Author: Suzanne Hudson
Publisher: Cengage Learning
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
WRITING ABOUT THEATRE AND DRAMA covers everything from matters of style to forms of essays used in writing about theater. Beginning with a discussion of the theatrical review, the text covers the forms of essays used in writing about theatre, research, matters of style, structure, and vocabulary.
Writing about Theatre and Drama
Author: Suzanne Hudson
Publisher: Cengage Learning
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
WRITING ABOUT THEATRE AND DRAMA covers everything from matters of style to forms of essays used in writing about theater. Beginning with a discussion of the theatrical review, the text covers the forms of essays used in writing about theatre, research, matters of style, structure, and vocabulary.
Publisher: Cengage Learning
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
WRITING ABOUT THEATRE AND DRAMA covers everything from matters of style to forms of essays used in writing about theater. Beginning with a discussion of the theatrical review, the text covers the forms of essays used in writing about theatre, research, matters of style, structure, and vocabulary.
Writing about Theatre
Author: Christopher J. Thaiss
Publisher: Addison-Wesley Longman
ISBN: 9780205280001
Category : Drama
Languages : en
Pages : 0
Book Description
In Hamlet, when the melancholy prince kills Polonius, the dramatic tension is enhanced by the audience's knowledge that Polonius lurks behind the curtain, and that Hamlet will mistake him for his detested stepfather. Though this tension is understood and appreciated by readers of the play, its dynamics of raw intensity are perhaps best understood by the interplay between performers and audience members. By addressing both enthusiasts of theater and enthusiasts of dramatic literature, Thaiss and Davis demonstrate how one's understanding of drama is enriched by critical attention to both performance and text. It specifically addresses the writing needs of a novice playwright, not in conjunction with "writing about literature," but about the play as subject in its own right. This book provides critical analysis of play texts, as well as performance reviews, theater history research, and other examples that enliven understanding and promote versatility. In its sequence of chapters, it addresses projects of increasing sophistication, from performance reviews and play analyses to theater history research and dramatic theory papers. As a general guide to good writing, this book also promotes learning and critical/creative thought. Introductory chapters cover the principles of good writing and offer strategies to help readers overcome writer's block, organize effectively and avoid common usage and style pitfalls. Anyone interested in drama and/or literature.
Publisher: Addison-Wesley Longman
ISBN: 9780205280001
Category : Drama
Languages : en
Pages : 0
Book Description
In Hamlet, when the melancholy prince kills Polonius, the dramatic tension is enhanced by the audience's knowledge that Polonius lurks behind the curtain, and that Hamlet will mistake him for his detested stepfather. Though this tension is understood and appreciated by readers of the play, its dynamics of raw intensity are perhaps best understood by the interplay between performers and audience members. By addressing both enthusiasts of theater and enthusiasts of dramatic literature, Thaiss and Davis demonstrate how one's understanding of drama is enriched by critical attention to both performance and text. It specifically addresses the writing needs of a novice playwright, not in conjunction with "writing about literature," but about the play as subject in its own right. This book provides critical analysis of play texts, as well as performance reviews, theater history research, and other examples that enliven understanding and promote versatility. In its sequence of chapters, it addresses projects of increasing sophistication, from performance reviews and play analyses to theater history research and dramatic theory papers. As a general guide to good writing, this book also promotes learning and critical/creative thought. Introductory chapters cover the principles of good writing and offer strategies to help readers overcome writer's block, organize effectively and avoid common usage and style pitfalls. Anyone interested in drama and/or literature.
The Subversive Copy Editor
Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
How to Write About Theatre
Author: Mark Fisher
Publisher: Bloomsbury Publishing
ISBN: 1472520556
Category : Language Arts & Disciplines
Languages : en
Pages : 324
Book Description
What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you gave it a five-star rave will anyone believe you? Drawing on his long years of experience as a national newspaper critic, Mark Fisher answers such questions with candour, wit and insight. Learning lessons from history's leading critics and taking examples from around the world, he gives practical advice about how to celebrate, analyse and discuss this most ephemeral of art forms - and how to make your writing come alive as you do so. Today, more people than ever are writing about theatre, but whether you're blogging, tweeting or writing an academic essay, your challenges as a critic remain the same: how to capture a performance in words, how to express your opinions and how to keep the reader entertained. This inspirational book shows you the way to do it. Foreword by Chris Jones, Chief theater critic, Chicago Tribune
Publisher: Bloomsbury Publishing
ISBN: 1472520556
Category : Language Arts & Disciplines
Languages : en
Pages : 324
Book Description
What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you gave it a five-star rave will anyone believe you? Drawing on his long years of experience as a national newspaper critic, Mark Fisher answers such questions with candour, wit and insight. Learning lessons from history's leading critics and taking examples from around the world, he gives practical advice about how to celebrate, analyse and discuss this most ephemeral of art forms - and how to make your writing come alive as you do so. Today, more people than ever are writing about theatre, but whether you're blogging, tweeting or writing an academic essay, your challenges as a critic remain the same: how to capture a performance in words, how to express your opinions and how to keep the reader entertained. This inspirational book shows you the way to do it. Foreword by Chris Jones, Chief theater critic, Chicago Tribune
Theatre for Children
Author: David Wood
Publisher: Ivan R. Dee
ISBN: 1461664497
Category : Performing Arts
Languages : en
Pages : 277
Book Description
One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh
Publisher: Ivan R. Dee
ISBN: 1461664497
Category : Performing Arts
Languages : en
Pages : 277
Book Description
One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh
Playwriting For Dummies
Author: Angelo Parra
Publisher: John Wiley & Sons
ISBN: 1118017226
Category : Performing Arts
Languages : en
Pages : 404
Book Description
The easy way to craft, polish, and get your play on stage Getting a play written and produced is a daunting process. From crystallizing story ideas, formatting the script, understanding the roles of the director stagecraft people, to marketing and financing your project, and incorporating professional insights on writing, there are plenty of ins and outs that every aspiring playwright needs to know. But where can you turn for guidance? Playwriting For Dummies helps any writer at any stage of the process hone their craft and create the most dramatic and effective pieces. Guides you through every process of playwriting?from soliloquies, church skits, and one act plays to big Broadway musicals Advice on moving your script to the public stage Guidance on navigating loopholes If you're an aspiring playwright looking to begin the process, or have already penned a masterpiece and need trusted advice to bring it into the spotlight, Playwriting For Dummies has you covered.
