Woodcuts and Metal Cuts of the Fifteenth Century Chiefly of the German School

Woodcuts and Metal Cuts of the Fifteenth Century Chiefly of the German School PDF Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 154

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The Viewer and the Printed Image in Late Medieval Europe

The Viewer and the Printed Image in Late Medieval Europe PDF Author: DavidS. Areford
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347

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Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.

The Woodcut in Fifteenth-century Europe

The Woodcut in Fifteenth-century Europe PDF Author: Peter W. Parshall
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 422

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Book Description
The advent of printing in Western Europe is a familiar historical milestone; far less known is the emergence of a technology of image printing more than a generation before Gutenberg.

The Burlington Magazine for Connoisseurs

The Burlington Magazine for Connoisseurs PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 726

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Report

Report PDF Author: Commonwealth Shipping Committee
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 1004

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German Engravings, Etchings, and Woodcuts, Ca. 1400-1700

German Engravings, Etchings, and Woodcuts, Ca. 1400-1700 PDF Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving, German
Languages : en
Pages : 232

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British and Colonial Printer and Stationer

British and Colonial Printer and Stationer PDF Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 1214

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Esdaile's Manual of Bibliography

Esdaile's Manual of Bibliography PDF Author: Roy Bishop Stokes
Publisher: Scarecrow Press
ISBN: 9780810839229
Category : Language Arts & Disciplines
Languages : en
Pages : 426

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Book Description
Designed for the literary student, the student librarian and the beginning book collector, this manual assumes nothing but interest at the outset. In clear language, it serves to take readers to the point at which they are prepared to turn to advanced texts to develop specialized interests.

The Burlington Magazine

The Burlington Magazine PDF Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404

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Self-representation of Medieval Religious Communities

Self-representation of Medieval Religious Communities PDF Author: Anne Müller
Publisher: LIT Verlag Münster
ISBN: 382581758X
Category : Christian art and symbolism
Languages : en
Pages : 428

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Book Description
This book explores the medieval monastery as symbolic space (locus symbolicus) and looks at forms of self-representation in medieval monastic life. Papers focus on both the transitory nature of organised religious life, which is based on symbols, and the separate identities religious communities developed by using their own specific forms of ritual and symbolisation. Case studies treat the British Isles and the broader European context. Among the key issues explored here are rituals in internal organisation, the symbolic use of space, architecture and art, symbolism in social interactions, and symbolic constructions of the past.