Author: Rachel Dwyer
Publisher: Bloomsbury Publishing
ISBN: 1839021314
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.
Yash Chopra
Author: Rachel Dwyer
Publisher: Bloomsbury Publishing
ISBN: 1839021314
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.
Publisher: Bloomsbury Publishing
ISBN: 1839021314
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.
Dilwale Dulhania Le Jayenge: (The "Brave-Hearted Will Take the Bride")
Author: Anupama Chopra
Publisher: Macmillan
ISBN: 0851709575
Category : History
Languages : en
Pages : 102
Book Description
The epitome of contemporary Bollywood and the film that changed the course of a nation's cinema.
Publisher: Macmillan
ISBN: 0851709575
Category : History
Languages : en
Pages : 102
Book Description
The epitome of contemporary Bollywood and the film that changed the course of a nation's cinema.
King of Bollywood
Author: Anupama Chopra
Publisher: Grand Central Publishing
ISBN: 0446508985
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Publisher: Grand Central Publishing
ISBN: 0446508985
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Aditya Chopra Relives
Author: Aditya Chopra
Publisher:
ISBN: 9789351961888
Category : Dilwale dulhania le jayenge (Motion picture)
Languages : en
Pages : 135
Book Description
"Twenty-four year old Aditya Chopra released his defining film, Dilwale Dulhania Le Jayenge (The Brave-Heart Will Take the Bride) on Diwali, 20 October 1995. The film swiftly made box-office gold and created a deep impression on audiences across generations. This timeless romance has now famously played for a thousand consecutive weeks at Maratha Mandir, Mumbai (where it continues to play), making it India's longest-running film. Produced by Yash Chopra and widely known as "DDLJ", the film brought a new twist to the familiar love story. Raj (Shah Rukh Khan) and Simran (Kajol) fall in love on their travels through Europe and instead of rebelling against an objecting parent, Raj decides to win over Simran's uncompromising father. In 1996, at the height of the DDLJ craze, the young Aditya Chopra decided to step away from the limelight and despite his ever-increasing power as both producer and studio-owner, he has remained largely unseen and unheard for two decades. People outside his immediate circle know little about him and as a result, he has gained the reputation of being an enigma in a world of celebrities and glamour that thrives on constant visibility. Twenty years after the release of the film, the private and reclusive Aditya Chopra traces the journey that led to the making of his first film - he discusses his influences, shares insights on cinema and provides fascinating detail about how he went about making the movie that changed his life and that has now become part of the lives of audiences across generations. With [previously] unknown information and anecdotes about DDLJ in the words of its director ... [this] is the story of this phenomenally popular film that turned the tide of Hindi cinema in the 1990s and has rightfully earned pride of place among the most successful and acclaimed Indian films of all time"--Publisher's description.
Publisher:
ISBN: 9789351961888
Category : Dilwale dulhania le jayenge (Motion picture)
Languages : en
Pages : 135
Book Description
"Twenty-four year old Aditya Chopra released his defining film, Dilwale Dulhania Le Jayenge (The Brave-Heart Will Take the Bride) on Diwali, 20 October 1995. The film swiftly made box-office gold and created a deep impression on audiences across generations. This timeless romance has now famously played for a thousand consecutive weeks at Maratha Mandir, Mumbai (where it continues to play), making it India's longest-running film. Produced by Yash Chopra and widely known as "DDLJ", the film brought a new twist to the familiar love story. Raj (Shah Rukh Khan) and Simran (Kajol) fall in love on their travels through Europe and instead of rebelling against an objecting parent, Raj decides to win over Simran's uncompromising father. In 1996, at the height of the DDLJ craze, the young Aditya Chopra decided to step away from the limelight and despite his ever-increasing power as both producer and studio-owner, he has remained largely unseen and unheard for two decades. People outside his immediate circle know little about him and as a result, he has gained the reputation of being an enigma in a world of celebrities and glamour that thrives on constant visibility. Twenty years after the release of the film, the private and reclusive Aditya Chopra traces the journey that led to the making of his first film - he discusses his influences, shares insights on cinema and provides fascinating detail about how he went about making the movie that changed his life and that has now become part of the lives of audiences across generations. With [previously] unknown information and anecdotes about DDLJ in the words of its director ... [this] is the story of this phenomenally popular film that turned the tide of Hindi cinema in the 1990s and has rightfully earned pride of place among the most successful and acclaimed Indian films of all time"--Publisher's description.
