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Author: Shubhra Gupta
Publisher: Harper Collins
ISBN: 9351778487
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Hindi cinema was trapped in formulaic cliches for decades: lost-and-found themes, sacrificing mothers, brothers on opposite sides of the law, villains lording over their dens, colourful molls, six songs, the use of rape as a plot pivot, and cops who always arrived too late. It hit an all-time low in the 1980s. Then, in 1991, came liberalization, and a wave of openness and aspiration swept across urban India. Dilwale Dulhania Le Jayenge was released in 1995 - and Hindi cinema became Bollywood. A new crop of film-makers began to challenge and break away from established rules. Over the next twenty years, a number of Hindi films consistently pushed the envelope in terms of content and technique to create a new kind of cinema. Among other innovations, film-makers came up with ways of crowd funding a film (Ankhon Dekhi), did away with songs if the narrative did not need them (Gangaajal), addressed different sexual preferences (My Brother ... Nikhil) and people with special needs (Black) like no one had ever done before. As film critic with the Indian Express, Shubhra Gupta has stayed the course these twenty years and more and experienced the transition first-hand. In 50 Films That Changed Bollywood, 1995-2015, she looks at the modern classics that have redefined Hindi cinema - from DDLJ and Rangeela to Satya and Dev D to Queen and Bajrangi Bhaijaan. Gupta offers a fascinating glimpse into how these films spoke to their viewers and how the viewers reacted to them - and, ultimately, how they changed us and how we changed them.
Author: Shubhra Gupta
Publisher: Harper Collins
ISBN: 9351778487
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
Hindi cinema was trapped in formulaic cliches for decades: lost-and-found themes, sacrificing mothers, brothers on opposite sides of the law, villains lording over their dens, colourful molls, six songs, the use of rape as a plot pivot, and cops who always arrived too late. It hit an all-time low in the 1980s. Then, in 1991, came liberalization, and a wave of openness and aspiration swept across urban India. Dilwale Dulhania Le Jayenge was released in 1995 - and Hindi cinema became Bollywood. A new crop of film-makers began to challenge and break away from established rules. Over the next twenty years, a number of Hindi films consistently pushed the envelope in terms of content and technique to create a new kind of cinema. Among other innovations, film-makers came up with ways of crowd funding a film (Ankhon Dekhi), did away with songs if the narrative did not need them (Gangaajal), addressed different sexual preferences (My Brother ... Nikhil) and people with special needs (Black) like no one had ever done before. As film critic with the Indian Express, Shubhra Gupta has stayed the course these twenty years and more and experienced the transition first-hand. In 50 Films That Changed Bollywood, 1995-2015, she looks at the modern classics that have redefined Hindi cinema - from DDLJ and Rangeela to Satya and Dev D to Queen and Bajrangi Bhaijaan. Gupta offers a fascinating glimpse into how these films spoke to their viewers and how the viewers reacted to them - and, ultimately, how they changed us and how we changed them.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 859
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Book Description
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 805
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Book Description
Author: Neelam Sidhar Wright
Publisher: Edinburgh University Press
ISBN: 0748696350
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this innovative study reveals how Indian cinema has changed in the 21st century.
Author:
Publisher: Penguin Books India
ISBN: 9780143032441
Category : Hindu literature
Languages : en
Pages : 446
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Book Description
The Penguin Book of New Writing from India 2005 An anthology of new writing and new writers, and established writers writing in a new genre-First Proofshowcases original and brilliant non-fiction and fiction. The collection includes works in progress, essays, short stories, and a graphic short. Among the nonfiction in this volume is an account of a childhood in boarding school, a portrait of Naipaul on his first visit to India in the 60s, reportage on Sri Lanka, the RSS, a don in Bihar, an essay on the Bollywood vamp, and glimpses of Kashmir. Fiction includes themes of incest, suicide, love, lust, familial bonds, human relationships, loneliness, dysfunctional people, and a graphic vignette with London as a backdrop.
Author: Deepa Gahlot
Publisher: Hay House, Inc
ISBN: 938454485X
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
An essential resource for scholars, connoisseurs and serious fans of Indian cinema, Take-2 makes for an entertaining, informative and nostalgia-filled read In the last few years there has been a glut of books on Indian cinema but most of them focus on the life and times of famous stars or celebrate popular film classics. Even though information and film trivia are now easier to access than ever before, some films have completely disappeared with not even a single print available due to reasons both tragic and strange. Also lost in time are some filmmakers and actors who once added their bit to the history of Indian cinema but have now simply vanished from our collective memory. In Take-2, Deepa Gahlot reacquaints or introduces us to 50 films (and many artistes) that merit our attention. While some on this list were chosen because they were the first Indian films of their kind, or were obscure films by well-known directors, others deserve mention because they were by creative talents whose contribution to Hindi cinema has been overlooked. Gahlot’s mission to rescue and preserve these forgotten gems should inspire us to go back and take another look.
Author: Pradnya Bivalkar
Publisher: BoD – Books on Demand
ISBN: 3946552889
Category : Social Science
Languages : en
Pages : 530
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Book Description
Identity conflicts, a prominent feature of our times, a phenomenon of belonging somewhere yet belonging nowhere, are increasingly finding their way into cinema. This book looks at the representations of identity conflicts in India on the canvas of Indian cinema, connecting them with broader socio-political developments in contemporary India. Starting with the historical background of how political developments in Europe like the emergence of Nation states, secularism, modernity influenced socio-political developments in India in the past century, the book looks at how those developments have shaped modern India. While looking at the cinematic representations of a variety of identity conflicts through the lens of cultural and political analysis, it provides insights into how the construct of an Identity and the inherent conflicts associated with it evolve and manifest themselves through the medium of a film.
