Author: Simon Richter
Publisher: Springer
ISBN: 1137309733
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in The Blue Angel: many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.
Author: Lauren Rabinovitz
Publisher: Rutgers University Press
ISBN: 9780813525341
Category : History
Languages : en
Pages : 258
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Book Description
The technological, economic and social landscape of the consumer society was formed between the 1880s and 1920s. The author of this study shows how cinema played a key role in changing the urban landscape, using Chicago as a model and linking cinema theory with women's studies.
Author: Susie Jolly
Publisher: Zed Books Ltd.
ISBN: 1780325738
Category : Social Science
Languages : en
Pages : 282
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Book Description
This pioneering collection explores the ways in which positive, pleasure-focused approaches to sexuality can empower women. Gender and development has tended to engage with sexuality only in relation to violence and ill-health. Although this has been hugely important in challenging violence against women, over-emphasizing these negative aspects has dovetailed with conservative ideologies that associate women’s sexualities with danger and fear. On the other hand, the media, the pharmaceutical industry, and pornography more broadly celebrate the pleasures of sex in ways that can be just as oppressive, often implying that only certain types of people - young, heterosexual, able-bodied, HIV-negative - are eligible for sexual pleasure. Women, Sexuality and the Political Power of Pleasure brings together challenges to these strictures and exclusions from both the South and North of the globe, with examples of activism, advocacy and programming which use pleasure as an entry point. It shows how positive approaches to pleasure and sexuality can enhance equality and empowerment for all.
Author: Isabel Cristina Pinedo
Publisher: State University of New York Press
ISBN: 1438416164
Category : Social Science
Languages : en
Pages : 198
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Book Description
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
Author: Fran Bushe
Publisher:
ISBN: 9781914228476
Category : Drama
Languages : en
Pages : 64
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Book Description
Join Fran's quest for a "normal" sex life - featured in The Guardian's Best Shows of Edinburgh Fringe 2018, written and performed by Fran Bushe. Fran wants to fix sex. No matter how many wonder-cures she tries, how many trips to the doctor or offers of help from friends, she doesn't feel like her fire's been lit. Sometimes it hurts. Join Fran on this 'relentlessly hilarious' (★★★★ Stage) quest, with songs, as she pursues a satisfying sex-life. Expect toe-tapping tunes, a magic penis and a visit to sex camp. Oh, and dolphins. ★★★★ "Relentlessly hilarious" The Stage ★★★★ "Smart and audacious" The Guardian ★★★★★ Londontheatre1 ★★★★★ Arthur's Seat ★★★★★ Fringe Review ★★★★ Theatre Weekly ★★★★ Upper Circle Theatre Performer of the Year - Sexual Freedom Awards 2019 The Guardian's 'Best Shows of the Fringe 2018'
Author: Laura Mulvey
Publisher: Koenig Books
ISBN: 9783863359652
Category : Feminism and motion pictures
Languages : en
Pages : 64
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Book Description
Since it first appeared in Screen in 1975, Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey's compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay. In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay's frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay--cinema flattening sexuality into visuality.
Author: Anna Backman Rogers
Publisher: Berghahn Books
ISBN: 1785339664
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
A feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films. A Choice Outstanding Academic Title 2019 “With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work... Rogers’s main argument – that Coppola manipulates pleasurable images to unsettle rather than mollify us – is utterly convincing. If nothing else, this certainly hits home in relation to my own enchantment with Coppola’s work.”—Bright Lights Film Journal All too often, the movies of Sofia Coppola have been dismissed as “all style, no substance.” But such an easy caricature, as this engaging and accessible survey of Coppola’s oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the “female gothic” in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola’s films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy. From the Introduction: Sofia Coppola possesses a highly sophisticated and intricate knowledge of how images come to work on us; that is, she understands precisely how to construct an image – what to add in and what to remove – in order to achieve specific moods, tones and cinematic affects. She knows that similar kinds of images can have vastly different effects on the viewer depending on their context.... This monograph is an extended study of Coppola’s outstanding ability to think through and in images.
Author: Russell Campbell
Publisher: Univ of Wisconsin Press
ISBN: 029921253X
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The “Happy Hooker,” for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the “Avenger,” a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The “Love Story,” a common narrative, represents the prostitute as both heroine and anti-heroine, while “Condemned to Death” allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence. The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions.
Author: Laura Mulvey
Publisher: Reaktion Books
ISBN: 178914163X
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Author: Ivone Margulies
Publisher: Bloomsbury Publishing USA
ISBN: 1501332481
Category : Art
Languages : en
Pages : 442
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Book Description
On Women's Films looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world.
