Working with Feminism: Curating and Exhibitions in Eastern Europe PDF Download
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Author: Angela Dimitrakaki, Katrin Kivimaa, Katja Kobolt, Izabela Kowalczyk, Pawel Leszkowicz, Suzana Milevska, Bojana Pejic, Rebeka Põldsam, Mara Traumane, Airi Triisberg, Hedvig Turai
Publisher: Tallinn University Press / Tallinna Ülikooli Kirjastus
ISBN: 9985587537
Category : Art
Languages : en
Pages : 238
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Book Description
This edited collection, bringing together art historians and curators working both in the ‘East’ and the ‘West’ of Europe, is a result of a growing interest in the theorisation and historical analysis of feminist curating as a distinct practice with its own transnational history and politics. In most former state-socialist countries of Eastern Europe, the emergence and public visibility of feminist curating and exhibitions usually dates back to the 1990s and is associated with the radical transformation of art practices, ideologies and art systems as well as with wider socio-political and intellectual changes, and challenges, of post-socialist transition. This history, and its legacy, is addressed in this book through national and regional case-studies ranging from the Baltics to the Balkans. An equally significant part of the book is dedicated to the present and future of feminist curating, as well as of other politicised forms of curatorial activities (e.g. queer curating). In addition to the theoretical or historical accounts presented, the collection includes two highly relevant interviews with curators: Bojana Pejic on the block-buster exhibition Gender Check(2009–2010) in Vienna and Warsaw; and Airi Triisberg and Rebeka Põldsam on Untold Stories (2011), the first international queer exhibition in Tallinn, Estonia.
Author: Angela Dimitrakaki, Katrin Kivimaa, Katja Kobolt, Izabela Kowalczyk, Pawel Leszkowicz, Suzana Milevska, Bojana Pejic, Rebeka Põldsam, Mara Traumane, Airi Triisberg, Hedvig Turai
Publisher: Tallinn University Press / Tallinna Ülikooli Kirjastus
ISBN: 9985587537
Category : Art
Languages : en
Pages : 238
Get Book Here
Book Description
This edited collection, bringing together art historians and curators working both in the ‘East’ and the ‘West’ of Europe, is a result of a growing interest in the theorisation and historical analysis of feminist curating as a distinct practice with its own transnational history and politics. In most former state-socialist countries of Eastern Europe, the emergence and public visibility of feminist curating and exhibitions usually dates back to the 1990s and is associated with the radical transformation of art practices, ideologies and art systems as well as with wider socio-political and intellectual changes, and challenges, of post-socialist transition. This history, and its legacy, is addressed in this book through national and regional case-studies ranging from the Baltics to the Balkans. An equally significant part of the book is dedicated to the present and future of feminist curating, as well as of other politicised forms of curatorial activities (e.g. queer curating). In addition to the theoretical or historical accounts presented, the collection includes two highly relevant interviews with curators: Bojana Pejic on the block-buster exhibition Gender Check(2009–2010) in Vienna and Warsaw; and Airi Triisberg and Rebeka Põldsam on Untold Stories (2011), the first international queer exhibition in Tallinn, Estonia.
Author: Jessica Sjöholm Skrubbe
Publisher: Cambridge Scholars Publishing
ISBN: 1443887382
Category : Art
Languages : en
Pages : 190
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Book Description
Exhibitionary spaces and curatorial strategies ideologically frame the encounter between art and its publics. For more than forty years, feminist art curating, as a practice of art interpretation and a politics of display, has intersected with the diverse area of feminist art historical research and feminist artistic practices. It is only recently, however, that a theorization of feminist art curating and feminist exhibition histories as a specific field of knowledge has emerged.Curating Differently is a collection of essays that offers critical perspectives on, and analyses of, the intersections of feminisms, art exhibitions, and curatorial spaces from the 1970s onward. It brings together case studies from Australia, Israel, Europe, and North America that critically account for diverse strategies and interventions in curatorial space. The essays contribute with historical perspectives on feminist exhibition practices and curatorial models and first-hand accounts of feminist interventions within the art museum, as well as timely analyses of current intersections of feminisms within curating in the contemporary global art world.As a major contribution to the ongoing scholarly debate on the institutionalization of feminisms in art and its relative success, or failure, Curating Differently will provide new insights and provoke further discussion on the history and theory of feminist art exhibitions and curatorial spaces.