Focus On: 100 Most Popular 20Th-century Indian Actresses
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 717
Book Description
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 717
Book Description
From Bombay to Bollywood
Author: Aswin Punathambekar
Publisher: NYU Press
ISBN: 0814771890
Category : Social Science
Languages : en
Pages : 267
Book Description
From Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry’s geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations. Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries--film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar’s transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization. Aswin Punathambekar is Assistant Professor of Communication Studies at the University of Michigan-Ann Arbor. He is the co-editor of Global Bollywood (NYU Press, 2008). In the Postmillenial Pop series
Publisher: NYU Press
ISBN: 0814771890
Category : Social Science
Languages : en
Pages : 267
Book Description
From Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry’s geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations. Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries--film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar’s transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization. Aswin Punathambekar is Assistant Professor of Communication Studies at the University of Michigan-Ann Arbor. He is the co-editor of Global Bollywood (NYU Press, 2008). In the Postmillenial Pop series
Fast, Cheap and Viral
Author: Aashish Chopra
Publisher: Hachette UK
ISBN: 9351952762
Category : Business & Economics
Languages : en
Pages : 156
Book Description
Viral marketing should not be a happy accident Aashish Chopra’s first viral video was shot with close to no budget and sparing equipment. Yet, today, his content has over 350 million views and industry masters universally agree that Aashish has cracked the viral code. In Fast, Cheap and Viral, the ace marketer shares the secrets behind his success – all of them learnt and honed on his journey. This one-stop super-guide to viral video marketing gives you the low-down on: HOW TO GRAB EYEBALLS in a sea of content; HOW TO DRIVE ENGAGEMENT (because views can be bought, but engagement is earned); WHY STORYTELLING BEATS PRODUCTION VALUE and behind-the-scenes tips and tricks; HOW TO BUILD YOUR PERSONAL BRAND and kill job insecurity. For every student, entrepreneur, blogger, marketing manager or leader who dreams of reaching millions on a shoestring budget, this book is the definitive manual on sustainable viral success.
Publisher: Hachette UK
ISBN: 9351952762
Category : Business & Economics
Languages : en
Pages : 156
Book Description
Viral marketing should not be a happy accident Aashish Chopra’s first viral video was shot with close to no budget and sparing equipment. Yet, today, his content has over 350 million views and industry masters universally agree that Aashish has cracked the viral code. In Fast, Cheap and Viral, the ace marketer shares the secrets behind his success – all of them learnt and honed on his journey. This one-stop super-guide to viral video marketing gives you the low-down on: HOW TO GRAB EYEBALLS in a sea of content; HOW TO DRIVE ENGAGEMENT (because views can be bought, but engagement is earned); WHY STORYTELLING BEATS PRODUCTION VALUE and behind-the-scenes tips and tricks; HOW TO BUILD YOUR PERSONAL BRAND and kill job insecurity. For every student, entrepreneur, blogger, marketing manager or leader who dreams of reaching millions on a shoestring budget, this book is the definitive manual on sustainable viral success.
CEO OF MY TIME FOR BEING A..I
Author: Rajeev Nalawadi
Publisher: Rajeev Nalawadi
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 388
Book Description
Each one of us has a perception of reality that is shaped by a number of factors, such as our senses, our experiences, our beliefs, our emotions, and our perspectives. This book draws from personal experiences, culture, technology, genes, philosophy, and attempts to reveal a path that systematically unveils the tools to understanding ourselves better and as a result unlock the potential deep within us. If we believe that the world is a dangerous place, we may be more likely to interpret events in a negative way. Conversely, if we believe that the world is a friendly place, we may be more likely to interpret events in a positive way. By creating an awareness of how these perceptions of reality are influential and understanding how our minds work, we can become more objective in our thinking and make better informed decisions. Technology growth has fueled our communications by helping us stay in touch with friends and family anywhere in the world, collaborate with colleagues & clients located anywhere in the world, provided accessibility to almost unlimited information and knowledge at the click of a few buttons, improved quality of life for people with disabilities, wearables to monitor our health and fitness. Despite all these life enriching experiences, there is a deep sense of anxiety, fear, and tension that is tied to newer innovations like Artificial Intelligence (AI) and many other products. Embark on this unique transformational journey with author Rajeev Nalawadi to analyze from an engineer's perspective the concepts of I, Me, Mine, You in our lives. When we see ourselves as "I", we are seeing ourselves as separate from the world around us. When we see ourselves as "me", we are seeing ourselves as a collection of thoughts, feelings, and experiences. When we see ourselves as "mine", we are seeing ourselves as attached to things and people in the material world. When we see ourselves as "you", we are seeing ourselves as connected to all other beings in the universe. How can we transform ourselves to chart life’s journey to lead a more fulfilling life amidst the wave of breakneck speed innovations about to be introduced. Tapping into the field of all possibilities is within reach for all of us, it just needs to be explored the right way. Rather than being overwhelmed by the blast of technological innovations headed our way, we can use some techniques to manage our life’s transformations in a way that can instill peace, and calmness.
