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Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264
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Book Description
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264
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Book Description
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
Author: Roman Sandgruber
Publisher: Frontline Books
ISBN: 1399019309
Category : Biography & Autobiography
Languages : en
Pages : 274
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Book Description
The bundle of 31 letters, the pages of which had long yellowed with age, had lain hidden in the attic where they were found for over a century. Only when the razor-sharp script was examined further did historians discover just who had written them – and that person, Alois, was Adolf Hitler’s father. Born Alois Schicklgruber on 7 June 1837, the identity of his biological father still undisclosed, Alois eventually became a civil servant in the Austrian customs service. At around the age of 40, Alois changed his family name from Schicklgruber to Hitler – his infamous son being born some eleven years later. The contents of the re-discovered letters have allowed the renowned historian and author Roman Sandgruber to reassess the image that we have of Alois, offering the world a completely new and authentic impression of the man. In Hitler’s Father, Sandgruber re-examines Alois’ personality and how he significantly shaped the young Adolf. The letters also shed further light onto the everyday life of the Hitler family as whole, a story which is often characterized by myths, inventions and assumptions. They have given the author the opportunity to recount the childhood and youth of the future dictator, painting a dramatic picture of the ‘Führer’ growing up. These letters also help answer the question that is so often asked: How could a child from an Upper Austrian province, seemingly a failure and self-taught, rise to a position of such power? Indeed, Adolf Hitler’s father and ‘the province’ seemingly lay heavily on him until his suicide in the Führerbunker in 1945. The author examines how the young Hitler’s lowly upbringing may have affected him in the years that followed – years which shaped the history of the whole world.
Author: Charlie English
Publisher: Random House
ISBN: 0525512055
Category : History
Languages : en
Pages : 353
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Book Description
The untold story of Hitler’s war on “degenerate” artists and the mentally ill that served as a model for the “Final Solution.” “A penetrating chronicle . . . deftly links art history, psychiatry, and Hitler’s ideology to devastating effect.”—The Wall Street Journal As a veteran of the First World War, and an expert in art history and medicine, Hans Prinzhorn was uniquely placed to explore the connection between art and madness. The work he collected—ranging from expressive paintings to life-size rag dolls and fragile sculptures made from chewed bread—contained a raw, emotional power, and the book he published about the material inspired a new generation of modern artists, Max Ernst, André Breton, and Salvador Dalí among them. By the mid-1930s, however, Prinzhorn’s collection had begun to attract the attention of a far more sinister group. Modernism was in full swing when Adolf Hitler arrived in Vienna in 1907, hoping to forge a career as a painter. Rejected from art school, this troubled young man became convinced that modern art was degrading the Aryan soul, and once he had risen to power he ordered that modern works be seized and publicly shamed in “degenerate art” exhibitions, which became wildly popular. But this culture war was a mere curtain-raiser for Hitler’s next campaign, against allegedly “degenerate” humans, and Prinzhorn’s artist-patients were caught up in both. By 1941, the Nazis had murdered 70,000 psychiatric patients in killing centers that would serve as prototypes for the death camps of the Final Solution. Dozens of Prinzhorn artists were among the victims. The Gallery of Miracles and Madness is a spellbinding, emotionally resonant tale of this complex and troubling history that uncovers Hitler’s wars on modern art and the mentally ill and how they paved the way for the Holocaust. Charlie English tells an eerie story of genius, madness, and dehumanization that offers readers a fresh perspective on the brutal ideology of the Nazi regime.
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 852
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Book Description
Author: Library of the Surgeon-General's Office (U.S.)
Publisher:
ISBN:
Category : Incunabula
Languages : en
Pages : 1064
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Book Description
Author: J. P. Wearing
Publisher: Rowman & Littlefield
ISBN: 0810893215
Category : Performing Arts
Languages : en
Pages : 1404
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Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new. Although each volume contains indexes specific to that decade, The London Stage 1890–1959: Accumulated Indexes combines all of the indexes into one comprehensive resource for more efficient research. For example, those wishing to locate all the references to a particular actor, play, or theatre whose history spanned more than one decade will find all of the entries listed in this set. This set includes four key indexes: general, genre, theatre, and title. The general index consists of numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. With approximately 40,000 people listed, this is the largest single source of theatrical personnel on the London stage during this period. The genre index comprises all entries for production types, including comedies, dramas, farces, and tragedies, as well as ballets, operas, adaptations, foreign works, pantomimes, and translations. The theatre index features every building to stage a production, from the Adelphi to Wyndham’s. The title index cites 14,000 productions, identifying every work produced on stage from Domestic Economy in January 1890 to When in Rome in December 1959. As a supplement to the individual volumes, The London Stage 1890–1959: Accumulated Indexes will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Author: Royal Society (Great Britain)
Publisher:
ISBN:
Category : Learned institutions and societies
Languages : en
Pages : 896
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Book Description
Author: Penelope Curtis
Publisher: Oxford University Press, USA
ISBN: 9780192842282
Category : Art
Languages : en
Pages : 306
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Book Description
This book provides a comprehensive analysis of the significant growth of sculpture as an artistic form in Europe and America from 1900-1945. Using a clearly-defined thematic structure it identifies key issues and developments throughout this important period in the history of art. Individualchapters cover: public sculpture, the monument, the object, image-making, the built environment, the figurative ideal, and different materials. These themes broadly reflect the changing cultural and political climate of a turbulent period which included two world wars, each preceded by widespreadrising nationalism. The practice of sculpture is considered within the wider artistic context of painting and architecture and the development of international art markets. Auguste Rodin, whose ground-breaking exhibition opened in Paris in 1900, serves as the book's point of departure, and as arecurrent point of reference.
Author: Wilma S. Davis
Publisher:
ISBN:
Category : Allton family
Languages : en
Pages : 1126
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Book Description
This book contains a compilation of family genealogies submitted to the Alton-Allton-Aulton Association family newsletter by its members and other contributors ... [and] the previous Allton-Alton Association family newsletter ... 1973-1980. ... Many of the genealogies contained in this publication were published in part or entirely in the Allton-Alton Association family newsletter, although most have been updated and expanded. ...
Author: Ines Schlenker
Publisher: Peter Lang
ISBN: 9783039109050
Category : Art
Languages : en
Pages : 346
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Book Description
From 1937 to 1944 the National Socialist regime organised a series of art exhibitions, Grosse Deutsche Kuntstausstellung, in Munich. This book traces the history of the exhibitions, characterises the artists and artworks shown and investigates how the local Munich tradition of displaying art was reinvented for national purposes.
