Author: Gesa Kirsch
Publisher: SIU Press
ISBN: 0809390841
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
Women Writing the Academy is based on an extensive interview study by Gesa E. Kirsch that investigates how women in different academic disciplines perceive and describe their experiences as writers in the university. Kirsch’s study focuses on the writing strategies of successful women writers, their ways of establishing authority, and the kinds of audiences they address in different disciplinary settings. Based on multiple interviews with thirty-five women from five different disciplines (anthropology, education, history, nursing, and psychology) and four academic ranks (seniors, graduate students, and faculty before and after tenure), this is the first book to systematically explore the academic context in which women write and publish. While there are many studies in literary criticism on women as writers of fiction, there has not been parallel scholarship on women as writers of professional discourse, be it inside or outside the academy. Through her research, for example, Kirsch found that women were less likely than their male counterparts to think of their work as sufficiently significant to write up and submit for publication, tended to hold on to their work longer than men before sending it out, and were less likely than men to revise and resubmit manuscripts that had been initially rejected. This book is significant in that it investigates a new area of research— gender and writing—and in doing so brings together findings on audience, authority, and gender.
Women Writing the Academy
Author: Gesa Kirsch
Publisher: SIU Press
ISBN: 0809318709
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
Through extensive interviews, investigates how women in different academic disciplines perceive and describe their experiences as writers in the university. No index. Annotation copyright by Book News, Inc., Portland, OR
Publisher: SIU Press
ISBN: 0809318709
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
Through extensive interviews, investigates how women in different academic disciplines perceive and describe their experiences as writers in the university. No index. Annotation copyright by Book News, Inc., Portland, OR
Women Writing the Academy
Author: Gesa Kirsch
Publisher: SIU Press
ISBN: 0809390841
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
Women Writing the Academy is based on an extensive interview study by Gesa E. Kirsch that investigates how women in different academic disciplines perceive and describe their experiences as writers in the university. Kirsch’s study focuses on the writing strategies of successful women writers, their ways of establishing authority, and the kinds of audiences they address in different disciplinary settings. Based on multiple interviews with thirty-five women from five different disciplines (anthropology, education, history, nursing, and psychology) and four academic ranks (seniors, graduate students, and faculty before and after tenure), this is the first book to systematically explore the academic context in which women write and publish. While there are many studies in literary criticism on women as writers of fiction, there has not been parallel scholarship on women as writers of professional discourse, be it inside or outside the academy. Through her research, for example, Kirsch found that women were less likely than their male counterparts to think of their work as sufficiently significant to write up and submit for publication, tended to hold on to their work longer than men before sending it out, and were less likely than men to revise and resubmit manuscripts that had been initially rejected. This book is significant in that it investigates a new area of research— gender and writing—and in doing so brings together findings on audience, authority, and gender.
Publisher: SIU Press
ISBN: 0809390841
Category : Language Arts & Disciplines
Languages : en
Pages : 176
Book Description
Women Writing the Academy is based on an extensive interview study by Gesa E. Kirsch that investigates how women in different academic disciplines perceive and describe their experiences as writers in the university. Kirsch’s study focuses on the writing strategies of successful women writers, their ways of establishing authority, and the kinds of audiences they address in different disciplinary settings. Based on multiple interviews with thirty-five women from five different disciplines (anthropology, education, history, nursing, and psychology) and four academic ranks (seniors, graduate students, and faculty before and after tenure), this is the first book to systematically explore the academic context in which women write and publish. While there are many studies in literary criticism on women as writers of fiction, there has not been parallel scholarship on women as writers of professional discourse, be it inside or outside the academy. Through her research, for example, Kirsch found that women were less likely than their male counterparts to think of their work as sufficiently significant to write up and submit for publication, tended to hold on to their work longer than men before sending it out, and were less likely than men to revise and resubmit manuscripts that had been initially rejected. This book is significant in that it investigates a new area of research— gender and writing—and in doing so brings together findings on audience, authority, and gender.
Working-class Women in the Academy
Author: Michelle M. Tokarczyk
Publisher: Univ of Massachusetts Press
ISBN:
Category : Education
Languages : en
Pages : 350
Book Description
My mother still wants me to get a 'real' job. My father, who is retired after 44 years in the merchant marine, has never read my work. When I visited recently, the only book in his house was the telephone book.
Publisher: Univ of Massachusetts Press
ISBN:
Category : Education
Languages : en
Pages : 350
Book Description
My mother still wants me to get a 'real' job. My father, who is retired after 44 years in the merchant marine, has never read my work. When I visited recently, the only book in his house was the telephone book.
