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Author: Gabriel Heaton
Publisher: OUP Oxford
ISBN: 0191549940
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This major new study of Elizabethan and Jacobean royal entertainments, including country house entertainments, tiltyard speeches, and court masques, is the first to look in detail at the evidence provided by the surviving material texts. Drafts, royal presentation manuscripts, widely-circulating scribal copies, and printed pamphlets are all carefully placed in their cultural context, and the medium of manuscript is shown to have been at least as important as print for these texts' circulation. From the close collaboration between commissioning host and hired writer, to the varied interpretations imposed by copyists and publishers, entertainments were written and read within a complex social nexus: far from being royal propaganda, they reflected the distinct and sometimes competing agendas of monarchs, commissioning hosts, authors, publishers, scribal intermediaries, and readers. Writing and Reading Royal Entertainments explores this interpretative community through a range of texts. The first part of the book looks at Elizabethan entertainments: the Woodstock entertainment of 1575 (Chapter I); tiltyard speeches (Chapter II); and the distinctive features of printed pamphlets and scribal copies, notably of the 1602 Harefield entertainment (Chapter III). The second part of the book is mostly concerned with Ben Jonson's work for the Jacobean court, with chapters on the Merchant Taylors' entertainment (Chapter IV) and the Theobalds' entertainment (Chapter V). The final chapter looks at the texts of court masques, especially in the light of Jonson's understanding of the poet's elevated role. The book's conclusion takes the story of these material texts beyond the early modern period and looks at how they have been collected, bought, and sold over the centuries.
Author: Gabriel Heaton
Publisher: OUP Oxford
ISBN: 0191549940
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
This major new study of Elizabethan and Jacobean royal entertainments, including country house entertainments, tiltyard speeches, and court masques, is the first to look in detail at the evidence provided by the surviving material texts. Drafts, royal presentation manuscripts, widely-circulating scribal copies, and printed pamphlets are all carefully placed in their cultural context, and the medium of manuscript is shown to have been at least as important as print for these texts' circulation. From the close collaboration between commissioning host and hired writer, to the varied interpretations imposed by copyists and publishers, entertainments were written and read within a complex social nexus: far from being royal propaganda, they reflected the distinct and sometimes competing agendas of monarchs, commissioning hosts, authors, publishers, scribal intermediaries, and readers. Writing and Reading Royal Entertainments explores this interpretative community through a range of texts. The first part of the book looks at Elizabethan entertainments: the Woodstock entertainment of 1575 (Chapter I); tiltyard speeches (Chapter II); and the distinctive features of printed pamphlets and scribal copies, notably of the 1602 Harefield entertainment (Chapter III). The second part of the book is mostly concerned with Ben Jonson's work for the Jacobean court, with chapters on the Merchant Taylors' entertainment (Chapter IV) and the Theobalds' entertainment (Chapter V). The final chapter looks at the texts of court masques, especially in the light of Jonson's understanding of the poet's elevated role. The book's conclusion takes the story of these material texts beyond the early modern period and looks at how they have been collected, bought, and sold over the centuries.
Author: Elizabeth Zeman Kolkovich
Publisher: Cambridge University Press
ISBN: 1316712540
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This is the first full-length critical study of country house entertainment, a genre central to late Elizabethan politics. It shows how the short plays staged for the Queen at country estates like Kenilworth Castle and Elvetham shaped literary trends and intervened in political debates, including whether women made good politicians and what roles the church and local culture should play in definitions of England. In performance and print, country house entertainments facilitated political negotiations, rethought gender roles, and crafted regional and national identities. In its investigation of how the hosts used performances to negotiate local and national politics, the book also sheds light on how and why such entertainments enabled female performance and authorship at a time when English women did not write or perform commercial plays. Written in a lively and accessible style, this is fascinating reading for scholars and students of early modern literature, theatre, and women's history.
Author: Bradley J. Irish
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
Author: Emily Wilbourne
Publisher: Open Book Publishers
ISBN: 1800640382
Category : Music
Languages : en
Pages : 199
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Book Description
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence—from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment—this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ‘the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.
Author: Matthew Woodcock
Publisher: Oxford University Press
ISBN: 0199684308
Category : Biography & Autobiography
Languages : en
Pages : 379
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Book Description
This is the first book-length biography of Tudor writer, soldier, and courtier Thomas Churchyard (c.1529-1604), a figure well-known yet long neglected in early modern studies, who lived, wrote, and fought under five different monarchs and enjoyed an unrivalled fifty-year literary career.
