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Author: Alison Findlay
Publisher: Routledge
ISBN: 1317882318
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Author: Alison Findlay
Publisher: Routledge
ISBN: 1317882318
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Author: Alison Findlay
Publisher: Routledge
ISBN: 1317882326
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Author: Mary Ellen Lamb
Publisher: Routledge
ISBN: 135170110X
Category : Literary Criticism
Languages : en
Pages : 476
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Book Description
Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.
Author: Paul Salzman
Publisher: OUP Oxford
ISBN: 0191532045
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This book contains the first comprehensive account of writing by women from the mid sixteenth century through to 1700. At the same time, it traces the way a representative sample of that writing was published, circulated in manuscript, read, anthologised, reprinted, and discussed from the time it was produced through to the present day. Salzman's study covers an enormous range of women from all areas of early modern society, and it covers examples of the many and varied genres produced by these women, from plays to prophecies, diaries to poems, autobiographies to philosophy. As well as introducing readers to the wealth of material produced by women in the early modern period, this book examines changing responses to what was written, tracing a history of reception and transmission that amounts to a cultural history of changing taste.
Author: Alexandra G. Bennett
Publisher: Routledge
ISBN: 1317037863
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
The first scholarly edition of the complete works of Jane Cavendish, this volume presents as complete a collection as possible of works and historical documents pertaining to a particularly compelling figure from the English Civil War. These include two manuscript poem and play collections, family letters to and from Jane, dating from after the Civil War years, and important estate papers. Jane Cavendish and her nearest sister, Elizabeth Brackley, are the only known collaborative female dramatists of the early modern period, and the co-composers of the first extant stage comedy by women in English. Most of Jane's extant verse and dramatic works were composed when the fighting of the English Civil War was at its most intense. Her works are, therefore, particularly valuable to both literary and historical researchers of the period because they simultaneously play with established literary conventions and convey much first-hand information about the conditions of aristocratic life during and immediately after the seventeenth-century national meltdown. The introduction offers as comprehensive a biography of Jane Cavendish as possible, focusing primarily on Jane's childhood, education, and conduct during the Civil War, as well as her married life after the war years. Of particular interest among the documents that follow is an account-book including entries from Jane's teenage years as well as her early married life; it portrays vividly what a young lady of her status owned in terms of clothes and jewels, as well as what a newly married woman had to acquire upon setting up a new household.
Author: Helen Ostovich
Publisher: Psychology Press
ISBN: 9780415966467
Category : History
Languages : en
Pages : 548
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Book Description
This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England
Author: Line Cottegnies
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639832
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: M. Suzuki
Publisher: Springer
ISBN: 0230305504
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.
Author: Helen Hackett
Publisher: Bloomsbury Publishing
ISBN: 0857733028
Category : History
Languages : en
Pages : 256
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Book Description
Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.
Author: Sophie Tomlinson
Publisher: Cambridge University Press
ISBN: 9780521811118
Category : Art
Languages : en
Pages : 324
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Book Description
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