The Madwoman in the Academy
Author: Deborah Schnitzer
Publisher: University of Calgary Press
ISBN: 1552380815
Category : Education
Languages : en
Pages : 216
Book Description
An original and highly subversive critique of the academy by women affiliated with universities and colleges across Canada, The Madwoman in the Academy: Women Boldly Take on the Ivory Tower explores topics familiar to women working in academia around the world: the clash between family and work, the politics of academe, and the rifts between an academic career and political activism. Contributors offer writings in a wide range of genres, including personal essays, poetry, short stories, dialogues, and other innovative formats, daring to confront their experiences with energy, anger, wit, and humour. Ranging from the playful to the painful, The Madwoman in the Academy brings you names well known to literary communities alongside new but feisty voices that will forever change readers' ideas about the relationship between women and the academy.
Publisher: University of Calgary Press
ISBN: 1552380815
Category : Education
Languages : en
Pages : 216
Book Description
An original and highly subversive critique of the academy by women affiliated with universities and colleges across Canada, The Madwoman in the Academy: Women Boldly Take on the Ivory Tower explores topics familiar to women working in academia around the world: the clash between family and work, the politics of academe, and the rifts between an academic career and political activism. Contributors offer writings in a wide range of genres, including personal essays, poetry, short stories, dialogues, and other innovative formats, daring to confront their experiences with energy, anger, wit, and humour. Ranging from the playful to the painful, The Madwoman in the Academy brings you names well known to literary communities alongside new but feisty voices that will forever change readers' ideas about the relationship between women and the academy.
Women, Writing, Theology
Author: Emily A. Holmes
Publisher:
ISBN: 9781602583764
Category : Christian literature
Languages : en
Pages : 0
Book Description
Women's theology has traditionally been pushed to the margins; it is "spirituality" or "mysticism" rather than theology proper. Theology from women has been transmitted orally, recorded by men as sayings or in hagiographies, or passed on as "stealth theology" in poems, hymns, or practices. In the past forty years, women have claimed theology for themselves and others as womanists, feminists, mujeristas, Asian, third-world, disabled, and queer women. Yet in most academic and ecclesial theology, the contributions of women skirt the borders of the written tradition. This unique volume asks about the conditions of women writing theology. How have women historically justified their writing practices? What internal and external constraints shape their capacity to write? What counts as theology, and who qualifies as a theologian? And what does it mean for women to enter a tradition that has been based, in part, on their exclusion? These essays explore such questions through historical investigations, theoretical analyses, and contemporary constructions.
Publisher:
ISBN: 9781602583764
Category : Christian literature
Languages : en
Pages : 0
Book Description
Women's theology has traditionally been pushed to the margins; it is "spirituality" or "mysticism" rather than theology proper. Theology from women has been transmitted orally, recorded by men as sayings or in hagiographies, or passed on as "stealth theology" in poems, hymns, or practices. In the past forty years, women have claimed theology for themselves and others as womanists, feminists, mujeristas, Asian, third-world, disabled, and queer women. Yet in most academic and ecclesial theology, the contributions of women skirt the borders of the written tradition. This unique volume asks about the conditions of women writing theology. How have women historically justified their writing practices? What internal and external constraints shape their capacity to write? What counts as theology, and who qualifies as a theologian? And what does it mean for women to enter a tradition that has been based, in part, on their exclusion? These essays explore such questions through historical investigations, theoretical analyses, and contemporary constructions.
Laboring Positions
Author: Sekile Nzinga-Johnson
Publisher:
ISBN: 9781927335024
Category : EDUCATION
Languages : en
Pages : 313
Book Description
Publisher:
ISBN: 9781927335024
Category : EDUCATION
Languages : en
Pages : 313
Book Description
Women Writing for (a) Change
Author: Mary Pierce Brosmer
Publisher:
ISBN: 9781933495187
Category : Authorship
Languages : en
Pages : 0
Book Description
Now in its second edition, APIL Guide to RTA Liability is written by a team of specialist personal injury (PI) lawyers and provides detailed practical guidance on every aspect of UK road traffic accident (RTA) liability. Thoroughly updated, the book is broken down into 26 accessible chapters, each focusing on a particular aspect of RTA liability, including coverage of: claims made in the UK arising from foreign accidents * the new EC directive consolidating all old RTA directives * pedestrians run down when drunk * failure to wear a seat belt * the definition of a motor vehicle * a new section containing draft model pleadings. Contents include: incidence of RTA claims in England and Wales * general principles of liability * low velocity crashes * liability for learner drivers * owner's liability * passenger's liability * driver's liability (speed and braking, overtaking, turning and side roads, traffic lights, road sign, and roundabouts) * bicyclist's liability * motor cyclist's liability * emergency vehicle's liability * pedestrian's liability * liability of children and schools * local authority liability * roadside neighbor's liability * liability for injuries caused by animals * liability for spillages and obstructions on the highway * public service vehicles * accidents abroad * insurer's liability * motor insurer bureau's liability * precedents.
