1896 cinema

1896 cinema PDF Author: Maher Asaad Baker
Publisher: Maher Asaad Baker
ISBN: 3757513622
Category : Education
Languages : en
Pages : 39

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Book Description
Since the rise of artists like Rembrandt, the Netherlands has dominated the development of European visual arts, bringing its culture to a global audience. The Netherlands, a nation with a small population, has never had much money for movies, however, it has produced a small number of outstanding documentary filmmakers as well as several creative and productive auteurs and cameramen who were in charge of some of the most iconic shots in both Dutch and international films. Cinema has been a part of the Dutch cultural movement since the beginning, and despite the relatively small size of the Dutch film industry, there have been various vibrant times when Dutch cinema flourished. This book will go into this industry's history which spans more than 100 years.

1896 cinema

1896 cinema PDF Author: Maher Asaad Baker
Publisher: Maher Asaad Baker
ISBN: 3757513622
Category : Education
Languages : en
Pages : 39

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Book Description
Since the rise of artists like Rembrandt, the Netherlands has dominated the development of European visual arts, bringing its culture to a global audience. The Netherlands, a nation with a small population, has never had much money for movies, however, it has produced a small number of outstanding documentary filmmakers as well as several creative and productive auteurs and cameramen who were in charge of some of the most iconic shots in both Dutch and international films. Cinema has been a part of the Dutch cultural movement since the beginning, and despite the relatively small size of the Dutch film industry, there have been various vibrant times when Dutch cinema flourished. This book will go into this industry's history which spans more than 100 years.

An Amorous History of the Silver Screen

An Amorous History of the Silver Screen PDF Author: Zhang Zhen
Publisher: University of Chicago Press
ISBN: 9780226982373
Category : History
Languages : en
Pages : 534

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Book Description
Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature.

The Cine Goes to Town

The Cine Goes to Town PDF Author: Richard Abel
Publisher: Univ of California Press
ISBN: 0520079361
Category : History
Languages : en
Pages : 596

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Book Description
A history of French film

Cosmopolitan Film Cultures in Latin America, 1896–1960

Cosmopolitan Film Cultures in Latin America, 1896–1960 PDF Author: Rielle Navitski
Publisher: Indiana University Press
ISBN: 0253026555
Category : Performing Arts
Languages : en
Pages : 391

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Book Description
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.

The Silent Cinema in Song, 1896-1929

The Silent Cinema in Song, 1896-1929 PDF Author: Ken Wlaschin
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 404

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Book Description
"This study begins the documentation of the lost history of songs of the silent cinema. Part one chronologically lists and describes songs about movies created between 1896 and 1929. Part two provides an alphabetical list of movie stars, including a brief biography of each. Part three reviews the recordings of these songs"--Note de l'éditeur.

Mexican Cinema

Mexican Cinema PDF Author: Carl J. Mora
Publisher: McFarland
ISBN: 0786491876
Category : Performing Arts
Languages : en
Pages : 337

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Book Description
Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.

Mexican Cinema

Mexican Cinema PDF Author: Carl J. Mora
Publisher: Univ of California Press
ISBN: 9780520043046
Category : Performing Arts
Languages : en
Pages : 284

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Book Description
The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.

Early film theories in Italy, 1896-1922

Early film theories in Italy, 1896-1922 PDF Author: Silvio Alovisio
Publisher: Amsterdam University Press
ISBN: 9048527104
Category : Art
Languages : en
Pages : 519

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Book Description
How did Italian writers, scholars, clergymen, psychologists, members of parliament, and philosophers react to the advent of cinema? How did they establish a common language to discuss an invention that exceeded habits and expectations, and that transcended existing forms and categories of thought? This anthology gathers for the first time a large number of social discourses that in Italy tried to define and contextualize cinema from the 1890s to 1920s. What results is an impressive picture of a culture in distress at a 'scandalous' event and eager to appropriate it for the sake of modernization.

Italian National Cinema

Italian National Cinema PDF Author: Pierre Sorlin
Publisher: Routledge
ISBN: 1134817770
Category : Social Science
Languages : en
Pages : 214

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Book Description
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.

The Film Factory

The Film Factory PDF Author: Ian Christie
Publisher: Routledge
ISBN: 1135082510
Category : Social Science
Languages : en
Pages : 486

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Book Description
The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.