Women Musicians of Zimbabwe Diary PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Women Musicians of Zimbabwe Diary PDF full book. Access full book title Women Musicians of Zimbabwe Diary by Joyce Jenje Makwenda. Download full books in PDF and EPUB format.
Author: Joyce Jenje Makwenda
Publisher: Storytime Promotions
ISBN: 9780797454859
Category : Diaries (Blank-books)
Languages : en
Pages : 0
Get Book Here
Book Description
THE WOMEN MUSICIANS OF ZIMBABWE DIARY chronicles the journey of women musicians from 1930's. The diary celebrates women musicians in different types of genres; from jazz, traditional music, jiti, afro pop, gospel, urban grooves, the list goes on. While jotting an appointment you get to know women who have contributed to the development of music in Zimbabwe from 1930's. You can put your own year, date on the diary.
Author: Joyce Jenje Makwenda
Publisher: Storytime Promotions
ISBN: 9780797454859
Category : Diaries (Blank-books)
Languages : en
Pages : 0
Get Book Here
Book Description
THE WOMEN MUSICIANS OF ZIMBABWE DIARY chronicles the journey of women musicians from 1930's. The diary celebrates women musicians in different types of genres; from jazz, traditional music, jiti, afro pop, gospel, urban grooves, the list goes on. While jotting an appointment you get to know women who have contributed to the development of music in Zimbabwe from 1930's. You can put your own year, date on the diary.
Author: Joyce Jenje-Makwenda
Publisher: Storytime Promotions
ISBN: 9780797434769
Category : Biography
Languages : en
Pages : 194
Get Book Here
Book Description
Music has been part of African women's lives since time immemorial. Zimbabwean women sang songs to communicate, express their feelings or celebrate life changes. During pasichigare (pre-colonial times) women used the song to cope with the day to day challenges of life, to manage their daily chores, to deal with their emotions, to air their grievances, to challenge oppression, and to celebrate womanhood. Through music, women were able to put themselves at the centre-stage of their communities. They were an integral part of the structures of the society and they found it easier to use music as a communication tool. Women Musicians of Zimbabwe explores the role played by women in the development of music genres in Zimbabwe and to explore why there are very few women musicians in Zimbabwe compared to men.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 256
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 222
Get Book Here
Book Description
Author: Fainos Mangena
Publisher: Cambridge Scholars Publishing
ISBN: 1443888567
Category : Performing Arts
Languages : en
Pages : 305
Get Book Here
Book Description
Music narrates personal, communal and national experiences. It is a rich repository of a people’s deepest fears, hopes, and achievements, especially as it communicates spirituality, economic, and political realities. This volume examines the multiple roles of music in Zimbabwe, showing how Zimbabwean music has addressed the socio-economic, political and spiritual crisis that the country has endured in the last one and a half decades. While concentrating on the tumultuous 2000–2013 period, the themes that are addressed here are enduring. Thus, the book explores the interplay between music and gender, music and politics, and music and identity construction in Zimbabwe, and it interacts with most of the dominant genres in Zimbabwean music, including Sungura, ZORA, Chimurenga, Gospel and the Urban Grooves. This volume will interest specialists in the study of ethnomusicology, in addition to scholars of literature, religious studies, philosophy, theatre arts, political science, and history.
Author: Elizabeth Gunner
Publisher: Indiana University Press
ISBN: 9781868142149
Category : Drama
Languages : en
Pages : 308
Get Book Here
Book Description
This volume is a collection of essays that explore aspects of popular culture in South Africa, Zimbabwe and Zambia. These writings examine such topics as the degree of state control over theatre, the interaction - or lack of it - between high and popular culture, the struggle to define meaningful cultural forms in the wake of a dominating and exclusive colonial culture and the contribution of women. What emerges is a strong sense of regional concerns shared by the Southern African cultures under discussion, the contributors also give voice to crucial differences and debates on the nature of contemporary theatre and performance and the links with popular culture, politics and nation.
Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816966
Category : Music
Languages : en
Pages : 420
Get Book Here
Book Description
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.
Author: Ezra Chitando
Publisher: Nordic Africa Institute
ISBN: 9789171064943
Category : History
Languages : en
Pages : 114
Get Book Here
Book Description
"This study examines the historical development, social, political and economic significance of gospel music in Zimbabwe. It approaches music with Christian theological ideas and popular appeal as a cultural phenomenon with manifold implications. Applying a history of religious approach to the study of a widespread religious phenomenon, the study seeks to link religious studies with popular culture. It argues that gospel music represents a valuable entry point into a discussion of contemporary African cultural production. Gospel music successfully blends the musical traditions of Zimbabwe, influences from other African countries, and music styles from other parts of the world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author:
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 340
Get Book Here
Book Description
Author: Tanaka Chidora
Publisher: Springer Nature
ISBN: 3031418549
Category : Music
Languages : en
Pages : 354
Get Book Here
Book Description
Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.
