Woman and Society in the Spanish Drama of the Golden Age PDF Download
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Author: Melveena McKendrick
Publisher: Cambridge University Press
ISBN: 0521202949
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.
Author: Melveena McKendrick
Publisher: Cambridge University Press
ISBN: 0521202949
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.
Author: Melveena MacKendrick
Publisher:
ISBN:
Category : Spanish Drama Classical Period, 1500-1700 History and Criticism
Languages : en
Pages : 346
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Book Description
Author: Teresa Scott Soufas
Publisher: University Press of Kentucky
ISBN: 0813149290
Category : Drama
Languages : en
Pages : 343
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Book Description
The plays are in Spanish. Los papeles están en el español.
Author: Georgina Dopico Black
Publisher: Duke University Press
ISBN: 9780822326427
Category : Family & Relationships
Languages : en
Pages : 332
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Book Description
DIVClose readings of canonical Spanish “Golden Age” and Latin American “colonial” texts, drawing heavily on the findings and strategies of psychoanalytic criticism, gender studies and Marxism, and offering an understanding of a repres/div
Author: Victoria Lorée Enders
Publisher: SUNY Press
ISBN: 9780791440292
Category : Social Science
Languages : en
Pages : 472
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Book Description
The first anthology in English on modern Spanish women's history and identity formation.
Author: Teresa Scott Soufas
Publisher: University Press of Kentucky
ISBN: 9780813108896
Category : Drama
Languages : en
Pages : 348
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Book Description
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renaissance stage in other European countries. Yet this Golden Age traditionally has been represented in print almost entirely by male playwrights. With Women's Acts, Teresa Scott Soufas makes available eight plays by five long-neglected women dramatists: Angela de Azevedo, Ana Caro Mallen de Soto, Leonor de la Cueva y Silva, Feliciana Enriquez de Guzman, and Maria de Zayas y Sotomayor. In her introduction, Soufas reviews the development of sixteenth- and seventeenth-century Spanish drama while focusing on the position of women during this period, the significance of these plays, and the issues the playwrights address. Each dramatist's section opens with an overview of the author's life and professional activity, a synopsis of her work(s), and a selected bibliography.
Author: María Cristina Quintero
Publisher: Routledge
ISBN: 131712961X
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.
Author: Gladys Robalino
Publisher: Bucknell University Press
ISBN: 1611486114
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Female Amerindians in Early Modern Spanish Theater is a collection of essays that focuses on the female Amerindian characters in comedias based on the discovery, exploration, and conquest of America. This book emerges as a response to the limited number of studies that focus on these characters, and more importantly, on the function of these characters as theatrical artifacts within conquest plays. Conquest plays are about a handful, their heroes are the European male conquerors, yet ‘the Amerindian’ has attracted attention from critics for the value as constructs of cultural discourse. We see this character, the ‘theatrical Indian,’ as a construct, an instrument, in many ways, a spectacular artifact of the baroque tramoya, which emerges from the conversion point of the Counterreformation ideology. It has been our purpose here to advance the study of these characters by adding a gender perspective. Therefore, while sociological and cultural studies are still a fundamental part of the theoretical framework of this project, we use feminism as a critical matrix in our inquiries. Amerindian female characters stand apart from male Amerindians and Spanish women in dramas, which, we believe, make them worthy of individual attention. The articles in this collection delineate different representations of Amerindian women and, as a whole, this book contributes to a better understanding of the dramatic use of these characters.
Author: Philip Allen
Publisher: Rowman & Littlefield
ISBN: 166691178X
Category : Performing Arts
Languages : en
Pages : 259
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Book Description
This book provides an in-depth examination and analysis of the film and television adaptations of Lope de Vega’s theatrical dramas that have appeared on Spanish screens since the mid-twentieth century. Using a multidisciplinary approach, Allen draws on critical media literacy studies, film and adaptation studies, literary theory, cultural studies, and cultural historiography in his analysis. Allen argues that, given the problematic reception of Lope’s works in Francoist Spain, the canonical author never held a privileged position in the dictatorial propaganda machine. In fact, adaptations of Lope’s theater productions were subject to the same rigorous scrutiny, if not more, than any other screenplays that landed under censorship’s microscope. Allen analyzes adaptations produced during and after the nearly forty-year dictatorship and questions whether the adaptors of the democratic era created films and television shows that can sufficiently demonstrate how the spirit of Lope’s life and works can resonate with modern audiences. Scholars of film and television studies, adaptation studies, and history will find this book particularly useful.
Author: Elizabeth Marie Cruz Petersen
Publisher: Taylor & Francis
ISBN: 1134780737
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Drawing from early modern plays and treatises on the precepts and practices of the acting process, this study shows how the early modern Spanish actress subscribed to various somatic practices in an effort to prepare for a role. It provides today's reader not only another perspective to the performance aspect of early modern plays, but also a better understanding of how the woman of the theater succeeded in a highly scrutinized profession. Elizabeth Marie Cruz Petersen examines examples of comedias from playwrights such as Lope de Vega, Luis Vélez de Guevara, Tirso de Molina, and Ana Caro, historical documents, and treatises to demonstrate that the women of the stage transformed their bodies and their social and cultural environment in order to succeed in early modern Spanish theater. Women's Somatic Training in Early Modern Spanish Theater is the first full-length, in-depth study of women actors in seventeenth-century Spain. Unique in the field of comedia studies, it approaches the topic from a performance perspective, using somaesthetics as a tool to explain how an artist's lived experiences and emotions unite in the interpretation of art, reconfiguring her "self" via the transformation of habit.
