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Author: Marjorie Latta Barstow Greenbie
Publisher: Palala Press
ISBN: 9781377922690
Category : Poetry
Languages : en
Pages : 218
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Marjorie Latta Barstow Greenbie
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
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Book Description
Author: William Wordsworth
Publisher: Litres
ISBN: 5040876971
Category : Fiction
Languages : en
Pages : 185
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Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 844
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Book Description
Author: Marjorie Latta Barstow Greenbie
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Book Description
Author: Edward Hirsch
Publisher: HarperCollins
ISBN: 0547737467
Category : Poetry
Languages : en
Pages : 683
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Book Description
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Author: Marjorie Latta Barstow Greenbie
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Author: Sunil Kumar Sarker
Publisher: Atlantic Publishers & Dist
ISBN: 9788126902521
Category : English poetry
Languages : en
Pages : 400
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Book Description
This Is Perhaps The Most Comprehensive Book On Wordsworth, Having Discussions On Most Of The Different Dimensions Of The Poet As A Critic, A Poetic Theorist, A Great Lover Of Nature, A Humanist, And As A Philosopher. In This Book, Twelve Most Important Poems Of The Poet, His Five Lucy Poems And Also His Six Sonnets Have Been Thoroughly Discussed, And The Texts Of All The 23 Poems Have Been Given. In The Three Appendices, The Texts Of Wordsworth S Three Most Important Literary Essays Preface To Lyrical Ballads (1802), Appendix On Poetic Diction, And Essay Supplementary To The Preface Have Been Given For The Reader S Ready References. The Author Has Shunned All Pedantry Anywhere In The Book, His Primary Objective Being Introduction Of Wordsworth To The Generality Of Readers. References Have Always Been Cited Whenever Quotations From Critics Books Have Been Appropriated.Contents Vol. 1: Preface; Life And Works; Twelve Select Poems Of Wordsworth; The Five Lucy Poems Of Wordsworth; Six Select Sonnets Of Wordsworth; Wordsworth As A Romantic Poet; Wordsworth S Theory Of Poetry; Wordsworth As A Poet Of Nature.Contents Vol. 2: Wordsworth As A Poet Of Humanity; Wordsworth As A Philosophical Poet; Wordsworth S Style; Wordsworth As A Critic; Appreciation And Criticism Of Wordsworth; Residuary Discussions On Wordsworth; Wordsworth And Coleridge; The Prelude; The Excursion; Appendices; Bibliography; Index.
Author: W.J.B. Owen
Publisher: Routledge
ISBN: 1317226216
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
First published in 1974. Wordsworth, with Coleridge, is the major literary critic of the Romantic period. This volume assembles all of Wordsworth’s formal critical writings and a selection of critical comments from his correspondence. These documents are invaluable for Romantic poetry at large, and his theories — particularly on poetic diction, ordinary language and the nature of the creative process — inspired lively critical debate. This book discusses the nature and origin of Wordsworth’s criticism in general, and the literary tradition from which they sprang. The texts are succinctly annotated and there is a select bibliography. This book will be of interest to students of literature.
Author: Marjorie Latta Barstow
Publisher: Forgotten Books
ISBN: 9780265220849
Category : Literary Collections
Languages : en
Pages : 212
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Book Description
Excerpt from Wordsworth's Theory of Poetic Diction: A Study of the Historical and Personal Background of the Lyrical Ballads The following study was undertaken as a doctoral dis sertation under the direction of Professor Albert 5. Cook of Yale University. To Professor Cook I em especially indebted, not only for stimulating guidance in the field of the English language in general, but for a most minute and painstaking criticism of the proof. To Professor Lane Cooper of Cornell Univefsity I owe a debt less easy of definition. Although he has not read the manuscript of this book, and is not responsible for particular statements herein, the inspiration and the direction that I received from him in my reading of Wordsworth as an under graduate at Cornell has been the most Vital element in my study of the poet; if there is anything good in this work of mine, it is ultimately derived from him. I also wish to make grateful acknowledgment to Professor Charlton M. Lewis for criticism received from him in his course on nineteenth-century poets in the Graduate School of Yale University. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
