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Author: Lesley Downer
Publisher: Crown
ISBN: 0767909720
Category : History
Languages : en
Pages : 408
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Book Description
From critically acclaimed author and Japanese scholar Lesley Downer, an enchanting portrait of the mysterious world of the geisha. Ever since Westerners arrived in Japan, they have been intrigued by Japanese womanhood and, above all, by geisha. This fascination has spawned a wealth of extraordinary fictional creations, from Puccini's Madama Butterfly to Arthur Golden's Memoirs of a Geisha. The reality of the geisha's existence, though, whether today or in history, has rarely been addressed. Contrary to popular opinion, geisha are not prostitutes but, literally, "arts people." Their accomplishments include singing, dancing, playing a musical instruments; but above all, they are masters of the art of conversation, soothing the worries and stroking the egos of the wealthy businessmen who can afford their attentions. It is this which imbues the geisha with such power—and which makes absolute secrecy such a crucial aspect of their work. As denizens of a world defined by silence and mystery, geisha are notoriously difficult to meet and even to find. Lesley Downer, an award- winning writer, Japanese scholar, and consummate storyteller, gained more access into this world than almost any other Westerner ever has and spent several months living among them. In Women of the Pleasure Quarters, she weaves together intimate portraits of modern geisha with the romantic legends and colorful historical tales of geisha of the past. From Sadda Yakko, who dined with American presidents and had her portrait painted by Picasso, to Koito, a modern-day geisha who maintains her own website, geisha throughout history step out of the pages of Women of the Pleasure Quarters to become living, breathing creatures. Looking into such traditions as mizuage, the ritual deflowering which was once a rite of passage for all geisha, and providing colorful depictions of the geisha's dress, training, and homes, Downer, with grace, elegance, and respect, transforms their reality in a captivating narrative that both informs and entertains. At once a symbol of a bygone age and an institution more quintessentially Japanese than any other, geisha are a society at a crossroads, struggling to reinvent their place in the new millennium while honoring the traditions of the past. Both instructive and evocative, Women of the Pleasure Quarters is an enthralling portrait of a world unlike any other.
Author: Elizabeth de Sabato Swinton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
This volume is the first comprehensive study of the women of the pleasure quarters and entertainment districts of Japan of the seventeenth through nineteenth centuries. It examines the cultural and metaphorical meanings of courtesans and geisha and their appearance in art and Kabuki theater. These women were at the nexus of social relations, part of public culture, organized into institutions and transformed into emblems of femininity, personifications of the romantic ideal. The Women of the Pleasure Quarter reproduces paintings and woodblock prints by forty-six artists, virtually all the leading masters of the genre, including Miyagawa Choshun, Ando Hiroshige, Katsushika Hokusai, and Kitagawa Utamaro. These works, the most familiar forms of Japanese art to Westerners, are important both for their intrinsic aesthetic quality and for their value as documents of Japanese cultural history. Art and life were fundamentally intertwined in the floating world; it was a realm in which art not only influenced life but in which popular entertainment also transformed itself into art by inventing its own conventions and artistic forms. The Women of the Pleasure Quarter is published in conjunction with an exhibition organized by the Worcester Art Museum, Massachusetts, and also seen at Equitable Gallery, New York, and Kimbell Art Museum, Fort Worth. Every work in the exhibition, including several rare hand-colored photographs, is reproduced in full color and discussed in an individual commentary. Capsule biographies of each artist, a glossary, and a selected bibliography complete this enchanting survey of one of the most extraordinary bodies of work in art history.
