Author: Wyndham Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Wyndham Lewis on Art
Author: Wyndham Lewis
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Wyndham Lewis's Cultural Criticism and the Infrastructures of Patronage
Author: Nathan O'Donnell
Publisher:
ISBN: 1789621666
Category : Art
Languages : en
Pages : 264
Book Description
This is the firstbook-length study of Wyndham Lewis's cultural criticism, a valuable body ofwriting which posed questions that have yet to be answered about the role andstatus of the artist in a professionalised society, and ultimately about thevalue (economic, civic, political) of the work of art.
Publisher:
ISBN: 1789621666
Category : Art
Languages : en
Pages : 264
Book Description
This is the firstbook-length study of Wyndham Lewis's cultural criticism, a valuable body ofwriting which posed questions that have yet to be answered about the role andstatus of the artist in a professionalised society, and ultimately about thevalue (economic, civic, political) of the work of art.
The Fictions of James Joyce and Wyndham Lewis
Author: Scott W. Klein
Publisher: Cambridge University Press
ISBN: 0521030161
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Relationship between the work of Joyce and Lewis, expressed through similar themes and structures.
Publisher: Cambridge University Press
ISBN: 0521030161
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Relationship between the work of Joyce and Lewis, expressed through similar themes and structures.
Wyndham Lewis the Radical
Author: Carmelo Cunchillos Jaime
Publisher: Peter Lang
ISBN: 9783039112005
Category : Art
Languages : en
Pages : 286
Book Description
This volume about the modernist writer and artist Wyndham Lewis (1882-1957) presents him as a radical figure in twentieth-century modernism. The authors rediscover aspects of Lewis's work which show how his fiction challenges modernist norms, and how his acute and wide-ranging critique of culture has a vital contemporary relevance. Lewis's range is extraordinary - it covers Nietzsche as well as classic cinema, Renaissance art and English classicism. Being politically conservative, he had nonetheless a place on the political left, and he can be seen as a postmodernist before his time. These essays by leading Spanish and British specialists reveal Lewis as one of the key modernists of our time.
Publisher: Peter Lang
ISBN: 9783039112005
Category : Art
Languages : en
Pages : 286
Book Description
This volume about the modernist writer and artist Wyndham Lewis (1882-1957) presents him as a radical figure in twentieth-century modernism. The authors rediscover aspects of Lewis's work which show how his fiction challenges modernist norms, and how his acute and wide-ranging critique of culture has a vital contemporary relevance. Lewis's range is extraordinary - it covers Nietzsche as well as classic cinema, Renaissance art and English classicism. Being politically conservative, he had nonetheless a place on the political left, and he can be seen as a postmodernist before his time. These essays by leading Spanish and British specialists reveal Lewis as one of the key modernists of our time.
Wyndham Lewis
Author: Andrzej Gasiorek
Publisher: Edinburgh University Press
ISBN: 0748685693
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Wyndham Lewis (1882-1957) was one of the most innovative writers and painters of his time. An indefatigable critic of ideology, politics, and culture, Lewis was also one of modernism's key creative artists and a unique twentieth-century thinker. This book offers a scholarly companion to his written work.
Publisher: Edinburgh University Press
ISBN: 0748685693
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Wyndham Lewis (1882-1957) was one of the most innovative writers and painters of his time. An indefatigable critic of ideology, politics, and culture, Lewis was also one of modernism's key creative artists and a unique twentieth-century thinker. This book offers a scholarly companion to his written work.
Incredible Modernism
Author: John Attridge
Publisher: Routledge
ISBN: 1317117549
Category : Literary Criticism
Languages : en
Pages : 409
Book Description
With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
Publisher: Routledge
ISBN: 1317117549
Category : Literary Criticism
Languages : en
Pages : 409
Book Description
With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
Literature, Modernism, and Dance
Author: Susan Jones
Publisher: Oxford University Press
ISBN: 0199565325
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
Publisher: Oxford University Press
ISBN: 0199565325
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson
Author: R. Bruce Elder
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889208166
Category : Performing Arts
Languages : en
Pages : 585
Book Description
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage’s oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage’s films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889208166
Category : Performing Arts
Languages : en
Pages : 585
Book Description
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage’s oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage’s films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
BLAST at 100
Author:
Publisher: BRILL
ISBN: 9004347542
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
BLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine’s influence within contexts that have not been acknowledged before – in the development of Irish and Spanish literature and culture in the twentieth century, for example, as well as in the areas of cultural studies, performance studies and the scholarship of teaching and learning – BLAST at 100 reconsiders the magazine’s complex legacy. In addition to situating the magazine in new and often unexpected contexts, BLAST at 100 also offers important new insights into the work of some of its most significant contributors, including Wyndham Lewis, Ezra Pound, and Rebecca West. Contributors are: Philip Coleman, Simon Cutts, Andrzej Gąsiorek, Angela Griffith, Nicholas E. Johnson, Kathryn Laing, Christopher Lewis, J.C.C. Mays, Kathryn Milligan, Yolanda Morató, Nathan O’Donnell, Alex Runchman, Colm Summers, Tom Walker
Publisher: BRILL
ISBN: 9004347542
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
BLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine’s influence within contexts that have not been acknowledged before – in the development of Irish and Spanish literature and culture in the twentieth century, for example, as well as in the areas of cultural studies, performance studies and the scholarship of teaching and learning – BLAST at 100 reconsiders the magazine’s complex legacy. In addition to situating the magazine in new and often unexpected contexts, BLAST at 100 also offers important new insights into the work of some of its most significant contributors, including Wyndham Lewis, Ezra Pound, and Rebecca West. Contributors are: Philip Coleman, Simon Cutts, Andrzej Gąsiorek, Angela Griffith, Nicholas E. Johnson, Kathryn Laing, Christopher Lewis, J.C.C. Mays, Kathryn Milligan, Yolanda Morató, Nathan O’Donnell, Alex Runchman, Colm Summers, Tom Walker
Algebraic Art
Author: Andrea K. Henderson
Publisher: Oxford University Press
ISBN: 0192538055
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a 'science' of form, whether as lines in a painting, twinned characters in a novel, or wavelike stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll's children's books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.
Publisher: Oxford University Press
ISBN: 0192538055
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a 'science' of form, whether as lines in a painting, twinned characters in a novel, or wavelike stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll's children's books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.