Author: Bojana Pejic
Publisher: Walther Konig Verlag
ISBN: 9783865607836
Category : Art
Languages : en
Pages : 0
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Book Description
Gender Check is the first comprehensive exhibition featuring art from Eastern Europe since the 1960s based on the theme of gender roles. 20 years after the fall of the Berlin Wall, the curator Bojana Peji?, along with a team of experts from 24 different countries, has put together a selection of over 400 works including paintings, sculpture, installations, photography, posters, films and videos. With over 200 artists, the exhibition paints an exceptionally diverse picture of a chapter in art history that until recently had been largely unknown and that could also act as an important addition to contemporary gender discourse. Published on the occasion of the exhibition in 2009/10 at Museum Moderner Kunst Stiftung Ludwig, Vienna, and at Zacheta National Gallery of Art, Warsaw. English text.
Author: Brad Buckley
Publisher: John Wiley & Sons
ISBN: 1119206855
Category : Art
Languages : en
Pages : 517
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Book Description
The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on the role of the curator, the art and science of curating, and the historical arc of the field from the 17th century to the present. The Companion explores topics such as global developments in contemporary indigenous art, Asian and Chinese art since the 1980s, feminist and queer feminist curatorial practices, and new curatorial strategies beyond the museum. This unique volume: Offers readers a wide range of perspectives on curating in both theory and practice Includes coverage of curation outside of the Eurocentric and Anglosphere art worlds Presents clear and comprehensible information valuable for specialists and novices alike Discusses the movements, models, people and politics of curating Provides guidance on curating in a globalized world Broad in scope and detailed in content, A Companion to Curation is an essential text for professionals engaged in varied forms of curation, teachers and students of museum studies, and readers interested in the workings of the art world, museums, benefactors, and curators.
Author: Kevser Güler
Publisher: Arter Publications
ISBN: 6056949087
Category : Art
Languages : en
Pages : 244
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Book Description
Arter initiated a new publication series, ARTER BACKGROUND, in 2019 to accompany exhibitions drawn from its collection, which holds around 1,400 works of art. This third book in the series accompanies the collection-based group exhibition On Celestial Bodies, opened at Arter in September 2020. In the book, excerpts of texts selected around the ideas active in the curatorial process put in practice by Kevser Güler are complemented by new essays written specifically for this context. While the exhibition deals with the ways that beings come together and disperse, the manners through which they build relations, and their ways of distancing and converging with each other, the accompanying publication, through its distinctive editorial structure, features textual and visual content pointing towards questions of materiality, embodiment and objecthood, as well as spatial, temporal, social, historical and political forms of gathering and being together. with contributions by Jean-Christophe Ammann • Kerem Ozan Bayraktar • Oliver Bendorf • Kate Briggs • Bazon Brock • Johannes Bruder • John Cage • Sevinç Çalhanoğlu • Asaf Hâlet Çelebi • Lydia Davis • Burak Delier • Gaye Çankaya Eksen • Irmgard Emmelhainz • Reha Erdem • İris Ergül • Süreyyya Evren • Susanne Von Falkenhausen • Carlos Gamerro • Maya Indira Ganesh • Elizabeth Grosz • Kevser Güler • Nilüfer Güngörmüş • Georges Didi-Huberman • Reha Keskin • Serdar Koçak • Elke Krasny • Clarice Lispector • Doreen Massey • Rubén Mira • Robert Morris • Victoria Noorthoorn • Abdullah Onay • Göze Orhon • Bernardo Ortiz Campo • Esra Özdoğan • Silva Özyerli • Marina Papazyan • Harald Szeemann • Murasaki Şikibu • Alejandro Tantanian • Tlgadintsi • Hakan Yücefer • Zahrad ARTISTS: Thomas Bayrle Elina Brotherus Annabel Daou A K Dolven Aleksandar Dimitrijević Terry Fox Naomi Wanjiku Gakunga Ludwig Gosewitz Shilpa Gupta Nilbar Güreş Altan Gürman Asta Gröting Gülsün Karamustafa Suchan Kinoshita Milan Knížák Igor Kopystiansky Alicja Kwade Nicholas Mangan Vlado Martek Aydan Murtezaoğlu Alice Nikitinová Füsun Onur Fernando Ortega Serkan Özkaya Ebru Özseçen Karin Sander Monika Sosnowska Mariana Vassileva
Author: Jasmina Tumbas
Publisher: Manchester University Press
ISBN: 1526156466
Category : Art
Languages : en
Pages : 277
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Book Description
“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
Author: Amit Pinchevski
Publisher: Taylor & Francis
ISBN: 1040192904
Category : Philosophy
Languages : en
Pages : 577
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Book Description
The second edition of this handbook offers a thoroughly updated overview of the different approaches and perspectives in communication ethics today. Extending the path paved by its predecessor, this handbook includes new issues and concerns that have emerged in the interim—from environmentalism to artificial intelligence, from disability studies to fake news. It also features a new structure, comprised of three sections representing a wide array of communication ethics: traditions, contexts, and debates. Rather than focusing exclusively on a subset of ethics (such as interpersonal communication, rhetoric, or journalism, as do other handbooks of ethics in communication), this collection provides a valuable resource for those who seek a broader basis on which to study communication ethics. This handbook is a must-read for faculty, graduate students, and advanced undergraduate students in all areas of communication studies, as well as in neighboring disciplines such as rhetoric, media studies, sociology, political science, cultural studies, and science and technology studies.
