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Author: Shane McCausland
Publisher: Hong Kong University Press
ISBN: 988802857X
Category : Biography & Autobiography
Languages : en
Pages : 459
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Book Description
Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan renaissance.' The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book will be a must for scholars, curators, and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting. Shane McCauslandis a lecturer in the history of Chinese art in the Department of Art and Archaeology at SOAS, University of London.
Author: Shane McCausland
Publisher: Hong Kong University Press
ISBN: 988802857X
Category : Biography & Autobiography
Languages : en
Pages : 459
Get Book
Book Description
Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan renaissance.' The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book will be a must for scholars, curators, and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting. Shane McCauslandis a lecturer in the history of Chinese art in the Department of Art and Archaeology at SOAS, University of London.
Author: James C. Y. Watt
Publisher: Metropolitan Museum of Art
ISBN: 0300166567
Category : Art and society
Languages : en
Pages : 362
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Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2010-Jan. 2, 2011.
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
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Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Author: Ankeney Weitz
Publisher: BRILL
ISBN: 900448938X
Category : History
Languages : en
Pages : 412
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Book Description
Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368). At the core of Weitz’s book is a complete translation of the Record of Clouds and Mist Passing Before One’s Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296. The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.
Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
ISBN: 1588392813
Category : Art
Languages : en
Pages : 185
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Book Description
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Author: Richard M. Barnhart
Publisher: Yale University Press
ISBN: 0300094477
Category : Art
Languages : en
Pages : 422
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Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author: Oleg Grabar
Publisher: BRILL
ISBN: 9789004081550
Category : Art
Languages : en
Pages : 212
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Book Description
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works ;Jonathan M. Bloom, The Mosque of the Qarafa in Cairo ;Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture ;Howard Crane, Some Archaeological Notes on Turkish Sardis ;Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period ;Do gan Kuban, The Style of Sinan's Domed Structures ;Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries ;Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan ;Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture ;Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan ;Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations ;A.J. Lee, Islamic Star Patterns ;
Author: Patricia Buckley Ebrey
Publisher: Cambridge University Press
ISBN: 9780521669917
Category : History
Languages : en
Pages : 360
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Book Description
A look at the over eight thousand year history and civilization of China.
Author: Uta Lauer
Publisher: Franz Steiner Verlag
ISBN: 9783515079327
Category : Art
Languages : en
Pages : 218
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Book Description
The Chinese Chan (jap. Zen) abbot Zhongfeng Mingben of the Yuan Dynasty forged a synthesis of buddhist sutra writing and draft-cursive (zhang cao) script in his calligraphy. This highly idiosyncratic, new style of calligraphy prompted innovative trends in Ming Dynasty China and transmitted current Chinese artistic developments to Japan where it had a major impact on Zen- and tea circles.
Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110790947
Category : Art
Languages : en
Pages : 664
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Book Description
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
