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Author: Hanna Scolnicov
Publisher: Cambridge University Press
ISBN: 9780521394673
Category : Drama
Languages : en
Pages : 202
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Book Description
A historical and comparative study, in which is revealed the changing conventions of the theatrical space as faithful expressions of the changing attitudes to woman and her sexuality.
Author: Hanna Scolnicov
Publisher: Cambridge University Press
ISBN: 9780521394673
Category : Drama
Languages : en
Pages : 202
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Book Description
A historical and comparative study, in which is revealed the changing conventions of the theatrical space as faithful expressions of the changing attitudes to woman and her sexuality.
Author: Maggie Barbara Gale
Publisher: Manchester University Press
ISBN: 9780719057137
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.
Author: Alison Findlay
Publisher: Cambridge University Press
ISBN: 0521839564
Category : Drama
Languages : en
Pages : 210
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Book Description
This study examines the playing spaces for early modern women's drama.
Author: Jane De Gay
Publisher: Intellect Books
ISBN:
Category : Drama
Languages : en
Pages : 204
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Book Description
The authors of this text seek to address the question of how to document performance work, focusing on themes and issues being explored in the 1990s. The work is designed to be a thorough consideration of the roles and potential of women's theatre.
Author: Lilla Maria Crisafulli
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655770
Category : Literary Collections
Languages : en
Pages : 308
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Book Description
Bringing together leading British, North American, and Italian critics, this collection makes a crucial intervention in the reclamation of women's theatrical activities during the Romantic period. As they examine key figures like Elizabeth Inchbald, Joanna Baillie, Elizabeth Vestris, and Jane Scott, the contributors take up topics such as women's history plays, ethics and sexuality, the politics of drama and performance, and the role of women as managers and producers.
Author: Susanne Auflitsch
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Drama
Languages : en
Pages : 396
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Book Description
During the first half of the 20th century approximately 10,000 short plays were written in the United States. This book examines twenty one-act plays by authors such as Mary Shaw, Susan Glaspell, and Charlotte Perkins Gilman, who wrote from such diverse backgrounds as women's clubs, art theaters, or commercial theaters. This study argues that the plays share a structural organization along spatial dichotomies of theatrical space within and theatrical space without. While some writers use the underlying structure of separate spheres and organize place and space in order to promote a broader definition of «domesticity», the spatial configurations in other plays are read as appropriations, affirmations, negotiations, subversions, or transgressions of the separate spheres dichotomy. Substantial bibliographies documenting the productivity of the one-act genre supplement this study.
Author: Anita Singh
Publisher:
ISBN: 9788124606926
Category : Indic drama
Languages : en
Pages : 0
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Book Description
Author: Mary F Brewer
Publisher: Liverpool University Press
ISBN: 183764246X
Category : Drama
Languages : en
Pages : 231
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Book Description
Focusing on dramatic works by contemporary British and American playwrights, in conjunction with feminist political and theoretical texts, this book discusses feminist constructions of the category "Woman".
Author: P. J. Finglass
Publisher: Cambridge University Press
ISBN: 1108864708
Category : History
Languages : en
Pages : 297
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Book Description
How were women represented in Greek tragedy? This question lies at the heart of much modern scholarship on ancient drama, yet it has typically been approached using evidence drawn only from the thirty-two tragedies that survive complete - neglecting tragic fragments, especially those recently discovered and often very substantial fragmentary papyri from plays that had been thought lost. Drawing on the latest research on both gender in tragedy and on tragic fragments, the essays in this volume examine this question from a fresh perspective, shedding light on important mythological characters such as Pasiphae, Hypsipyle, and Europa, on themes such as violence, sisterhood, vengeance, and sex, and on the methodology of a discipline which needs to take fragmentary evidence to heart in order to gain a fuller understanding of ancient tragedy. All Greek is translated to ensure wide accessibility.
Author: Kathryn Mederos Syssoyeva
Publisher: Springer
ISBN: 1137550139
Category : Social Science
Languages : en
Pages : 360
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Book Description
This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s’ France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe’s transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central—and women theatremakers revealed as progenitors of these practices.