Author: Basia Sliwinska
Publisher: Bloomsbury Publishing USA
ISBN: 150135874X
Category : Art
Languages : en
Pages : 313
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Book Description
Transnational Belonging and Female Agency in the Arts interrogates the politics of space expressed via womxn's artistic practices, which prioritise solidarity and collaboration across borders, imagining attentive geographies of difference. It considers belonging as a manifestation of processes of becoming that traverse borders and generate new spaces and forms of difference. In doing so, the book aims to catalyse mutual social relations founded upon responsibility and response-ability to each other. The transnational framework activates concerns around belonging at a time of intensified divisions, partitioning global narratives, unequal trajectories and increasing violence against bodies of the most vulnerable, largely founded on Eurocentric paradigms of political, economic and cultural superiority. The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate 'in-between' spaces. This is to welcome co-affective models of belonging that question versatile embodiments of subjectivity as both agentic and as interrelational. Organised around the triangulation of modes of belonging: spatial, affective and collective, overarched by a transnational lens that acknowledges non-hierarchical, local and socially relevant genealogies against universalising politics of globalisation, these essays consider afresh ways in which female agency disrupts borders and activates concerns around different forms of belonging, citizenship and transnationalisms. Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen
Author: Museum Moderner Kunst (Austria)
Publisher: Walther Konig Verlag
ISBN: 9783865608833
Category : Art, East European
Languages : en
Pages : 0
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Book Description
After 1989, a serious body of knowledge has been produced in the former socialist states as well as in the West that theorizes the notion of gender and gender relations established in state-socialism and in the post-communist era. However, the existing volumes rarely (if ever) pay attention to the construction of femininity and masculinity in visual arts. The Gender Check reader presents, for the first time, an extensive collection of texts that explicitly analyse visual arts created before and after 1989 in the 'other' Europe in terms of gender and feminist theories. Museum für Moderne Kunst Wien, 2010. Zacheta National Gallery of Art, Warsaw, 2010.
Author: Agata Jakubowska
Publisher: Value Art Politics Lup
ISBN: 9781786940582
Category : Art
Languages : en
Pages : 0
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Book Description
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art projects, groups and associations, organised in the long 1970s in Europe (1968-1984). These all-women art initiatives are closely related to developments within the political and politicized women's movement in Europe and America but what emerges is the varied and plural manner of their engagements with feminism(s) alongside their creation of 'heterotopias' in relation to specific sites/ politics/ collaborative art practices. This book presents examples from Italy, Spain, UK, Portugal, Austria, Poland, Denmark, Germany (East and West), The Netherlands, France and Sweden. While each chapter is largely devoted to one country, the authors point to how the local and specific political situation in which these initiatives emerged is linked to global tendencies as well as inter-European exchanges. Each chapter of this book thus assesses the impact of travelling views of feminism, by considering connections made between women artists (often when travelling abroad) or their knowledge of art practices from abroad. Distinct and highly varied attitudes towards political activism (from strong engagement to a clearly pronounced distance and even hostility) are shown in each essay and, what is more, they are shown as based on radically different premises about feminism, politics and art.
