Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 122
Book Description
25 sonate per clavicembalo
Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 122
Book Description
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 122
Book Description
12 sonate per pianoforte
Author: Muzio Clementi
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 112
Book Description
18 composizioni per clavicembalo o pianoforte WO 2-3, 5, 8, 10-23
Author: Muzio Clementi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 156
Book Description
3 sonate per clavicembalo o pianoforte op. 7
Author: Muzio Clementi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 56
Book Description
Keyboard Instruments in Eighteenth-century Vienna
Author: C. R. F. Maunder
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Dictionary Catalog of the Music Collection
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 780
Book Description
German Music Criticism in the Late Eighteenth Century
Author: Mary Sue Morrow
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271
Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271
Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Musical characteristics, op. 19, per clavicembalo o pianoforte
Author: Muzio Clementi
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 124
Book Description
Catalogue
Author: H. Baron (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 222
Book Description