Publisher: John Wiley & Sons
ISBN: 1118017226
Category : Performing Arts
Languages : en
Pages : 404
Book Description
The easy way to craft, polish, and get your play on stage Getting a play written and produced is a daunting process. From crystallizing story ideas, formatting the script, understanding the roles of the director stagecraft people, to marketing and financing your project, and incorporating professional insights on writing, there are plenty of ins and outs that every aspiring playwright needs to know. But where can you turn for guidance? Playwriting For Dummies helps any writer at any stage of the process hone their craft and create the most dramatic and effective pieces. Guides you through every process of playwriting?from soliloquies, church skits, and one act plays to big Broadway musicals Advice on moving your script to the public stage Guidance on navigating loopholes If you're an aspiring playwright looking to begin the process, or have already penned a masterpiece and need trusted advice to bring it into the spotlight, Playwriting For Dummies has you covered.
Writers' & Artists' Yearbook 2021
Author: Bloomsbury Publishing
Publisher: Bloomsbury Publishing
ISBN: 1472968158
Category : Reference
Languages : en
Pages : 1636
Book Description
The latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers' & Artists' Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator.
Publisher: Bloomsbury Publishing
ISBN: 1472968158
Category : Reference
Languages : en
Pages : 1636
Book Description
The latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers' & Artists' Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator.
100 Essays I Don't Have Time to Write
Author: Sarah Ruhl
Publisher: Macmillan + ORM
ISBN: 0374711976
Category : Performing Arts
Languages : en
Pages : 179
Book Description
100 Essays I Don't Have Time to Write is an incisive, idiosyncratic collection on life and theater from major American playwright Sarah Ruhl. This is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life. Sarah Ruhl is a mother of three and one of America's best-known playwrights. She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."
Publisher: Macmillan + ORM
ISBN: 0374711976
Category : Performing Arts
Languages : en
Pages : 179
Book Description
100 Essays I Don't Have Time to Write is an incisive, idiosyncratic collection on life and theater from major American playwright Sarah Ruhl. This is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life. Sarah Ruhl is a mother of three and one of America's best-known playwrights. She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."
Theatre
Author: Marvin Carlson
Publisher: Oxford University Press, USA
ISBN: 0199669821
Category : Performing Arts
Languages : en
Pages : 153
Book Description
Theatre is one of the longest-standing art forms of modern civilization. Taking a global look at how various forms of theatre - including puppetry, dance, and mime - have been interpreted and enjoyed, this book explores all aspects of the theatre, including its relationship with religion, literature, and its value worldwide.
Publisher: Oxford University Press, USA
ISBN: 0199669821
Category : Performing Arts
Languages : en
Pages : 153
Book Description
Theatre is one of the longest-standing art forms of modern civilization. Taking a global look at how various forms of theatre - including puppetry, dance, and mime - have been interpreted and enjoyed, this book explores all aspects of the theatre, including its relationship with religion, literature, and its value worldwide.
The High Table
Author: Temi Wilkey
Publisher: Bloomsbury Publishing
ISBN: 1350147206
Category : Performing Arts
Languages : en
Pages : 94
Book Description
Winner of Best Writer at The Stage Debut Awards 2020 That's actually what me and Leah came here to talk to you about. Look- there's no easy way of saying this, but... Leah and I are getting married. The dresses are chosen, the venue's been booked and the RSVPs are flooding in. But with her wedding to Leah drawing nearer, Tara's future is thrown into jeopardy when her Nigerian parents refuse to attend. This kind of love is unheard of, they say. It's not African. High above London, suspended between the stars, three of Tara's ancestors are jolted from their eternal rest. Stubborn and opinionated, they keep watch as family secrets are spilled and the rift widens between Tara and her parents. Can these representatives of generations passed keep the family together? And will Tara's decision ever get their blessing? An epic family drama played out between the heavens and earth, The High Table is the hilarious and heart-breaking debut play from Temi Wilkey.
Publisher: Bloomsbury Publishing
ISBN: 1350147206
Category : Performing Arts
Languages : en
Pages : 94
Book Description
Winner of Best Writer at The Stage Debut Awards 2020 That's actually what me and Leah came here to talk to you about. Look- there's no easy way of saying this, but... Leah and I are getting married. The dresses are chosen, the venue's been booked and the RSVPs are flooding in. But with her wedding to Leah drawing nearer, Tara's future is thrown into jeopardy when her Nigerian parents refuse to attend. This kind of love is unheard of, they say. It's not African. High above London, suspended between the stars, three of Tara's ancestors are jolted from their eternal rest. Stubborn and opinionated, they keep watch as family secrets are spilled and the rift widens between Tara and her parents. Can these representatives of generations passed keep the family together? And will Tara's decision ever get their blessing? An epic family drama played out between the heavens and earth, The High Table is the hilarious and heart-breaking debut play from Temi Wilkey.