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Author: Brenda Josephine Liddy
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 338
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Book Description
This book examines representations of women and war in female-authored drama composed in seventeenth-century England, between the years 1645 and 1689. It examines how women's writing was influenced by the war and how at the same time women were creating a discourse of war. It examines the legacy of the bloody events of the Civil War and their representation in early modern women's drama. The study focuses on three key areas: representations of women's communities, representations of female warriors, and representations of women as peacemakers. The plays are thus considered thematically, rather than chronologically. The book is organized around focal points starting with the representations of women's community in early modern drama in chapters two and three, moving on to representations of female warriors in chapters four and five, and finally considering representations of peacemakers in chapters six and seven. The present research shows that the work of these extraordinary women was created by the Civil War culture and that because of their interaction with the war, they were also shaping a literary discourse of war. Attention to these women's texts reveals their "social embedment" in early modern history and discloses "the historicity of texts and the textuality of history." This book sets a precedent by establishing a model for women's war drama; this has never been done before in previous studies, and thus this book makes an innovative and significant contribution to the field. Extremely well researched, this book provides the reader with an understanding of theoretical perspectives, relevant criticism, and women's dramatic writing of the seventeenth century.
Author: Brenda Josephine Liddy
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 338
Get Book Here
Book Description
This book examines representations of women and war in female-authored drama composed in seventeenth-century England, between the years 1645 and 1689. It examines how women's writing was influenced by the war and how at the same time women were creating a discourse of war. It examines the legacy of the bloody events of the Civil War and their representation in early modern women's drama. The study focuses on three key areas: representations of women's communities, representations of female warriors, and representations of women as peacemakers. The plays are thus considered thematically, rather than chronologically. The book is organized around focal points starting with the representations of women's community in early modern drama in chapters two and three, moving on to representations of female warriors in chapters four and five, and finally considering representations of peacemakers in chapters six and seven. The present research shows that the work of these extraordinary women was created by the Civil War culture and that because of their interaction with the war, they were also shaping a literary discourse of war. Attention to these women's texts reveals their "social embedment" in early modern history and discloses "the historicity of texts and the textuality of history." This book sets a precedent by establishing a model for women's war drama; this has never been done before in previous studies, and thus this book makes an innovative and significant contribution to the field. Extremely well researched, this book provides the reader with an understanding of theoretical perspectives, relevant criticism, and women's dramatic writing of the seventeenth century.
Author: Brenda Josephine Liddy
Publisher:
ISBN: 9781624991134
Category : English drama
Languages : en
Pages : 333
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Book Description
This book examines representations of women and war in female-authored drama composed in seventeenth-century England, between the years 1645 and 1689. It examines how women's writing was influenced by the war and how at the same time women were creating a discourse of war. It examines the legacy of the bloody events of the Civil War and their representation in early modern women's drama. The study focuses on three key areas: representations of women's communities, representations of female warriors, and representations of women as peacemakers. The plays are thus considered thematically, rather than chronologically. The book is organized around focal points starting with the representations of women's community in early modern drama in chapters two and three, moving on to representations of female warriors in chapters four and five, and finally considering representations of peacemakers in chapters six and seven. The present research shows that the work of these extraordinary women was created by the Civil War culture and that because of their interaction with the war, they were also shaping a literary discourse of war. Attention to these women's texts reveals their "social embedment" in early modern history and discloses "the historicity of texts and the textuality of history." This book sets a precedent by establishing a model for women's war drama; this has never been done before in previous studies, and thus this book makes an innovative and significant contribution to the field. Extremely well researched, this book provides the reader with an understanding of theoretical perspectives, relevant criticism, and women's dramatic writing of the seventeenth century.
Author: Vanessa L. Rapatz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513141
Category : History
Languages : en
Pages : 211
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Book Description
Convents and Novices in Early Modern English Dramatic Works attends to the religious, social, and material changes in England during the century following the Reformation, specifically examining how the English came to terms with the meanings of convents and novices even after they disappeared from the physical and social landscape. In five chapters, it traces convents and novices across a range of dramatic texts that refuse easy generic classification: problem plays such as Shakespeare's Measure for Measure; Marlowe's comic tragedy The Jew of Malta; Margaret Cavendish's closet dramas The Convent of Pleasure and The Religious; Aphra Behn's Restoration comedy The Rover; and seventeenth-century dialogues that include both a Catholic treatise promoting women's entrance into European convents and a proto-pornographic exposé of such convents. Convents, novices, and problem plays emerge as parallel sites of ambiguity that reflect the social, political, and religious uncertainties England faced after the Reformation.
Author: Hero Chalmers
Publisher: Manchester University Press
ISBN: 9780719063381
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
This is a ground-breaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The collection, edited by three pioneering scholars of elite female culture and early modern drama, makes the texts of three much-discussed plays - John Fletcher's The Wild-Goose Chase, James Shirley's The Bird in a Cage and Margaret Cavendish's The Convent of Pleasure - available together in a full scholarly edition for the first time.The Wild Goose Chase (1621) and The Bird in a Cage (1633) were both performed in the commercial London theatres in the Jacobean and Caroline periods respectively. The Convent of Pleasure (1668) is a so-called 'closet' drama, designed primarily for reading but drawing on a tradition of aristocratic theatricals. In a wide-ranging co-authored introduction to the volume, the editors explore the concerns of these playtexts in relation to contemporary debates surrounding popular festivity and anti-theatricalism, as well as the agency of elite female culture in the Stuart period and the emergence of the professional female actor in the Restoration.The volume will be an invaluable teaching and research tool for students and scholars of early modern drama, women's writing and performance studies more generally, as well as providing a rich sourcebook for the reader interested in seventeenth-century theatrical culture.
Author: Ann Baynes Coiro
Publisher: Cambridge University Press
ISBN: 1107027519
Category : History
Languages : en
Pages : 321
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Book Description
This volume explores the history and practice of historicism and its present usefulness for literary criticism, its limitations and its future.
Author: Michelene Wandor
Publisher: Psychology Press
ISBN: 9780415138550
Category : Domestic drama, English
Languages : en
Pages : 292
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Book Description
In this extensively revised and updated edition of Michelene Wandor's classic work Look Back in Gender, Wandor takes another provocative look at a selection of key British plays from the last fifty years.
Author: Pilar Cuder-Dominguez
Publisher: Routledge
ISBN: 1317048997
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
Author: M. Suzuki
Publisher: Springer
ISBN: 0230305504
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.
Author: George Parfitt
Publisher: Routledge
ISBN: 1317896688
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Provides a comprehensive and entertaining account of the vitality and variety of achievement in seventeenth-century English poetry. Revised and up-dated throughout, Dr Parfitt has added new material on poets as varied as Marvell and Traherne. There is also a completely new chapter on women poets of the seventeenth century which considers the significant contributions of writers such as Katherine Philips and Margaret Cavendish. The proven quality and success of Dr Parfitt's survey makes this the essential companion for the teacher and student of seventeenth-century verse.
Author: Alison Findlay
Publisher: Routledge
ISBN: 1317882326
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