Author: Lesley Downer
Publisher: Crown
ISBN: 0767909720
Category : History
Languages : en
Pages : 408
Get Book Here
Book Description
From critically acclaimed author and Japanese scholar Lesley Downer, an enchanting portrait of the mysterious world of the geisha. Ever since Westerners arrived in Japan, they have been intrigued by Japanese womanhood and, above all, by geisha. This fascination has spawned a wealth of extraordinary fictional creations, from Puccini's Madama Butterfly to Arthur Golden's Memoirs of a Geisha. The reality of the geisha's existence, though, whether today or in history, has rarely been addressed. Contrary to popular opinion, geisha are not prostitutes but, literally, "arts people." Their accomplishments include singing, dancing, playing a musical instruments; but above all, they are masters of the art of conversation, soothing the worries and stroking the egos of the wealthy businessmen who can afford their attentions. It is this which imbues the geisha with such power—and which makes absolute secrecy such a crucial aspect of their work. As denizens of a world defined by silence and mystery, geisha are notoriously difficult to meet and even to find. Lesley Downer, an award- winning writer, Japanese scholar, and consummate storyteller, gained more access into this world than almost any other Westerner ever has and spent several months living among them. In Women of the Pleasure Quarters, she weaves together intimate portraits of modern geisha with the romantic legends and colorful historical tales of geisha of the past. From Sadda Yakko, who dined with American presidents and had her portrait painted by Picasso, to Koito, a modern-day geisha who maintains her own website, geisha throughout history step out of the pages of Women of the Pleasure Quarters to become living, breathing creatures. Looking into such traditions as mizuage, the ritual deflowering which was once a rite of passage for all geisha, and providing colorful depictions of the geisha's dress, training, and homes, Downer, with grace, elegance, and respect, transforms their reality in a captivating narrative that both informs and entertains. At once a symbol of a bygone age and an institution more quintessentially Japanese than any other, geisha are a society at a crossroads, struggling to reinvent their place in the new millennium while honoring the traditions of the past. Both instructive and evocative, Women of the Pleasure Quarters is an enthralling portrait of a world unlike any other.
Author: Lesley Downer
Publisher:
ISBN: 9780747264262
Category : Geishas
Languages : en
Pages : 434
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Book Description
Ever since Westerners arrived in Japan, we have been intrigued by geisha. This fascination has spawned a wealth of fictional creations from Madame Butterfly to Arthur Golden's Memoirs of a Geisha. The reality of the geisha's existence has rarely been described. Contrary to popular opinion, geisha are not prostitutes but literally arts people. Their accomplishments might include singing, dancing or playing a musical instrument but, above all, they are masters of the art of conversation, soothing worries of highly paid businessmen who can afford their attentions. The real secret history of the geisha is explored here.
Author: Cecilia Segawa Seigle
Publisher: University of Hawaii Press
ISBN: 9780824814885
Category : History
Languages : en
Pages : 352
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Book Description
Drawing on both historical and literary sources, examines life in the pleasure houses of Japan during the Edo period from the early 1600s to 1868. Among the topics are the origins, illegal competitors, the cost of a visit, the treatment of the courtesans, traditions and protocols, Yoshiwara arts, th
Author: Lesley Downer
Publisher: Penguin
ISBN: 9781592400508
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
The author of Women of the Pleasure Quarters shares the story of the famous geisha whose life inspired Puccini's Madame Butterfly, from her training and participation in secret geisha traditions to her defection from her lucrative career to marry the penniless actor and political maverick Otojiro Kawakami and her rise to international celebrity. Reprint.