Author: Maureen Turim
Publisher: Taylor & Francis
ISBN: 1000960706
Category : Social Science
Languages : en
Pages : 255
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Book Description
This book presents an innovative comparative view of how the issue of adolescent sexuality and consent is differently treated in various media. Analyzing teenage sexual encounters with adults across a variety of media, including films, television, novels, and podcasts, the volume takes a positive stance on the expression of teenage sexuality, while remaining sensitive to the power of adults to abuse and manipulate. The anthology treats these representations as negotiations between conflicting forces: desire, sexual self-knowledge, unequal power, and the law, the latter both actual legal statutes and internalized law in the philosophical and psychoanalytic sense. Questions of unequal power inherent in such relations are theorized. The authors examine variations of this configuration of sexual relations between teenagers and adults from different perspectives, to consider how various forms of expression rework it formally. These essays are attuned to both nuances of presentation and contexts of reception, and they consider how aesthetics play a role. Contributing to the general debate about the ways that societies construct and regulate adolescent sexuality, this book will be of great interest to scholars and students of media studies, cultural studies, film studies, television studies, sociology, and gender studies
Author: Shubhra Gupta
Publisher: Pan Macmillan
ISBN: 9395624523
Category : Performing Arts
Languages : en
Pages : 424
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Book Description
An eminent film critic engages Bollywood and beyond in conversation about Irrfan Khan’s art, craft, life and legacy. A spellbinding performer, Irrfan Khan was also a seeker who never stopped honing his skills, each new work a revelation, his oeuvre transformative for Hindi cinema. From his National School of Drama days to his nearly decade-long stint in television and subsequently his arrival in the movies, everyone who watched Irrfan knew they were in the presence of someone special. With his death from an incurable cancer, we lost an actor nonpareil. What is it that gave Irrfan, an ‘outsider’ to Bollywood, his distinction? What has been his contribution to cinema? How does one measure his legacy? Long-time film critic Shubhra Gupta asks these and other probing questions to members of the film fraternity who knew Irrfan, worked with him or observed him closely – Sutapa Sikdar, Shailja Kejriwal, Shyam Benegal, Tigmanshu Dhulia, Vishal Bhardwaj, Naseeruddin Shah, Mira Nair, Konkona Sen Sharma, Anup Singh, Tillotama Shome, Karan Johar, Anurag Kashyap, among several others. As they discuss Irrfan’s films, his craft, and his philosophy as an actor, what emerges is a deeply layered, complex and endlessly absorbing portrait of one of Indian cinema’s most influential artistes. Abuzz with a polyphony of perspectives on the actor and Hindi cinema at large, this is a rich collectible for Irrfan’s admirers and cinephiles alike.
Author: Saiam Z U
Publisher: Om Books International
ISBN: 938007025X
Category : Motion pictures
Languages : en
Pages : 289
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Book Description
Published in the year 2012, Housefull: The Golden Age Of Hindi Cinema is a collection of short essays that document some of the groundbreaking film releases during the 1950s and 60s. Summary Of The Book Housefull: The Golden Age of Hindi Cinema is a collection of short essays that provide insights into the best films in Hindi Cinema during the 1950s and 60s. This book starts off with a foreword by Mahesh Bhatt, followed by a brief introduction by Salam. The readers are provided with little-known facts on the lives of actors, directors, composers, lyricists, and producers during this golden age. This book has been divided into 11 parts, most of which examine the lives of some of the greatest directors during the 50s and 60s, which include Guru Dutt, Bimal Roy, B. R. Chopra, Shakti Samanta, Raj Kapoor, Mehboob Khan, V. Shantaram and the Anands. There is a rather incongruous portion placed between these sections, called Period Films (1952-1960). Each section starts off with a brief introduction by a renowned figure in the Hindi film industry, followed by a series of write-ups on films. Only landmark films by a particular director have been included. An example of this is Bimal Roy, whose hit movies such as Devdas, Madhumati, Sujata, Bandini, and Do Bigha Zameen have been added in this book. Each essay begins with some brief information about the movie, such as the director, writers, lyricist, lead actors, and the cinematographer, which is followed by the movie’s synopsis. Additionally, the readers are given insights into how a particular movie came into being as well as behind-the-scenes stories sans any gossip. The writer of that particular section then gives their take on where the movie scores and what contributed to its success. This book consists of contributions from some of the most renowned figures such as Vijay Lokapally, Anuj Kumar, and Suresh Kohli. This book takes the readers back in time, when the eminent Mangeshkar sisters sang together and the time Gulzar was prevented from singing his own song. Housefull: The Golden Age of Hindi Cinema helps the readers understand how Indian cinematic history has evolved from films such as Mughal-e-Azam and Sholay, to Tare Zameen Par and Lagaan. About Ziya Us Salam Ziya Us Salam is an author and journalist. Salam is a film critic and renowned journalist. He currently serves as the Deputy Editor for The Hindu’s Metroplus. He has been writing about Indian cinema regularly, making his contributions to several anthologies.