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
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Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Author: John Nichols
Publisher:
ISBN: 0199551421
Category : Biography & Autobiography
Languages : en
Pages : 669
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Book Description
The fifth volume in this annotated collection of texts relating to the 'progresses' of Queen Elizabeth I around England provides 26 appendices, a detailed bibliography of primary and secondary sources, and the index to Volumes I to V.
Author: Jane Rickard
Publisher: Cambridge University Press
ISBN: 1316416232
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
King James VI and I's extensive publications and the responses they met played a key role in the literary culture of Jacobean England. This book is the first sustained study of how James's subjects commented upon, appropriated and reworked these royal writings. Jane Rickard highlights the vitality of such responses across genres - including poetry, court masque, sermon, polemic and drama - and in the different media of performance, manuscript and print. The book focuses in particular on Jonson, Donne and Shakespeare, arguing that these major authors responded in illuminatingly contrasting ways to James's claims as an author-king, made especially creative uses of the opportunities that his publications afforded and helped to inspire some of what the King in turn wrote. Their literary responses reveal that royal writing enabled a significant reimagining of the relationship between ruler and ruled. This volume will interest researchers and advanced students of Renaissance literature and history.
Author: Felicity Heal
Publisher: OUP Oxford
ISBN: 0191020133
Category : History
Languages : en
Pages : 273
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Book Description
Gifts are always with us: we use them positively to display affection and show gratitude for favours; we suspect that others give and accept them as douceurs and bribes. The gift also performed these roles in early modern English culture: and assumed a more significant role because networks of informal support and patronage were central to social and political behaviour. Favours, and their proper acknowledgement, were preoccupations of the age of Erasmus, Shakespeare, and Hobbes. As in modern society, giving and receiving was complex and full of the potential for social damage. 'Almost nothing', men of the Renaissance learned from that great classical guide to morality, Lucius Annaeus Seneca, 'is more disgraceful than the fact that we do not know how either to give or receive benefits'. The Power of Gifts is about those gifts and benefits - what they were, and how they were offered and received in the sixteenth and seventeenth centuries. It shows that the mode of giving, as well as what was given, was crucial to social bonding and political success. The volume moves from a general consideration of the nature of the gift to an exploration of the politics of giving. In the latter chapters some of the well-known rituals of English court life - the New Year ceremony, royal progresses, diplomatic missions - are viewed through the prism of gift-exchange. Gifts to monarchs or their ministers could focus attention on the donor, those from the crown could offer some assurance of favour. These fundamentals remained the same throughout the century and a half before the Civil War, but the attitude of individual monarchs altered specific behaviour. Elizabeth expected to be wooed with gifts and dispensed benefits largely for service rendered, James I modelled giving as the largesse of the Renaissance prince, Charles I's gift-exchanges focused on the art collecting of his coterie. And always in both politics and the law courts there was the danger that gifts would be corroded, morphing from acceptable behaviour into bribes and corruption. The Power of Gifts explores prescriptive literature, pamphlets, correspondence, legal cases and financial records, to illuminate social attitudes and behaviour through a rich series of examples and case-studies.
Author: Goran Stanivukovic
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773552588
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
From the fourteenth-century Sir Gawain and the Green Knight to In Parenthesis – an epic poem written in 1937 by painter and poet David Jones – English writers have looked to romance as a resource and a strategy to expand the imaginary reach of their writing. Rethinking the resilience, purpose, and place of romance in English literature, Timely Voices discusses moments that have altered how we read and interpret this ever-changing form. Addressing the various ways in which romance has absorbed and been absorbed by drama, prose, and poetry, contributors to this volume demonstrate that romance texts do not produce something defined or confined by a static genre, but rather express a repository of creative possibilities. Covering writers including the anonymous author of Sir Orfeo, Jane Austen, Geoffrey of Monmouth, Lucy Hutchinson, William Morris, Philip Sidney, William Shakespeare, and Edmund Spenser, essays explore the magic and wonder of romance, Irish and Gaelic lore, how woodcuts in early books complement and extend printed text, how romance was dramatized, how it gives language to feminist politics and ideology, and how it becomes a counterpoint to finance in the fiction of the early Romantic period. A nuanced reinterpretation of romance in its own terms, Timely Voices inspires new appreciation of this form as a solution to textual, aesthetic, structural, ideological, and political problems in literature.
