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Author: John Peffer
Publisher: U of Minnesota Press
ISBN: 0816650012
Category : Art
Languages : en
Pages : 374
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Book Description
Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.
Author: John Peffer
Publisher: U of Minnesota Press
ISBN: 0816650012
Category : Art
Languages : en
Pages : 374
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Book Description
Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.
Author: Michael Titlestad
Publisher: BRILL
ISBN: 9004491589
Category : Social Science
Languages : en
Pages : 291
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Book Description
Throughout its history, South African Jazz has been formed from complex transactions with other black Atlantic cultures, identities and political possibilities. Making the Changes considers jazz discourse from the legendary élan vital of the Sophiatown writers, through the King Kong reportage and 'white writing', to the agonised poetics of exile.
Author: David Attwell
Publisher: Ohio University Press
ISBN: 0821417118
Category : Apartheid in literature
Languages : en
Pages : 249
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Book Description
Rewriting Modernity: Studies in Black South African Literary History connects the black literary archive in South Africa to international postcolonial studies via the theory of transculturation, a position adapted from the Cuban anthropologist Fernando Ortiz.
Author: Struan Douglas
Publisher: Lulu.com
ISBN: 1329583264
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
A COMPILATION OF COMMENTARIES AND INTERVIEWS FOR THE JAZZ ENTHUSIAST THE MUSIC LOVER. Interviews with Moses Molelekwa, Robbie Jansen, Gito Baloi, Ezra Ngcukana, Miriam Makeba, Louis Moholo, Theo Bophela, Hugh Masekela, Sathima Bea Benjamin, Carlo Mombelli, Marcus Wyatt, Claude Deppa, Morris Goldberg, Abdullah Ibrahim, Moses Khumalo, Vince Colbe, Mr Brookes, Mac Mackenzie and the Goema Captains of Cape Town. Together with running commentary of a life lived and learned through the lens of heart centred South African jazz musical vibration.The Story of SA Jazz Volume One isa great journey into exposing one of the most profound musical languages to ever come out of this country. Jazz it is said is the classical music of the 20th century. Through a collection of interviews, articles and commentaries, 'The Story of SA Jazz Volume One' exposes the extraordinary role South African musicians have played in the development of jazz music and humanity worldwide.
Author: Oyekan Owomoyela
Publisher: U of Nebraska Press
ISBN: 9780803286047
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
African literatures, says volume editor Oyekan Owomoyela, "testify to the great and continuing impact of the colonizing project on the African universe." African writers must struggle constantly to define for themselves and other just what "Africa" is and who they are in a continent constructed as a geographic and cultural entity largely by Europeans. This study reflects the legacy of colonialism by devoting nine of its thirteen chapters to literature in "Europhone" languages—English, French, and Portuguese. Foremost among the Anglophone writers discussed are Nigerians Amos Tutuola, Chinua Achebe, and Wole Soyinka. Writers from East Africa are also represented, as are those from South Africa. Contributors for this section include Jonathan A. Peters, Arlene A. Elder, John F. Povey, Thomas Knipp, and J. Ndukaku Amankulor. In African Francophone literature, we see both writers inspired by the French assimilationist system and those influenced by Negritude, the African-culture affirmation movement. Contributors here include Servanne Woodward, Edris Makward, and Alain Ricard. African literature in Portuguese, reflecting the nature of one of the most oppressive colonizing projects in Africa, is treated by Russell G. Hamilton. Robert Cancel discusses African-language literatures, while Oyekan Owomoyela treats the question of the language of African literatures. Carole Boyce Davies and Elaine Savory Fido focus on the special problems of African women writers, while Hans M. Zell deals with the broader issues of publishing—censorship, resources, and organization.
Author: Tom Penfold
Publisher: Springer
ISBN: 3319579401
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
This book analyses Black Consciousness poetry and theatre from the 1970s through to the present. South Africa’s literature, like its history, has been beset by disagreement and contradiction, and has been consistently difficult to pin down as one, united entity. Much existing criticism on South Africa’s national literature has attempted to overcome these divisions by discussing material written from a variety of different subject positions together. This book argues that Black Consciousness desired a new South Africa where African and European cultures were valued equally, and writers could represent both as they wished. Thus, a body of literature was created that addressed a range of audiences and imagined the South African nation in different ways. This book explores Black Consciousness in order to demonstrate how South African writers have responded in various ways to the changing history and politics of their country.
Author: Alice Duhan
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111209156
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
In an age of accelerating ecological crises, global inequalities and democratic fragility, it has become crucial to achieve renewed articulations of human commonality. With anchorage in critical theory as well as world literary studies, this volume approaches literature - and modes of literary thinking - as a key resource for such a task. "Universality" is understood here not as an established "universalism", but as a horizon towards which intellectual inquiry and literary practices orient themselves. In the field of world literature, there is by now a wide repertoire of epistemological resources through which claims to universality can be both questioned and reconfigured. If, at one end of the spectrum, world literature confronts us with the spectre of homogenisation and the commodification of difference under a regime of global capitalism, at another end renewed forms of philological, anthropological and ecological attentiveness to the particulars of languages and texts within the crucible of connected histories allow for defamiliarising perspectives both on received historical narratives and aesthetic practices. Vernacularity emerges here as a central point of reference for constructing the universal from within the particular, the idiomatic, and the experiences of social subordination or complicity.
Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 1496806093
Category : Music
Languages : en
Pages : 346
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Book Description
A CHOICE 2018 Outstanding Academic Title In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context. The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.
Author: Peter D. McDonald
Publisher: Oxford University Press
ISBN: 0199591113
Category : History
Languages : en
Pages : 433
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Book Description
Uncovers the tangled stories of censorship and literature in apartheid South Africa, drawing on a wealth of new evidence from censorship archives, archives of resistance publishers and writers' groups, and oral testimony. A unique perspective on one of the most repressive, anachronistic, and racist states in the post-war era.
Author: Meg Samuelson
Publisher: Taylor & Francis
ISBN: 1000439674
Category : Literary Criticism
Languages : en
Pages : 91
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Book Description
This book demonstrates the insights that literature brings to transdisciplinary urban studies, and particularly to the study of cities of the South. Starting from the claim staked by mining capital in the late nineteenth century and its production of extractive and segregated cities, it surveys over a century of writing in search of counterclaims through which the literature reimagines the city as a place of assembly and attachment. Focusing on how the South African city has been designed to funnel gold into the global economy and to service an enclaved minority, the study looks to the literary city to advance a contrary emphasis on community, conviviality and care. An accessible and informative introduction to literature of the South African city at significant historical junctures, this book will also be of great interest to scholars and students in urban studies and Global South studies.
