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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Agenda (Periodical)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Various Authors
Publisher: Taylor & Francis
ISBN: 1000808009
Category : Literary Criticism
Languages : en
Pages : 1484
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Book Description
The 3 volumes in this set, originally published between 1963 and 1980 include the first biography of Wyndham Lewis (1882 - 1957) by the award winning biographer, Jeffrey Meyers, and 2 volumes edited by personal friends of Wyndham Lewis which give a unique insight into the man, his output and his concern with the conflict between the artist-intellectual and the rest of society. Lewis is arguably one of the major intellectual figures of the 20th Century. Equally talented as a writer and painter, Lewis was innovative and controversial and well-known as the driving force behind Vorticism, the avant-garde movement that flourished in London before the First World War. A versatile painter, Lewis’ literary output was prodigous and he mastered a variety of genres – novels, poetry, philosophy, sociology, travel writing, literary and art critic. A leading revolutionary in British painting and a writer of creative genius, Wyndham Lewis also knew personally Augustus John, Ford Madox Ford, James Joyce, Ezra Pound and T. S. Eliot, who called Lewis ‘the most fascinating personality of our time’.
Author: Carmelo Cunchillos Jaime
Publisher: Peter Lang
ISBN: 9783039112005
Category : Art
Languages : en
Pages : 286
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Book Description
This volume about the modernist writer and artist Wyndham Lewis (1882-1957) presents him as a radical figure in twentieth-century modernism. The authors rediscover aspects of Lewis's work which show how his fiction challenges modernist norms, and how his acute and wide-ranging critique of culture has a vital contemporary relevance. Lewis's range is extraordinary - it covers Nietzsche as well as classic cinema, Renaissance art and English classicism. Being politically conservative, he had nonetheless a place on the political left, and he can be seen as a postmodernist before his time. These essays by leading Spanish and British specialists reveal Lewis as one of the key modernists of our time.
Author: Nathan O'Donnell
Publisher:
ISBN: 1789621666
Category : Art
Languages : en
Pages : 264
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Book Description
This is the firstbook-length study of Wyndham Lewis's cultural criticism, a valuable body ofwriting which posed questions that have yet to be answered about the role andstatus of the artist in a professionalised society, and ultimately about thevalue (economic, civic, political) of the work of art.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Paul Edwards
Publisher: Oxford University Press
ISBN: 0192874705
Category : Literary Criticism
Languages : en
Pages : 587
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Book Description
The Collected Works of Wyndham Lewis brings together for the first time all of the published writings of Wyndham Lewis (1882-1957), a major contributor to literary modernism and one of the most important British painters of the first half of the twentieth century. This is the first comprehensive edition of Time and Western Man, with explanatory notes, previously unpublished drafts, a history of composition, and an account of its critical reception. Originally published in 1927, Time and Western Man is one of Lewis's most important books, and a pioneering work of cultural criticism. It contains scathing criticism of his fellow modernist writers, Ezra Pound, James Joyce, and Gertrude Stein. The second part of the book analyses and attacks the philosophy of 'Time', focusing especially on Henri Bergson, A. N. Whitehead, Samuel Alexander, and Oswald Spengler. Many of Lewis's most penetrating arguments are in the drafts that are printed in this edition for the first time.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Dr Nathan Waddell
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409479013
Category : Social Science
Languages : en
Pages : 286
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Book Description
Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve. The contributors explore Lewis's contributions to the production and circulation of modernism and assess the links between Lewis's writing and painting and the work of other key contemporary figures, to position Lewis not only as one of the first twentieth-century cultural critics but also as one who anticipated the work of the Frankfurt School and other social theorists. Familiar topics and themes such as Vorticism receive fresh appraisals, and Lewis's significance as a philosopher-critic, novelist, and artist becomes fully realized in the context of his associations with important figures such as John Rodker, Charlie Chaplin, Evelyn Waugh, Naomi Mitchison, and Rebecca West. Lewis emerges as a figure whose writings on politics, corporate patronage, shell shock, anthropology, art, and cinema extend their influence into the late twentieth and early twenty-first centuries.
Author: Timothy Materer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Wyndham Lewis was an art critic, leader of a group of abstract painters, editor, publisher, satirist, philosopher, and so'cial commentator, as' well as a novelist. So various and uneven are his gifts that he must be judged-to avoid his dismissal as a volcanic but burnt-out genius-where his achievement is most vital. In Wyndham Lewis the Novelist, Professor Timothy Materer argues that Lewis, as an artist in prose, was greatest as a novelist, despite the ambiguous fame he won as critic and satirist. Wyndham Lewis the Novelist explores Lewis's art in the divided aims of Tarr, the breakthrough made in Snooty Baronet, the cold but brilliant accomplishment of The Revenge for Love, and the great tragic achievement of his late novel, Self Condemned. The major concerns of this study are satire and tragedy, objectivity and sympathy, and violence in Lewis's fiction. Lewis was the central figure of the group Ezra Pound called the "Vortex," the association of Lewis, Pound, T.S. Eliot, and some of the finest painters and sculptors in pre-World War I England. Professor MatereOr traces the formative impression the Vortex had upon Lewis. Lewis's artistic theories are compared to Eliot's, and the dramatic course of his career to Ezra Pound's. This is the first book on Lewis to commit itself to a comparative estimate of his achievement. It shows that Lewis's conception of satire prevented him from creating characters as vivid and alive as those of James Joyce and D.H. Lawrence. But Lewis ranks only just below these two giants, along with novelists such as Ford Madox Ford (whom Lewis resembles) and E.M. Forster. Professor Materer compares Lewis not only to the novelists of the twenties, but he also shows that Lewis's kinship with writers as recent as John Hawkes and Thomas Pynchon reveals the unfailing creative energy of Lewis's career.