Author: Ann Marie L. Davis
Publisher: Rowman & Littlefield
ISBN: 1498542158
Category : History
Languages : en
Pages : 249
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Book Description
In the winter of 1913, a small crowd gathered on the streets of a famous red-light district on the outskirts of Tokyo. Curious patrons, journalists, and onlookers formed a steady procession to see the prostitute, Wada Yoshiko, and celebrate the release of her new book. A Prostitute’s Tale divulged inner secrets about her co-workers, patrons, and difficult confinement in a government-run syphilis hospital. According to the press, the author was a literary prostitute, a new expert, and a compelling version of Japan’s new woman. Soon widely acclaimed, her literary work heralded a growing public desire for inside knowledge about the lived experiences of pleasure workers. Wada’s success was the product of more than half-a-century of high-stakes conversations about the future of Japan. Her fame as an author simultaneously challenged and complemented previous discussions about the role of the female prostitute in the modern nation-state. However, while her perspective was new, the information she shared invoked key themes that had proliferated about her in prior decades. Since the 1850s, when Japan was forced to sign the “unequal” commercial treaties with the Western imperial powers, wide-ranging debates had taken place that linked the prostitute to national security and international prestige in imperative new ways. Imagining Prostitution in Modern Japan traces the symbol of the prostitute as a project of nation- and empire-building from the 1850s to 1913, ending one year after the death of the Meiji emperor, and coincidentally, the year of Wada’s publication. It untangles how ideas about pleasure work intersected with Japan’s transformation into a modern nation according to Western models. It asserts that the figure of the prostitute was a powerful symbolic resource that wide-ranging interest groups deployed, variously, to negotiate and define shifting distinctions of status, identity, and power. Each of the debates about the prostitute was in turn central to and mutually constitutive of the emergent social order in Meiji Japan.
Author: 増田小夜
Publisher: Columbia University Press
ISBN: 9780231129503
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
Home to the New York Yankees, the Bronx Zoo, and the Grand Concourse, the Bronx was at one time a haven for upwardly mobile second-generation immigrants eager to leave the crowded tenements of Manhattan in pursuit of the American dream. Once hailed as a "wonder borough" of beautiful homes, parks, and universities, the Bronx became--during the 1960s and 1970s--a national symbol of urban deterioration. Thriving neighborhoods that had long been home to generations of families dissolved under waves of arson, crime, and housing abandonment, turning blocks of apartment buildings into gutted, graffiti-covered shells and empty, trash-filled lots. In this revealing history of the Bronx, Evelyn Gonzalez describes how the once-infamous New York City borough underwent one of the most successful and inspiring community revivals in American history. From its earliest beginnings as a loose cluster of commuter villages to its current status as a densely populated home for New York's growing and increasingly more diverse African American and Hispanic populations, this book shows how the Bronx interacted with and was affected by the rest of New York City as it grew from a small colony on the tip of Manhattan into a sprawling metropolis. This is the story of the clattering of elevated subways and the cacophony of crowded neighborhoods, the heady optimism of industrial progress and the despair of economic recession, and the vibrancy of ethnic cultures and the resilience of local grassroots coalitions crucial to the borough's rejuvenation. In recounting the varied and extreme transformations this remarkable community has undergone, Evelyn Gonzalez argues that it was not racial discrimination, rampant crime, postwar liberalism, or big government that was to blame for the urban crisis that assailed the Bronx during the late 1960s. Rather, the decline was inextricably connected to the same kinds of social initiatives, economic transactions, political decisions, and simple human choices that had once been central to the development and vitality of the borough. Although the history of the Bronx is unquestionably a success story, crime, poverty, and substandard housing still afflict the community today. Yet the process of building and rebuilding carries on, and the revitalization of neighborhoods and a resurgence of economic growth continue to offer hope for the future.
Author: Gergana Ivanova
Publisher: Columbia University Press
ISBN: 0231547609
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
An eleventh-century classic, The Pillow Book of Sei Shōnagon is frequently paired with The Tale of Genji as one of the most important works in the Japanese canon. Yet it has also been marginalized within Japanese literature for reasons including the gender of its author, the work’s complex textual history, and its thematic and stylistic depth. In Unbinding The Pillow Book, Gergana Ivanova offers a reception history of The Pillow Book and its author from the seventeenth century to the present that shows how various ideologies have influenced the text and shaped interactions among its different versions. Ivanova examines how and why The Pillow Book has been read over the centuries, placing it in the multiple contexts in which it has been rewritten, including women’s education, literary scholarship, popular culture, “pleasure quarters,” and the formation of the modern nation-state. Drawing on scholarly commentaries, erotic parodies, instruction manuals for women, high school textbooks, and comic books, she considers its outsized role in ideas about Japanese women writers. Ultimately, Ivanova argues for engaging the work’s plurality in order to achieve a clearer understanding of The Pillow Book and the importance it has held for generations of readers, rather than limiting it to a definitive version or singular meaning. The first book-length study in English of the reception history of Sei Shōnagon, Unbinding The Pillow Book sheds new light on the construction of gender and sexuality, how women’s writing has been used to create readerships, and why ancient texts continue to play vibrant roles in contemporary cultural production.
