Blood & Irony

Blood & Irony PDF Author: Sarah E. Gardner
Publisher: Univ of North Carolina Press
ISBN: 9780807857670
Category : History
Languages : en
Pages : 368

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Book Description
"Gardner's reading of a wide range of published and unpublished texts recovers a multifaceted vision of the South. For example, during the war, while its outcome was not yet a foregone conclusion, women's writings sometimes reflected loyalty and optimism; at other times, they revealed doubts and a wavering resolve. According to Gardner, it was only in the aftermath of defeat that a more unified vision of the southern cause emerged. By the beginning of the twentieth century, however, white women - who remained deeply loyal to their southern roots - were raising fundamental questions about the meaning of southern womanhood in the modern era."--BOOK JACKET.

Blood & Irony

Blood & Irony PDF Author: Sarah E. Gardner
Publisher: Univ of North Carolina Press
ISBN: 9780807857670
Category : History
Languages : en
Pages : 368

Get Book Here

Book Description
"Gardner's reading of a wide range of published and unpublished texts recovers a multifaceted vision of the South. For example, during the war, while its outcome was not yet a foregone conclusion, women's writings sometimes reflected loyalty and optimism; at other times, they revealed doubts and a wavering resolve. According to Gardner, it was only in the aftermath of defeat that a more unified vision of the southern cause emerged. By the beginning of the twentieth century, however, white women - who remained deeply loyal to their southern roots - were raising fundamental questions about the meaning of southern womanhood in the modern era."--BOOK JACKET.

Women's Irony

Women's Irony PDF Author: Tarez Samra Graban
Publisher: SIU Press
ISBN: 0809334194
Category : Language Arts & Disciplines
Languages : en
Pages : 258

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Book Description
In Women’s Irony: Rewriting Feminist Rhetorical Histories, author Tarez Samra Graban synthesizes three decades of feminist scholarship in rhetoric, linguistics, and philosophy to present irony as a critical paradigm for feminist rhetorical historiography that is not linked to humor, lying, or intention. Using irony as a form of ideological disruption, this innovative approach allows scholars to challenge simplistic narratives of who harmed, and who was harmed, throughout rhetorical history. Three case studies of women’s political discourse between 1600 and 1900—examining the work of Anne Askew, Anne Hutchinson, and Helen M. Gougar—demonstrate how reading historical texts ironically complicates the theoretical relationships between women and agency, language and history, and archival location and memory. Interwoven throughout are shorter case studies from twentieth-century performances, revealing irony’s consciousness-raising potential for the present and the future. Ultimately, Women’s Irony suggests alternative ways to question women’s histories and consider how contemporary feminist discourse might be better historicized. Graban challenges critical methods in rhetoric, asking scholars in rhetoric and its related disciplines—composition, communication, and English studies—to rethink how they produce historical knowledge and use archives to recover women’s performances in political situations.

The Rhetoric of Women’s Humour in Barbara Pym’s Fiction

The Rhetoric of Women’s Humour in Barbara Pym’s Fiction PDF Author: Naghmeh Varghaiyan
Publisher: BoD – Books on Demand
ISBN: 3838215036
Category : Language Arts & Disciplines
Languages : en
Pages : 236

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Book Description
In this study of three of Barbara Pym’s novels, Naghmeh Varghaiyan, drawing on examinations of women’s humour by Eileen Gillooly, Regina Barreca, and others, shows how the humorous female discourse in Some Tame Gazelle, Excellent Women, and Jane and Prudence undermines patriarchal culture and subverts both female and male stereotypes such as that of the spinster and of the Byronic hero. Varghaiyan reveals how the rhetoric of women’s humour enables Pym’s female characters to survive in the patriarchal culture and to unsettle it.

The Women's Daily Irony Supplement

The Women's Daily Irony Supplement PDF Author: Judy Gruen
Publisher:
ISBN: 9780974961040
Category : Jewish women
Languages : en
Pages : 0

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Book Description
Ever fall for the lure of expensive, exotic moisturizers promising impossible anti-aging miracles? Ever receive one of those happy, sappy New Year's letters from someone you barely remember from fourth grade? Can't decide whether to stay friends with a size two woman who won't eat a carrot because of its high-carb content? If so, you're in good company. Award-winning humorist and Bikram yoga dropout Judy Gruen copes with all this and more in The Women's Daily Irony Supplement. Her riffs on female obsessions, motherhood, men, and why a woman's home is her hassle are candid, fresh, and surprisingly intimate. Reading these comic gems is guaranteed to improve the health of every woman, because laughter releases endorphins!

Irony and Outrage

Irony and Outrage PDF Author: Dannagal Goldthwaite Young
Publisher: Oxford University Press, USA
ISBN: 0190913088
Category : Mass media
Languages : en
Pages : 282

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Book Description
This text explores the aesthetics, underlying logics, and histories of two seemingly distinct genres - liberal political satire and conservative opinion talk - making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively.

Modern Sentimentalism

Modern Sentimentalism PDF Author: Lisa Mendelman
Publisher:
ISBN: 0198849877
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
Modern Sentimentalism discusses how the iconic modern woman as presented in interwar American literature. It reveals how this literary figure carries the weight of sentiment and how the question of feminine feeling is central to modernism's preoccupations and styles.

Julia Kristeva and Feminist Thought

Julia Kristeva and Feminist Thought PDF Author: Birgit Schippers
Publisher: Edinburgh University Press
ISBN: 074864606X
Category : Literary Criticism
Languages : en
Pages : 208

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Book Description
This book appraises the relationship between contemporary feminism and Julia Kristeva, a major figure in Continental thought. It addresses the conflicting range of feminist responses to Kristeva's key ideas and Kristeva's equally conflicting as well as ambiguous position vis-a-vis feminism. Schippers argues that this complex relationship can only be understood by positioning Kristeva along the fissures and fault lines which run through feminism. By attending to feminism's internal debates and disputes, and addressing the philosophical commitments and attachments held by Kristeva's critics, the book clarifies the diverse Kristeva reception within feminism and illuminates how her ideas trouble contemporary feminist thought. And despite Kristeva's fundamental ambiguity towards all matters feminist, Schippers makes a case for Kristeva's important contribution to a feminist project which is sympathetic towards her account of fluid subjectivity and her critique of identity politics. In doing so, the author advances the scholarly understanding of Kristeva and of contemporary feminist thought.

Humor and Irony in Nineteenth-century German Women's Writing

Humor and Irony in Nineteenth-century German Women's Writing PDF Author: Helen Chambers
Publisher: Camden House
ISBN: 9781571133045
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie vonEbner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place onuniversity reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.

Feminist Alternatives

Feminist Alternatives PDF Author: Nancy A. Walker
Publisher: Jackson : University Press of Mississippi
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
This analytical survey of contemporary fiction is a study of more than twenty-five novels written by women during a twenty-year period of rapid socio-cultural change resulting from the philosophy & goals of the contemporary women's movement. Winner of the 1990 Eudora Welty Prize.

The Woman at the Keyhole

The Woman at the Keyhole PDF Author: Judith Mayne
Publisher: Indiana University Press
ISBN: 9780253115041
Category : Performing Arts
Languages : en
Pages : 274

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Book Description
"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.