Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
The New Bibliopolis
Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
The Oxford Handbook of Decadence
Author: Jane Desmarais
Publisher: Oxford University Press
ISBN: 0190066954
Category : Literary Criticism
Languages : en
Pages : 745
Book Description
Edited by Jane Desmarais and David Weir.
Publisher: Oxford University Press
ISBN: 0190066954
Category : Literary Criticism
Languages : en
Pages : 745
Book Description
Edited by Jane Desmarais and David Weir.
The Routledge Companion to Architectural Drawings and Models
Author: Federica Goffi
Publisher: Taylor & Francis
ISBN: 100055032X
Category : Architecture
Languages : en
Pages : 869
Book Description
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites of knowledge construction: drawing, office, construction site; the afterlife of drawings and models: archiving, collecting, displaying, and exhibiting; tools of making: architectural representations and their apparatus over time; and the ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy. The research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.
Publisher: Taylor & Francis
ISBN: 100055032X
Category : Architecture
Languages : en
Pages : 869
Book Description
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites of knowledge construction: drawing, office, construction site; the afterlife of drawings and models: archiving, collecting, displaying, and exhibiting; tools of making: architectural representations and their apparatus over time; and the ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy. The research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.
Book Auction Records
Author: Frank Karslake
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 730
Book Description
A priced and annotated annual record of international book auctions.
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 730
Book Description
A priced and annotated annual record of international book auctions.
A Library-keeper's Business
Author: Roger Eliot Stoddard
Publisher: Oak Knoll Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 512
Book Description
Publisher: Oak Knoll Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 512
Book Description
Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
Book Description
Art and Auctions
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 606
Book Description
Librarium
Author:
Publisher:
ISBN:
Category : Bibliomania
Languages : de
Pages : 496
Book Description
Publisher:
ISBN:
Category : Bibliomania
Languages : de
Pages : 496
Book Description
International Directory of Antiquarian Booksellers
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : un
Pages : 492
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : un
Pages : 492
Book Description
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
Book Description