Author: Cecilia Segawa Seigle
Publisher: Cambria Press
ISBN: 1604978724
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
"One of the least understood and often maligned aspects of the Tokugawa Shogunate is the Ooku, or 'Great Interior,' the institution within the shogun's palace, administered by and for the upper-class shogunal women and their attendants who resided there. Long the object of titillation and a favorite subject for off-the-wall fantasy in historical TV and film dramas, the actual daily life, practices, cultural roles, and ultimate missions of these women have remained largely in the dark, except for occasional explosions of scandal. In crystal-clear prose that is a pleasure to read, this new book, however, presents the Ooku in a whole new down-to-earth, practical light. After many years of perusing unexamined Ooku documents generated by these women and their associates, the authors have provided not only an overview of the fifteen generations of Shoguns whose lives were lived in residence with this institution, but how shoguns interacted differently with it. Much like recent research on imperial convents, they find not a huddled herd of oppressed women, but on the contrary, women highly motivated to the preservation of their own particular cultural institution. Most important, they have been able to identify "the culture of secrecy" within the Ooku itself to be an important mechanism for preserving the highest value, 'loyalty,' that essential value to their overall self-interested mission dedicated to the survival of the Shogunate itself." - Barbara Ruch, Columbia University "The aura of power and prestige of the institution known as the ooku-the complex network of women related to the shogun and their living quarters deep within Edo castle-has been a popular subject of Japanese television dramas and movies. Brushing aside myths and fallacies that have long obscured our understanding, this thoroughly researched book provides an intimate look at the lives of the elite female residents of the shogun's elaborate compound. Drawing information from contemporary diaries and other private memoirs, as well as official records, the book gives detailed descriptions of the physical layout of their living quarters, regulations, customs, and even clothing, enabling us to actually visualize this walled-in world that was off limits for most of Japanese society. It also outlines the complex hierarchy of positions, and by shining a light on specific women, gives readers insight into the various factions within the ooku and the scandals that occasionally occurred. Both positive and negative aspects of life in the "great interior" are represented, and one learns how some of these high-ranking women wielded tremendous social as well as political power, at times influencing the decision-making of the ruling shoguns. In sum, this book is the most accurate overview and characterization of the ooku to date, revealing how it developed and changed during the two and a half centuries of Tokugawa rule. A treasure trove of information, it will be a vital source for scholars and students of Japan studies, as well as women's studies, and for general readers who are interested in learning more about this fascinating women's institution and its significance in Japanese history and culture." - Patricia Fister, International Research Center for Japanese Studies, Kyoto
Author: Janice Katz
Publisher: Yale University Press
ISBN: 0300236913
Category : Art
Languages : en
Pages : 307
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Book Description
From the 17th through the 19th century, artists in Kyoto and Edo (now Tokyo) captured the metropolitan amusements of the floating world (ukiyo in Japanese) through depictions of subjects such as the beautiful women of the Yoshiwara pleasure quarters and performers of the kabuki theater. In contrast to ukiyo-e prints by artists such as Katsushika Hokusai, which were widely circulated, ukiyo-e paintings were specially commissioned, unique objects that displayed the maker’s technical skill and individual artistic sensibility. Featuring more than 150 works from the celebrated Weston Collection, the most comprehensive of its kind in private hands and published here for the first time in English, this lavishly illustrated and meticulously researched volume addresses the genre of ukiyo-e painting in all its complexity. Individual essays explore topics such as shunga (erotica), mitate-e (images that parody or transform a well-known story or legend), and poetic inscriptions, revealing the crucial role that ukiyo-e painting played in a sophisticated urban culture.
