You Don't Need Four Women to Play Shakespeare PDF Download
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Author: Ida Prosky
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Based on 50 structured interviews (with actors, actresses, directors, and stage managers) and a random survey of 244 performers who worked in Washington, D.C., from May 1986 to May 1987, this study looks at gender and other bias in the American theater. The interviewees, ranging in age from 19 to 78, reflect on bias against women in the theater; lack of parts, age and race stereotypes, unequal pay, workplace harassment, and so on.
Author: Ida Prosky
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Based on 50 structured interviews (with actors, actresses, directors, and stage managers) and a random survey of 244 performers who worked in Washington, D.C., from May 1986 to May 1987, this study looks at gender and other bias in the American theater. The interviewees, ranging in age from 19 to 78, reflect on bias against women in the theater; lack of parts, age and race stereotypes, unequal pay, workplace harassment, and so on.
Author: Brett Gamboa
Publisher: Cambridge University Press
ISBN: 1108278779
Category : Drama
Languages : en
Pages : 303
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Book Description
In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting requirements for the plays Shakespeare wrote for the company between 1594 and 1610, and describes how using the embedded casting patterns can enhance their thematic and theatrical potential. Drawing on historical records, dramatic theory, and contemporary performance this innovative work questions received ideas about early modern staging and provides scholars and contemporary theatre practitioners with a valuable guide to understanding how casting can help facilitate audience engagement. Supported by an appendix of speculative doubling charts for plays, illustrations, and online resources, this is a major contribution to the understanding of Shakespeare's dramatic craft.
Author: James C. Bulman
Publisher: Associated University Presse
ISBN: 9780838641149
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
Author: Dympna Callaghan
Publisher: John Wiley & Sons
ISBN: 1118501209
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 366
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Book Description
Author: John Hudson
Publisher: Amberley Publishing Limited
ISBN: 1445621665
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
Author: Hailey Bachrach
Publisher:
ISBN: 1009356143
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Hailey Bachrach reveals how Shakespeare used female characters in deliberate and consistent ways across his history plays. Illuminating these patterns, she helps us understand these characters not as incidental or marginal presences, but as a key lens through which to understand Shakespeare's process for transforming history into drama. Shakespeare uses female characters to draw deliberate attention to the blurry line between history and fiction onstage, bringing to life the constrained but complex position of women not only in the past itself, but as characters in depictions of said past. In Shakespeare's historical landscape, female characters represent the impossibility of fully recovering voices the record has excluded, and the empowering potential of standing outside history that Shakespeare can only envision by drawing upon the theatre's material conditions. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Cristina León Alfar
Publisher: Taylor & Francis
ISBN: 1134773382
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
How does a woman become a whore? What are the discursive dynamics making a woman a whore? And, more importantly, what are the discursive mechanics of unmaking? In Women and Shakespeare’s Cuckoldry Plays: Shifting Narratives of Marital Betrayal, Cristina León Alfar pursues these questions to tease out familiar cultural stories about female sexuality that recur in the form of a slander narrative throughout William Shakespeare’s work. She argues that the plays stage a structure of accusation and defense that unravels the authority of husbands to make and unmake wives. While men’s accusations are built on a foundation of political, religious, legal, and domestic discourses about men’s superiority to, and rule over, women, whose weaker natures render them perpetually suspect, women’s bonds with other women animate defenses of virtue and obedience, fidelity and love, work loose the fabric of patrilineal power that undergirds masculine privileges in marriage, and signify a discursive shift that constitutes the site of agency within a system of oppression that ought to prohibit such agency. That women’s agency in the early modern period must be tied to the formations of power that officially demand their subjection need not undermine their acts. In what Alfar calls Shakespeare’s cuckoldry plays, women’s rhetoric of defense is both subject to the discourse of sexual honor and finds a ground on which to “shift it” as women take control of and replace sexual slander with their own narratives of marital betrayal.
Author: Robert Smallwood
Publisher: Cambridge University Press
ISBN: 9780521794169
Category : Drama
Languages : en
Pages : 228
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Book Description
This 1998 book is the fourth volume of essays by twelve actors with the Royal Shakespeare Company.
