Author: Linda L. Clark
Publisher: Cambridge University Press
ISBN: 0521650984
Category : History
Languages : en
Pages : 281
Book Description
A history of European women's professional activities and organizational roles between 1789 and 1914.
Women and Achievement in Nineteenth-Century Europe
Author: Linda L. Clark
Publisher: Cambridge University Press
ISBN: 0521650984
Category : History
Languages : en
Pages : 281
Book Description
A history of European women's professional activities and organizational roles between 1789 and 1914.
Publisher: Cambridge University Press
ISBN: 0521650984
Category : History
Languages : en
Pages : 281
Book Description
A history of European women's professional activities and organizational roles between 1789 and 1914.
Woman in the Nineteenth Century
Author: Margaret Fuller
Publisher:
ISBN:
Category : Social history
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Social history
Languages : en
Pages : 250
Book Description
Gender and Poverty in Nineteenth-Century Europe
Author: Rachel G. Fuchs
Publisher: Cambridge University Press
ISBN: 9780521621021
Category : Business & Economics
Languages : en
Pages : 292
Book Description
This is a major new history of the dramatic and enduring changes in the daily lives of poor European women and men in the nineteenth century. Rachel G. Fuchs conveys the extraordinary difficulties facing the destitute from England to Russia, paying particular attention to the texture of women's everyday lives. She shows their strength as they attempted to structure a life and set of relationships within a social order, culture, community, and the law. Within a climate of calamities, the poor relied on their own resourcefulness and community connections where the boundaries between the private and public were indistinguishable, and on a system of exchange and reciprocity to help them fashion their culture of expediencies. This accessible synthesis introduces readers to conflicting interpretations of major historic developments and evaluates those interpretations. It will be essential reading for students of women's and gender studies, urban history and social and family history.
Publisher: Cambridge University Press
ISBN: 9780521621021
Category : Business & Economics
Languages : en
Pages : 292
Book Description
This is a major new history of the dramatic and enduring changes in the daily lives of poor European women and men in the nineteenth century. Rachel G. Fuchs conveys the extraordinary difficulties facing the destitute from England to Russia, paying particular attention to the texture of women's everyday lives. She shows their strength as they attempted to structure a life and set of relationships within a social order, culture, community, and the law. Within a climate of calamities, the poor relied on their own resourcefulness and community connections where the boundaries between the private and public were indistinguishable, and on a system of exchange and reciprocity to help them fashion their culture of expediencies. This accessible synthesis introduces readers to conflicting interpretations of major historic developments and evaluates those interpretations. It will be essential reading for students of women's and gender studies, urban history and social and family history.
Women, Consumption, and the Circulation of Ideas in South-Eastern Europe, 17th - 19th Centuries
Author: Constanţa Vintilă-Ghiţulescu
Publisher: BRILL
ISBN: 900435509X
Category : History
Languages : en
Pages : 243
Book Description
Women, fashion, consumption, luxury, and education are the main subjects of our researchers. The contributors of this volume accompanied women and objects in their travels across Modern Europe and offered thorough and diverse analyses connecting the circulation of people with the circulation of ideas. Making use of archive materials, visual sources and museum collections, the authors point out the richness of the region and the role of women in promoting new ideas of modernity. This will help the public to better know and understand the importance of women's sociability in building new nations and constructing new identities in South-Eastern Europe and beyond.
Publisher: BRILL
ISBN: 900435509X
Category : History
Languages : en
Pages : 243
Book Description
Women, fashion, consumption, luxury, and education are the main subjects of our researchers. The contributors of this volume accompanied women and objects in their travels across Modern Europe and offered thorough and diverse analyses connecting the circulation of people with the circulation of ideas. Making use of archive materials, visual sources and museum collections, the authors point out the richness of the region and the role of women in promoting new ideas of modernity. This will help the public to better know and understand the importance of women's sociability in building new nations and constructing new identities in South-Eastern Europe and beyond.
