The World's Best Book of Minstrelsy PDF Download
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Author: Preston Powell
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 334
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Book Description
Author: Preston Powell
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 334
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Book Description
Author: Yuval Taylor
Publisher: W. W. Norton & Company
ISBN: 0393070980
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
Author: Dale Cockrell
Publisher: Cambridge University Press
ISBN: 9780521568289
Category : Drama
Languages : en
Pages : 262
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Book Description
A study of blackface minstrels in the first half of the nineteenth century.
Author: Eric Lott
Publisher: Oxford University Press
ISBN: 0199361630
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century.
Author: Annemarie Bean
Publisher: Wesleyan University Press
ISBN: 9780819563002
Category : History
Languages : en
Pages : 332
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Book Description
A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
Author: Tim Brooks
Publisher: McFarland
ISBN: 1476676763
Category : Social Science
Languages : en
Pages : 291
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Book Description
The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Author: Eleanora E. Tate
Publisher: Open Road Media
ISBN: 1497646618
Category : Juvenile Fiction
Languages : en
Pages : 101
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Book Description
A twelve-year-old aspiring performer follows her dream in a novel that culminates at the 1904 St. Louis World’s Fair Orphelia Bruce lives in rural Missouri, the corner where Illinois, Iowa, and her home state come together. She can sing and play the piano better than anyone in Lewis County. So when Orphelia’s mother forbids her from taking part in a traveling minstrel show looking for new talent and starring her idol, Madame Meritta, she runs away to join their troupe. But life on the road isn’t what she expected. She misses her family, even her annoying older sister, Pearl—Momma’s favorite. And it’s not nearly as glamorous as Orphelia imagined. The group performs in a different town every night, which means long hours of travel. Despite her fame, Madame Meritta still has to work hard to keep her band fed and clothed. But performing at the St. Louis World’s Fair could be Orphelia’s big chance. When a long-buried secret changes everything she thought she knew about her family, will she still get to live her dream? This ebook includes a historical afterword.
Author: Christopher J Smith
Publisher: University of Illinois Press
ISBN: 0252095049
Category : Music
Languages : en
Pages : 353
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Book Description
The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.
Author: W. T. Lhamon
Publisher: Harvard University Press
ISBN: 9780674747111
Category : Music
Languages : en
Pages : 302
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Book Description
Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world. Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about classics from Uncle Tom's Cabin to Benito Cereno to The Jazz Singer, W. T. Lhamon Jr. sets out a startlingly original history of blackface as a cultural ritual that, for all its racist elements, was ultimately liberating. He shows that early blackface, dating back to the 1830s, put forward an interpretation of blackness as that which endured a commonly felt scorn and often outwitted it. To follow the subsequent turns taken by the many forms of blackface is to pursue the way modern social shifts produce and disperse culture. Raising Cain follows these forms as they prolong and adapt folk performance and popular rites for industrial commerce, then project themselves into the rougher modes of postmodern life through such heirs of blackface as stand-up comedy, rock 'n' roll, talk TV, and hip hop. Formally raising Cain in its myriad variants, blackface appears here as a racial project more radical even than abolitionism. Lhamon's account of its provenance and persistence is a major reinterpretation of American culture.
Author: P. G. Wodehouse
Publisher: W. W. Norton & Company
ISBN: 0393346714
Category : Fiction
Languages : en
Pages : 240
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Book Description
"P. G. Wodehouse wrote the best English comic novels of the century." —Sebastian Faulks Bertram Wooster’s interminable banjolele playing has driven Jeeves, his otherwise steadfast gentleman's gentleman, to give notice. The foppish aristocrat cannot survive for long without his Shakespeare-quoting and problem-solving valet, however, and after a narrowly escaped forced marriage, a cottage fire, and a great butter theft, the celebrated literary odd couple are happy to return to the way things were.
