Author: A. J. Davis
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 126
Book Description
Music to the Hymns and Anthems for Jewish Worship by G. Gottheil
Author: A. J. Davis
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 126
Book Description
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 126
Book Description
New Testament Christological Hymns
Author: Matthew E. Gordley
Publisher: InterVarsity Press
ISBN: 083088002X
Category : Religion
Languages : en
Pages : 276
Book Description
We know that the earliest Christians sang hymns. But are some of these early Christian hymns preserved for us in the New Testament? Matthew Gordley takes a new look at didactic hymns in the Greco-Roman and Jewish world of the early church, considering how they might function in the New Testament and what they could tell us about early Christian worship.
Publisher: InterVarsity Press
ISBN: 083088002X
Category : Religion
Languages : en
Pages : 276
Book Description
We know that the earliest Christians sang hymns. But are some of these early Christian hymns preserved for us in the New Testament? Matthew Gordley takes a new look at didactic hymns in the Greco-Roman and Jewish world of the early church, considering how they might function in the New Testament and what they could tell us about early Christian worship.
The Hebrew Yeshua Vs. the Greek Jesus
Author: Nehemia Gordon
Publisher:
ISBN: 9780976263708
Category : Bible
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780976263708
Category : Bible
Languages : en
Pages : 0
Book Description
Hymns of the Roman liturgy
Author: Catholic Church
Publisher:
ISBN:
Category : Hymnarium
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Hymnarium
Languages : en
Pages : 302
Book Description
A Heavenly Chorus
Author: Justin Jeffcoat Schedtler
Publisher: Mohr Siebeck
ISBN: 9783161531262
Category : Religion
Languages : en
Pages : 412
Book Description
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
Publisher: Mohr Siebeck
ISBN: 9783161531262
Category : Religion
Languages : en
Pages : 412
Book Description
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
Jewish Religious Music in Nineteenth-Century America
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 025304023X
Category : Music
Languages : en
Pages : 303
Book Description
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
Publisher: Indiana University Press
ISBN: 025304023X
Category : Music
Languages : en
Pages : 303
Book Description
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
The Letter to the Colossians
Author: Scot McKnight
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467447064
Category : Religion
Languages : en
Pages : 532
Book Description
The Letter to the Colossians offers a compelling vision of the Christian life; its claims transcend religion and bring politics, culture, spirituality, power, ethnicity, and more into play. Delving deeply into the message of Colossians, this exegetical and theological commentary by Scot McKnight will be welcomed by preachers, teachers, and students everywhere.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467447064
Category : Religion
Languages : en
Pages : 532
Book Description
The Letter to the Colossians offers a compelling vision of the Christian life; its claims transcend religion and bring politics, culture, spirituality, power, ethnicity, and more into play. Delving deeply into the message of Colossians, this exegetical and theological commentary by Scot McKnight will be welcomed by preachers, teachers, and students everywhere.
Matzoh Ball Gumbo (Volume 2 of 2) (EasyRead Super Large 20pt Edition)
Author:
Publisher: ReadHowYouWant.com
ISBN: 1442997524
Category :
Languages : en
Pages : 518
Book Description
Publisher: ReadHowYouWant.com
ISBN: 1442997524
Category :
Languages : en
Pages : 518
Book Description
Hymns Ancient and Modern
Author:
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 1068
Book Description
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 1068
Book Description
The Colossian Hymn in Context
Author: Matthew E. Gordley
Publisher: Mohr Siebeck
ISBN: 9783161492556
Category : Music
Languages : en
Pages : 320
Book Description
The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.
Publisher: Mohr Siebeck
ISBN: 9783161492556
Category : Music
Languages : en
Pages : 320
Book Description
The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.