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Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611923414
Category : Drama
Languages : en
Pages : 220
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Book Description
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611923414
Category : Drama
Languages : en
Pages : 220
Get Book Here
Book Description
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Author: Kathy Peiss
Publisher: University of Pennsylvania Press
ISBN: 081220459X
Category : History
Languages : en
Pages : 249
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Book Description
ZOOT SUIT (n.): the ultimate in clothes. The only totally and truly American civilian suit. —Cab Calloway, The Hepster's Dictionary, 1944 Before the fashion statements of hippies, punks, or hip-hop, there was the zoot suit, a striking urban look of the World War II era that captivated the imagination. Created by poor African American men and obscure tailors, the "drape shape" was embraced by Mexican American pachucos, working-class youth, entertainers, and swing dancers, yet condemned by the U.S. government as wasteful and unpatriotic in a time of war. The fashion became notorious when it appeared to trigger violence and disorder in Los Angeles in 1943—events forever known as the "zoot suit riot." In its wake, social scientists, psychiatrists, journalists, and politicians all tried to explain the riddle of the zoot suit, transforming it into a multifaceted symbol: to some, a sign of social deviance and psychological disturbance, to others, a gesture of resistance against racial prejudice and discrimination. As controversy swirled at home, young men in other places—French zazous, South African tsotsi, Trinidadian saga boys, and Russian stiliagi—made the American zoot suit their own. In Zoot Suit, historian Kathy Peiss explores this extreme fashion and its mysterious career during World War II and after, as it spread from Harlem across the United States and around the world. She traces the unfolding history of this style and its importance to the youth who adopted it as their uniform, and at the same time considers the way public figures, experts, political activists, and historians have interpreted it. This outré style was a turning point in the way we understand the meaning of clothing as an expression of social conditions and power relations. Zoot Suit offers a new perspective on youth culture and the politics of style, tracing the seam between fashion and social action.
Author: Marco Finnegan
Publisher: Graphic Universe
ISBN: 1541591135
Category : Young Adult Fiction
Languages : en
Pages : 147
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Book Description
Los Angeles, 1943. It's the era of the Zoot Suit Riots, and Flaca and Cuata have a problem. It's bigger than being grounded by their strict mother. It's bigger than tensions with the soldiers stationed nearby. And it's shaped like a five-foot-tall lizard. When a lost member of an unknown underground species needs help, the sisters must scramble to keep their new friend away from a corrupt military scientist—but they'll do it in style. Cartoonist Marco Finnegan presents Lizard in a Zoot Suit, an outrageous, historical, sci-fi graphic novel. "[Lizard in a Zoot Suit] is both a politically charged drama and a pulpy sci-fi story all in one, and an ideal graphic novel for Young Adults."—Comicon.com "A new YA graphic novel [that] takes a moment in real world history and turns it into the basis for a thrilling adventure that is never anything less than stylish."—The Hollywood Reporter
Author: Luis Valdez
Publisher:
ISBN:
Category : Mexican Americans
Languages : en
Pages : 216
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Book Description
Author: Catherine S. Ramírez
Publisher: Duke University Press
ISBN: 0822388642
Category : Social Science
Languages : en
Pages : 258
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Book Description
The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities.
Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611922288
Category : Drama
Languages : en
Pages : 212
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Book Description
For more than twenty years, Luis Valdez, the most distinguished Latino playwright and director, has reserved most of his scripts for live stage productions. His two landmark published collections, Early Works and Zoot Suit and Other Plays, are only a sampling of his early master works and of the later plays that made it to the stage in the 1980s. Now, Valdez has finally opened his trunk to release print editions of a revised early work and two brand new, major dramas. Mummified Deer is ValdezÍs mature exploration of the Yaqui Indian roots of Mexican American culture and ValdezÍs own family. Returning to the format of the tent show, Valdez mines maternal psychology and Yaqui mysticism to demand that characters scale the full gamut of emotions. In this gut-wrenching piece, Mama Chu is the dominant, imposing figure who must reconcile the present with the past and unify the conflicting histories and identities of her family. Mundo Mata is the long-awaited drama of unionizing farm workers battling the agribusiness power structure in California while Mexican Americans are being sent off to battle brown-skinned enemies in Vietnam. Valdez assesses the toll that families have to pay to remain united against divisive forces. It all comes down to Reymundo, the antihero, who in the end must weigh existential and political questions. The Shrunken Head of Pancho Villa, ValdezÍs re-worked first play, still holds all the vision, spunk, and innovation of the young playwright. Injecting black humor into domestic drama, disembodied heads talk, mothers exchange roles with the patriarch, pachucos banter, and sell-outs become the mouthpieces for an oppressed communityall characters and themes that would dominate future plays of Valdez and subsequent Chicano literature.
Author: Jorge A. Huerta
Publisher: Cambridge University Press
ISBN: 9780521778176
Category : Drama
Languages : en
Pages : 226
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Book Description
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Author: Margarita Engle
Publisher: Simon and Schuster
ISBN: 1534409440
Category : Juvenile Nonfiction
Languages : en
Pages : 208
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Book Description
In early 1940s Los Angeles, Mexican Americans Marisela and Lorena work in canneries all day then jitterbug with sailors all night with their zoot suit wearing younger brother Ray, as escort until the night racial violence leads to murder. Told in verse format.
Author: Luis Alvarez
Publisher: Univ of California Press
ISBN: 0520934210
Category : History
Languages : en
Pages : 337
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Book Description
Flamboyant zoot suit culture, with its ties to fashion, jazz and swing music, jitterbug and Lindy Hop dancing, unique patterns of speech, and even risqué experimentation with gender and sexuality, captivated the country's youth in the 1940s. The Power of the Zoot is the first book to give national consideration to this famous phenomenon. Providing a new history of youth culture based on rare, in-depth interviews with former zoot-suiters, Luis Alvarez explores race, region, and the politics of culture in urban America during World War II. He argues that Mexican American and African American youths, along with many nisei and white youths, used popular culture to oppose accepted modes of youthful behavior, the dominance of white middle-class norms, and expectations from within their own communities.
Author: Eduardo Obregón Pagán
Publisher: Univ of North Carolina Press
ISBN: 0807862096
Category : Social Science
Languages : en
Pages : 328
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Book Description
The notorious 1942 "Sleepy Lagoon" murder trial in Los Angeles concluded with the conviction of seventeen young Mexican American men for the alleged gang slaying of fellow youth Jose Diaz. Just five months later, the so-called Zoot Suit Riot erupted, as white soldiers in the city attacked minority youths and burned their distinctive zoot suits. Eduardo Obregon Pagan here provides the first comprehensive social history of both the trial and the riot and argues that they resulted from a volatile mix of racial and social tensions that had long been simmering. In reconstructing the lives of the murder victim and those accused of the crime, Pagan contends that neither the convictions (which were based on little hard evidence) nor the ensuing riot arose simply from anti-Mexican sentiment. He demonstrates instead that a variety of pre-existing stresses, including demographic pressures, anxiety about nascent youth culture, and the war effort all contributed to the social tension and the eruption of violence. Moreover, he recovers a multidimensional picture of Los Angeles during World War II that incorporates the complex intersections of music, fashion, violence, race relations, and neighborhood activism. Drawing upon overlooked evidence, Pagan concludes by reconstructing the murder scene and proposes a compelling theory about what really happened the night of the murder.
