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Author: Charles Moser
Publisher: Cambridge University Press
ISBN: 9780521425674
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
Author: Charles Moser
Publisher: Cambridge University Press
ISBN: 9780521425674
Category : Literary Criticism
Languages : en
Pages : 724
Get Book Here
Book Description
An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
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Author: Ivan Sergeevich TURGENEV
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Alexander Levitsky
Publisher: ABRAMS
ISBN: 1468314157
Category : Fiction
Languages : en
Pages : 705
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Book Description
“Discover some curiosities and some genuinely fascinating, powerfully resonant works” in this Book Riot 50 Must-Reads of Slavic Literature selection (Kirkus Reviews). A constant thread woven throughout the history of Russian literature is that of fantasy and an escape from the bounds of realism. Worlds Apart is the first single-volume anthology that explores this fascinating and dominant theme of Russian literature—from its origins in the provincial folk tale, through its emergence in the Romantic period in the tales of Pushkin, Lermontov, and Turgenev, to its contemporary incarnation under the clouds of authoritarianism, revolution, mechanization, and modernization—with all-new translations of the key literary masterpieces that reveal the depth and ingenuity of the Russian imagination as it evolved over a period of tumultuous political, social, and technological upheaval. Alexander Levitsky, perhaps the world’s foremost expert on this genre, has selected and provided engaging and informative introductions to the selections that simultaneously represent the works of Russia’s best authors and reveal the dominant themes of her history. The authors range from familiar figures—Pushkin, Lermontov, Turgenev, Gogol, Dostoevsky, Bulgakov, and Bely—to writers practically unknown outside the Slavic world such as Derzhavin, Bulgarin, Kuprin, and Pilniak. Worlds Apart is an awe-provoking anthology with a compelling appeal both to the fantasy enthusiast and anyone with an abiding interest in Russian history and culture.
Author: Ben Hellman
Publisher: BRILL
ISBN: 9004256385
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
Russian literature for children and young people has a history that goes back over 400 years, starting in the late sixteenth century with the earliest alphabet primers and passing through many different phases over the centuries that followed. It has its own success stories and tragedies, talented writers and mediocrities, bestsellers and long-forgotten prize winners. After their seizure of power in 1917, the Bolsheviks set about creating a new culture for a new man and a starting point was children's literature. 70 years of Soviet control and censorship were succeeded in the 1990s by a re-birth of Russian children's literature. This book charts the whole of this story, setting Russian authors and their books in the context of translated literature, critical debates and official cultural policy.
Author:
Publisher:
ISBN:
Category : Criminology
Languages : en
Pages : 246
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Author: Велимир Хлебников
Publisher: Harvard University Press
ISBN: 9780674140455
Category : Biography & Autobiography
Languages : en
Pages : 494
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Book Description
Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.
Author: Reuben Myron Strong
Publisher: Alpha Edition
ISBN: 9789354308048
Category : Reference
Languages : en
Pages : 532
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Велимир Хлебников
Publisher: Harvard University Press
ISBN: 9780674505162
Category : Biography & Autobiography
Languages : en
Pages : 274
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Book Description
Velimir Khlebnikov is one of the great Russian poets of the 20th century. Hailed by contemporaries and by later scholars as the creative genius behind the Russian Futurist movement, Khlebnikov is famous for his inaccessibility. Now, in a powerful American rendition, we are given access to his strange and beautiful world.
Author: Elizabeth Allen
Publisher: Stanford University Press
ISBN: 0804765677
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Critical studies of Turgenev have tended to focus on his realistic portrayals of nineteenth-century Russian life and have therefore closely allied Turgenev with the dominant literary movement of that time, Realism. By contrast, this book reveals the non-Realist literary patterns that distinguish Turgenev's fiction. In so doing, it newly uncovers an intricate, imaginative vision of human experience that unites poetics and ethics. The first part of the book identifies and assesses the ethical values associated with Realism, finding them rooted in the virtues of the traditional rural community. It then elucidates the very different ethical values that inform Turgenev's art, which are rooted not in the virtues of the community but in those of the individual who creatively conceives and independent ethical stance. Turgenev is thus shown to prize art not as a means of merely representing reality but as a means of demonstrating how human lives can be artistically shaped to achieve psychological and moral fulfillment. In its second part this study addresses various facets of Turgenev's poetics, and the ethical motives behind them, as exemplified in disparate works. One chapter examines how Turgenev orchestrates time and space to illuminate the moral advantages of self-constraint. Another explores Turgenev's adroit management of language to foster imprecision and ambiguity and thereby to prevent explicit articulation of psychologically and morally threatening ideas. Still another chapter concentrates on Turgenev's manipulations of narrative points of view as he displays the benefits of bringing multiple perspectives to bear on painful experience. And a final chapter probes the techniques of characterization Turgenev employs to evaluate varieties of success and failure in pursuit of self-fulfillment. The book concludes by indicating how Turgenev faltered in his last novel precisely by undertaking the Realist enterprise, and how he then reasserted non-Realist aesthetic and ethical principles in his final literary creations, prose poems. Throughout this book, a series of close reading discloses the very rhythm of Turgenev's thought—the nexus between his aesthetic and moral imaginations. These reading reveal Turgenev's belief in "secular salvation," a belief inspired not by faith in otherworldly redemption but by confidence in individual human beings' ability to save themselves from suffering in this world. This study therefore shows Turgenev to be at once more complex and more creative, more modern and more moral, than readers confining him to the realm of Realism have acknowledged.
Author:
Publisher:
ISBN:
Category : Civilization, Slavic
Languages : en
Pages : 404
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