Author: Samuel Richardson
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 340

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Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 552

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Author: Samuel Richardson
Publisher: 谷月社
ISBN:
Category : Fiction
Languages : en
Pages : 453

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Book Description
Pamela; or, Virtue Rewarded is an epistolary novel by Samuel Richardson, first published in 1740. It tells the story of a beautiful 15-year-old maidservant named Pamela Andrews, whose country landowner master, Mr. B, makes unwanted advances towards her after the death of his mother. After attempting unsuccessfully to seduce and rape her, her virtue is eventually rewarded when he sincerely proposes an equitable marriage to her. In the novel's second part, Pamela marries Mr. B and tries to acclimatise to upper-class society. The story, a best-seller of its time, was very widely read but was also criticized for its perceived licentiousness. Pamela Andrews is a pious, innocent fifteen-year-old who works as Lady B's maidservant in Bedfordshire. The novel starts after Lady B has died, when her son, the squire Mr. B, begins to pay Pamela more attention, first giving her his mother's clothes, then trying to seduce her in the Summer House. When he wants to pay her to keep the attempt secret, she refuses and tells Mrs. Jervis, the housekeeper, her best friend at the house. Undaunted, he hides in her closet and pops out and tries to kiss her as she undresses for bed. Pamela debates returning to her impoverished parents to preserve her innocence, but remains undecided. Mr. B claims that he plans to marry her to Mr. Williams, his chaplain in Lincolnshire, and gives money to her parents in case she will let him take advantage of her. She refuses and decides to go back to her parents, but Mr. B intercepts her letters to her parents and tells them that she is having a love affair with a poor clergyman and that he will send her to a safe place to preserve her honour. Pamela is then driven to Lincolnshire Estate and begins a journal, hoping it will be sent to her parents one day. The Lincolnshire Estate housekeeper, Mrs. Jewkes, is no Mrs. Jervis: she is a rude, "odious", "unwomanly" woman who is devoted to Mr. B; Pamela suspects that she might even be "an atheist!". Mrs. Jewkes constrains Pamela to be her bedfellow. Mr. B promises that he won't approach her without her leave, and then in fact stays away from Lincolnshire for a long time. Pamela meets Mr. Williams and they agree to communicate by putting letters under a sunflower in the garden. Mrs. Jewkes continues to maltreat Pamela, even beating her after she calls her a "Jezebel". Mr. Williams asks the village gentry for help; though they pity Pamela, none will help her because of Mr. B's social position. Sir Simon even argues that no one will hurt her, and no family name will be tarnished since Pamela belongs to the poor Andrews family. Mr. Williams proposes marriage to her to escape Mr. B's wickedness. Mr. Williams is attacked and beaten by robbers. Pamela wants to escape when Mrs. Jewkes is away, but is terrified by two nearby cows that she thinks are bulls. Mr. Williams accidentally reveals his correspondence with Pamela to Mrs. Jewkes; Mr. B jealously says that he hates Pamela, as he has claimed before. He has Mr. Williams arrested and plots to marry Pamela to one of his servants. Desperate, Pamela thinks of running away and making them believe she has drowned in the pond. She tries unsuccessfully to climb a wall, and, when she is injured, she gives up. Mr. B returns and sends Pamela a list of articles that would rule their partnership; she refuses because it means she would be his mistress. With Mrs. Jewkes' complicity, Mr. B gets into bed with Pamela disguised as the housemaid Nan, but, when Pamela falls into a fit and seems like to die, he seems to repent and is kinder in his seduction attempts. She implores him to stop altogether. In the garden he implicitly says he loves her but can't marry her because of the social gap.

Author: Stephanie Fysh
Publisher: University of Delaware Press
ISBN: 9780874136265
Category : Design
Languages : en
Pages : 172

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Samuel Richardson emerges in Fysh's analysis as a man on the cusp of change - in the organization of the printing industry and of labor generally, and in the nature of the literary text - and his work as a printer as well as his literary works (the two being fundamentally inseparable) come to be seen as instrumental in and representative of these changes.

Author: Harold Bloom
Publisher: Facts On File
ISBN:
Category : Literary Criticism
Languages : en
Pages : 192

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A selection of criticism on the writings of Samuel Richardson, arranged in chronological order of publication.

Author: Tassie Gwilliam
Publisher: Stanford University Press
ISBN: 0804725225
Category : Literary Criticism
Languages : en
Pages : 218

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In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."

Author: Samuel Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 382

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Author: J. A. Downie
Publisher: Oxford University Press
ISBN: 0199566747
Category : History
Languages : en
Pages : 625

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The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.

Author: Louise Curran
Publisher: Cambridge University Press
ISBN: 1107131510
Category : Literary Collections
Languages : en
Pages : 285

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Book Description
Examines Samuel Richardson's letters and novels, and explores the interconnection between fiction and correspondence in eighteenth-century literature.

Author: Samuel Richardson
Publisher: Oxford : Clarendon Press
ISBN:
Category : Authors, English
Languages : en
Pages : 382

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Book Description
Shy and diffident in company, when addressing his friends on paper, Samuel Richardson was at ease, warm and direct. He enjoyed writing letters, and placed a high value on them as a means of deepening friendships. At his best, his letters have the ease of conversation among intimates, not the polished prose of an "author" concerned strictly with form or style. The letters in this volume have been selected from the period in which Richardson was writing his great novels. The editor has been at pains to select those letters or passages from letters that bear on the themes and characters of the novels, on his craftsmanship and literary judgments, and on his own personality. While Richardson returns again and again to certain topics, some letters or excerpts are included because they treat the same matter from a different point of view, or with new observations. The needs of the student and scholar have been uppermost in the mind of the editor, who has tried to include the most helpful texts, if at times at the cost of some repetition.