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Author:
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ISBN:
Category : Motion picture industry
Languages : en
Pages : 1072
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Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 1072
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Author: Frank Jewett Mather
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1034
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Author:
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ISBN:
Category : Art
Languages : en
Pages : 354
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Author:
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ISBN:
Category : Art
Languages : en
Pages : 372
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Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
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Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
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Category : New York (N.Y.)
Languages : en
Pages : 786
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Author: Jon Hendricks
Publisher: Harry N. Abrams
ISBN: 9780810909205
Category : Art
Languages : en
Pages : 616
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Book Description
Fluxus was an art movement of the 1960s and 70s that set out to abolish the canonized art idioms of the day. Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.
Author: Julie H. Reiss
Publisher: MIT Press
ISBN: 9780262681346
Category : Architecture
Languages : en
Pages : 212
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Book Description
This is the first book-length study of installation art. JulieReiss concentrates on some of the central figures in its emergence,including artists, critics, and curators.
Author: Alexander Alberro
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s. Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art. Distributed for the Generali Foundation, Vienna.
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Category : Great Britain
Languages : en
Pages : 2360
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