Publisher: Rajeev Nalawadi
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 388
Book Description
Each one of us has a perception of reality that is shaped by a number of factors, such as our senses, our experiences, our beliefs, our emotions, and our perspectives. This book draws from personal experiences, culture, technology, genes, philosophy, and attempts to reveal a path that systematically unveils the tools to understanding ourselves better and as a result unlock the potential deep within us. If we believe that the world is a dangerous place, we may be more likely to interpret events in a negative way. Conversely, if we believe that the world is a friendly place, we may be more likely to interpret events in a positive way. By creating an awareness of how these perceptions of reality are influential and understanding how our minds work, we can become more objective in our thinking and make better informed decisions. Technology growth has fueled our communications by helping us stay in touch with friends and family anywhere in the world, collaborate with colleagues & clients located anywhere in the world, provided accessibility to almost unlimited information and knowledge at the click of a few buttons, improved quality of life for people with disabilities, wearables to monitor our health and fitness. Despite all these life enriching experiences, there is a deep sense of anxiety, fear, and tension that is tied to newer innovations like Artificial Intelligence (AI) and many other products. Embark on this unique transformational journey with author Rajeev Nalawadi to analyze from an engineer's perspective the concepts of I, Me, Mine, You in our lives. When we see ourselves as "I", we are seeing ourselves as separate from the world around us. When we see ourselves as "me", we are seeing ourselves as a collection of thoughts, feelings, and experiences. When we see ourselves as "mine", we are seeing ourselves as attached to things and people in the material world. When we see ourselves as "you", we are seeing ourselves as connected to all other beings in the universe. How can we transform ourselves to chart life’s journey to lead a more fulfilling life amidst the wave of breakneck speed innovations about to be introduced. Tapping into the field of all possibilities is within reach for all of us, it just needs to be explored the right way. Rather than being overwhelmed by the blast of technological innovations headed our way, we can use some techniques to manage our life’s transformations in a way that can instill peace, and calmness.
The Multiplex in India
Author: Adrian Athique
Publisher: Routledge
ISBN: 113518187X
Category : Social Science
Languages : en
Pages : 361
Book Description
During the decade of its existence in India, the multiplex cinema has been very much a sign of the times – both a symptom and a symbol of new social values. Indicative of a consistent push to create a ‘globalised’ consuming middle class and a new urban environment, multiplex theatres have thus become key sites in the long-running struggle over cultural legitimacy and the right to public space in Indian cities. This book provides the reader with a comprehensive account of the new leisure infrastructure arising at the intersection between contemporary trends in cultural practice and the spatial politics that are reshaping the cities of India. Exploring the significance, and convergence, of economic liberalisation, urban redevelopment and the media explosion in India, the book demonstrates an innovative approach towards the cultural and political economy of leisure in a complex and rapidly-changing society. Key arguments are supported by up-to-date and substantive field research in several major metros and second tier cities across India. Accordingly, this book employs analytical frameworks from Media and Cultural Studies, and from Urban Geography and Development Studies in a wide-ranging examination of the multiplex phenomenon.
Publisher: Routledge
ISBN: 113518187X
Category : Social Science
Languages : en
Pages : 361
Book Description
During the decade of its existence in India, the multiplex cinema has been very much a sign of the times – both a symptom and a symbol of new social values. Indicative of a consistent push to create a ‘globalised’ consuming middle class and a new urban environment, multiplex theatres have thus become key sites in the long-running struggle over cultural legitimacy and the right to public space in Indian cities. This book provides the reader with a comprehensive account of the new leisure infrastructure arising at the intersection between contemporary trends in cultural practice and the spatial politics that are reshaping the cities of India. Exploring the significance, and convergence, of economic liberalisation, urban redevelopment and the media explosion in India, the book demonstrates an innovative approach towards the cultural and political economy of leisure in a complex and rapidly-changing society. Key arguments are supported by up-to-date and substantive field research in several major metros and second tier cities across India. Accordingly, this book employs analytical frameworks from Media and Cultural Studies, and from Urban Geography and Development Studies in a wide-ranging examination of the multiplex phenomenon.
Mourning the Nation
Author: Bhaskar Sarkar
Publisher: Duke University Press
ISBN: 0822392216
Category : Performing Arts
Languages : en
Pages : 385
Book Description
What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
Publisher: Duke University Press
ISBN: 0822392216
Category : Performing Arts
Languages : en
Pages : 385
Book Description
What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.