The Palgrave Handbook of Transnational Women’s Writing in the Long Nineteenth Century
Author: Claire Emilie Martin
Publisher: Springer Nature
ISBN: 3031404947
Category :
Languages : en
Pages : 796
Book Description
Publisher: Springer Nature
ISBN: 3031404947
Category :
Languages : en
Pages : 796
Book Description
Women Art Critics in Nineteenth-Century France
Author: Wendelin Guentner
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384
Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384
Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Women, Femininity and Public Space in European Visual Culture, 1789–1914
Author: Dr Temma Balducci
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409465721
Category : Art
Languages : en
Pages : 337
Book Description
Focusing on images of or produced by nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-à-vis the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By considering works in a range of media by an array of canonical and understudied women artists, they demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409465721
Category : Art
Languages : en
Pages : 337
Book Description
Focusing on images of or produced by nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-à-vis the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By considering works in a range of media by an array of canonical and understudied women artists, they demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting.
"Women, Femininity and Public Space in European Visual Culture, 1789?914 "
Author: Temma Balducci
Publisher: Routledge
ISBN: 1351536591
Category : Art
Languages : en
Pages : 357
Book Description
Focusing on images of or produced by well-to-do nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-?is the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By contrast, the essays collected in Women, Femininity and Public Space in European Visual Culture, 1789-1914 demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting. In examining the relationship between affluent women, femininity and the public, the essays gathered here consider works by an array of artists that includes canonical ones such as Mary Cassatt and Fran?s G?rd as well as understudied women artists including Louise Abb? and Broncia Koller. The essays also consider works in a range of media from fashion prints and paintings to private journals and architectural designs, facilitating an analysis of femininity in public across the cultural production of the period. Various European centers, including Madrid, Florence, Paris, Brittany, Berlin and London, emerge as crucial sites of production for genteel femininity, providing a long-overdue rethinking of modern femininity in the public sphere.
Publisher: Routledge
ISBN: 1351536591
Category : Art
Languages : en
Pages : 357
Book Description
Focusing on images of or produced by well-to-do nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-?is the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By contrast, the essays collected in Women, Femininity and Public Space in European Visual Culture, 1789-1914 demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting. In examining the relationship between affluent women, femininity and the public, the essays gathered here consider works by an array of artists that includes canonical ones such as Mary Cassatt and Fran?s G?rd as well as understudied women artists including Louise Abb? and Broncia Koller. The essays also consider works in a range of media from fashion prints and paintings to private journals and architectural designs, facilitating an analysis of femininity in public across the cultural production of the period. Various European centers, including Madrid, Florence, Paris, Brittany, Berlin and London, emerge as crucial sites of production for genteel femininity, providing a long-overdue rethinking of modern femininity in the public sphere.
Women Artists in Paris, 1850-1900
Author: Laurence Madeline
Publisher: Yale University Press
ISBN: 0300223935
Category : Art
Languages : en
Pages : 289
Book Description
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
Publisher: Yale University Press
ISBN: 0300223935
Category : Art
Languages : en
Pages : 289
Book Description
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
A History of World Societies, Volume C: 1775 to the Present
Author: John P. McKay
Publisher: Macmillan
ISBN: 0312666969
Category : History
Languages : en
Pages : 509
Book Description
A History of World Societies introduces students to the global past through social history and the stories and voices of the people who lived it. Now published by Bedford/St. Martin's, and informed by the latest scholarship, the book has been thoroughly revised with students in mind to meet the needs of the evolving course. Proven to work in the classroom, the book’s regional and comparative approach helps students understand the connections of global history while providing a manageable organization. With more global connections and comparisons, more documents, special features and activities that teach historical analysis, and an entirely new look, the ninth edition is the most teachable and accessible edition yet. Test drive a chapter today. Find out how.
Publisher: Macmillan
ISBN: 0312666969
Category : History
Languages : en
Pages : 509
Book Description
A History of World Societies introduces students to the global past through social history and the stories and voices of the people who lived it. Now published by Bedford/St. Martin's, and informed by the latest scholarship, the book has been thoroughly revised with students in mind to meet the needs of the evolving course. Proven to work in the classroom, the book’s regional and comparative approach helps students understand the connections of global history while providing a manageable organization. With more global connections and comparisons, more documents, special features and activities that teach historical analysis, and an entirely new look, the ninth edition is the most teachable and accessible edition yet. Test drive a chapter today. Find out how.