Publisher:
ISBN: 9781933495187
Category : Authorship
Languages : en
Pages : 0
Book Description
Now in its second edition, APIL Guide to RTA Liability is written by a team of specialist personal injury (PI) lawyers and provides detailed practical guidance on every aspect of UK road traffic accident (RTA) liability. Thoroughly updated, the book is broken down into 26 accessible chapters, each focusing on a particular aspect of RTA liability, including coverage of: claims made in the UK arising from foreign accidents * the new EC directive consolidating all old RTA directives * pedestrians run down when drunk * failure to wear a seat belt * the definition of a motor vehicle * a new section containing draft model pleadings. Contents include: incidence of RTA claims in England and Wales * general principles of liability * low velocity crashes * liability for learner drivers * owner's liability * passenger's liability * driver's liability (speed and braking, overtaking, turning and side roads, traffic lights, road sign, and roundabouts) * bicyclist's liability * motor cyclist's liability * emergency vehicle's liability * pedestrian's liability * liability of children and schools * local authority liability * roadside neighbor's liability * liability for injuries caused by animals * liability for spillages and obstructions on the highway * public service vehicles * accidents abroad * insurer's liability * motor insurer bureau's liability * precedents.
Early Modern Women's Writing
Author: Martine van Elk
Publisher: Springer
ISBN: 3319332228
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book is the first comparative study of early modern English and Dutch women writers. It explores women’s rich and complex responses to the birth of the public sphere, new concepts of privacy, and the ideology of domesticity in the seventeenth century. Women in both countries were briefly allowed a public voice during times of political upheaval, but were increasingly imagined as properly confined to the household by the end of the century. This book compares how English and Dutch women responded to these changes. It discusses praise of women, marriage manuals, and attitudes to female literacy, along with female artistic and literary expressions in the form of painting, engraving, embroidery, print, drama, poetry, and prose, to offer a rich account of women’s contributions to debates on issues that mattered most to them.
Publisher: Springer
ISBN: 3319332228
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book is the first comparative study of early modern English and Dutch women writers. It explores women’s rich and complex responses to the birth of the public sphere, new concepts of privacy, and the ideology of domesticity in the seventeenth century. Women in both countries were briefly allowed a public voice during times of political upheaval, but were increasingly imagined as properly confined to the household by the end of the century. This book compares how English and Dutch women responded to these changes. It discusses praise of women, marriage manuals, and attitudes to female literacy, along with female artistic and literary expressions in the form of painting, engraving, embroidery, print, drama, poetry, and prose, to offer a rich account of women’s contributions to debates on issues that mattered most to them.
Women Writing Art History in the Nineteenth Century
Author: Hilary Fraser
Publisher: Cambridge University Press
ISBN: 1316062090
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
Publisher: Cambridge University Press
ISBN: 1316062090
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
Writing with Deleuze in the Academy
Author: Stewart Riddle
Publisher: Springer
ISBN: 9811320659
Category : Education
Languages : en
Pages : 212
Book Description
In this book, authors working with Deleuzean theories in educational research in Australia and the United Kingdom grapple with how the academic-writing machine might become less contained and bounded, and instead be used to free impulses to generate different creations and connections. The authors experiment with forms of writing that challenge the boundaries of academic language, moving beyond the strictures of the scientific method that governs and controls what works and what counts to make language vibrate with a new intensity. The authors construct monstrous creations, full of vitality and fervor, hybrid texts, part academic part creative assemblages, almost-but-perhaps-not-quite recognisable as research. Stories that blur the lines between true and untrue, re-presentation and invention. The contributors to this book hope that something might happen in its reading; that some new connections might be made, but also acknowledge the contingency of the encounter between text and reader, and the impossibility of presuming to know what may be.
Publisher: Springer
ISBN: 9811320659
Category : Education
Languages : en
Pages : 212
Book Description
In this book, authors working with Deleuzean theories in educational research in Australia and the United Kingdom grapple with how the academic-writing machine might become less contained and bounded, and instead be used to free impulses to generate different creations and connections. The authors experiment with forms of writing that challenge the boundaries of academic language, moving beyond the strictures of the scientific method that governs and controls what works and what counts to make language vibrate with a new intensity. The authors construct monstrous creations, full of vitality and fervor, hybrid texts, part academic part creative assemblages, almost-but-perhaps-not-quite recognisable as research. Stories that blur the lines between true and untrue, re-presentation and invention. The contributors to this book hope that something might happen in its reading; that some new connections might be made, but also acknowledge the contingency of the encounter between text and reader, and the impossibility of presuming to know what may be.