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Author: Thomas Raynesford Lounsbury
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 634
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Book Description
Author: Thomas Raynesford Lounsbury
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 634
Get Book Here
Book Description
Author: Thomas R. Lounsbury
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 642
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Book Description
Author: Roger Eliot Stoddard
Publisher: Penn State Press
ISBN: 027105221X
Category : Literary Criticism
Languages : en
Pages : 833
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Book Description
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
Author: Francis Otto Matthiessen
Publisher:
ISBN:
Category :
Languages : en
Pages : 1132
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Book Description
Author: Thomas Lounsbury
Publisher:
ISBN: 9780899840512
Category :
Languages : en
Pages :
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Book Description
Author: W. M. Ormrod
Publisher: Yale University Press
ISBN: 0300048769
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
Beowulf, the primary epic of the English language, is a powerful heroic poem eloquently expressive of the Anglo-Saxon culture that produced it. In this beautiful book a designer, a poet, and a specialist in Anglo-Saxon literature recreate Beowulf for a modern audience. Interweaving evocative images, a new interpretation in verse, and a running commentary that helps clarify the action and setting of the poem as well as the imagery, the book brings new life to this ancient masterpiece. Randolph Swearer's oblique and allusive images create an archaic, mysterious atmosphere by depicting in forms and shadows the world of Germanic antiquity--Scandinavian and Anglo-Saxon art, artifacts, and scenery. At the same time, Raymond Oliver gives Beowulf a world in which to live, filling in the cultural gaps not with a thick matrix of footnotes but with poetry itself. Unlike many translations of Beowulf in existence, Oliver's retelling of the epic uses modern verse forms for poetic effect and includes a wealth of historically authentic descriptions, characterizations, and explanations necessary for modern readers. Marijane Osborn completes the process of restoring context to the poem by supplying a commentary to clarify the historical and geographical dimensions of the story as well as the imagery that accompanies it. All three work together to bring a likeness of an old and elusive tale to today's reader. "The book's design and the commentary on it provide a unique visual complement to Oliver's poem... A strange and moving story, compellingly told and seriously interesting to any serious reader of books."--Fred C. Robinson, from the Introduction
Author: Thomas R. Lounsbury
Publisher: Forgotten Books
ISBN: 9780483014725
Category : Poetry
Languages : en
Pages : 628
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Book Description
Excerpt from Yale Book of American Verse A statement of the sort just made is based, in truth, not only upon the assumption that the editor's acquaintance with the poetical literature of our race is absolutely complete, but that his judgment of the comparative excellence of the pieces composing it is absolutely perfect. No one would be willing to con cede the latter qualification and few the former. Every collection of poems must inevitably reflect to a great extent the limitation of the compiler's knowl edge. Many pieces which he would have been glad to include, had he been aware of their existence, are likely to have escaped his observation. But were there no lack of knowledge, the choice he makes will be certain to reflect the nature of his literary sym pathics, and even more the limitations of his literary taste; at all events its distinctive character. There are certain poems which it is always easy to select. Upon them the consent of the ages has already set the stamp of approval. Against this verdict of suc cessive generations there may be protest upon the part of the individual; but from it there can be no valid appeal. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thomas R. Lounsbury
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages :
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Book Description
... all-inclusive collection of American verse through 1912.
Author: Michael Roberts
Publisher:
ISBN: 9780571253814
Category : American poetry
Languages : en
Pages : 368
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Book Description
First published in February 1936, just under a year from when the idea for it was first discussed, this is one of the most important and influential anthologies of the twentieth century. Since then three further editions by, in succession, Anne Ridler, Donald Hall and Peter Porter have been published. All took as their kernel the original selection by Michael Roberts. This "Faber Finds" reissue restores that pristine selection. More likely than not, the original idea was T. S. Eliot's, the choice of editor was undoubtedly his, and it was an inspired one. Michael Roberts was a poet himself, and a good one, but more important for this task was his acute awareness of the poetry scene, and his sense of the modern movement within it. Yes, his purpose was tendentious. He excludes some poets he admires such as Edmund Blunden and Walter de la Mare because (they) 'seem to me to have written good poems without having been compelled to make any notable development of poetic technique.' On the other hand, 'I have included only poems which seem to me to add to the resources of poetry, to be likely to influence the future development of poetry and language . . .' From the very start (and could there be a more arresting one?) with Gerard Manley Hopkins' "The Wreck of the Deutschland" Michael Roberts powerfully and consistently fulfils that aim. Philip Hobsbaum, in "The Oxford Companion to Twentieth-Century Poetry," says of "The Faber Book of Modern Verse," 'it also encapsulates, as no other literary document quite does, the innovative quality of the 1930s.'
Author: Sara Mack
Publisher: Yale University Press
ISBN: 9780300166514
Category : Poetry
Languages : en
Pages : 200
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Book Description
Of all the poets of ancient Rome Ovid had perhaps the most influence on the art and literature of Medieval and Renaissance Europe. Even today he is probably the most accessible of all classical poets to the non-specialist, both in his subject matter and in his style. Ovid is no less fascinated than we are by the human psyche and by the ways men and women relate to each other, and many of his views on these questions seem centuries ahead of his time. Ovid’s interest in narrative technique is so much like ours that modern critical terms such as “reader-response” could have been coined for his experiments with story telling. In the creation of different personae and points of view his ingenuity is endless. For the Amores he invented a posing poet-lover; for the Art of Love, his narrator is a cynical professor of seduction who is convinced, quite wrongly, that he has love down to a science. In the Heroides, a series of verse-letters from the famous women of legend to their lovers, he brilliantly recreated great moments of heroic mythology from the feminine point of view. The longest and most enchanting of his works, the Metamorphoses, an epic-length poem on the infinite changes of mythology and history, afforded him the richest opportunities of all to experiment with narrative techniques. In this book Sara Mack introduces Ovid to the general reader. After considering Ovid’s modernity, Mack surveys his poetry chronologically. Next she examines his most influential poems: the Amores, Heroides, Art of Love, and Metamorphoses. Finally she explores Ovidian wit, concluding with a look at Ovid’s influence on the arts.
