays of Visual Identities are an important contribution to the growing field of industrial semiotics. Floch's major strength is his analysis of signs in a way which is both industrially relevant and textually precise. Until recently there have been two quite different and distinct ways of understanding commerical signs, such as logos and advertisements. Industry-based work has tended to look at questions of marketing and has often been reduced to the mass psychology of 'appeal' and audience research, whereas the textual analysis of commerical signs has tended to come from limited positions of identity politics and criticism (Marxism, feminism, etc). Floch manages to find a way between (and also outside) these traditions. In doing so he has produced a book which will interest industrial practitioners in advertising, marketing and design as well as students and academics in semiotics.
