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Author: Rey Chow
Publisher: U of Minnesota Press
ISBN: 9781452900490
Category : History
Languages : en
Pages : 230
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Book Description
In this era, analysis of the West has become not only possible but mandatory. Where does this analysis leave those ethnic peoples whose entry into culture is, precisely because of the history of Western imperialism, already "Westernized"? This is the primary question Rey Chow addresses in "Woman and Chinese Modernity". The author brings together a variety of texts about modern China - from Bertolucci's "Last Emperor" and the "Mandarin Duck and Butterfly" stories, to writings by male and female authors of the May Fourth period - and organizes them along four critical paths all of which involve "woman". Those include the visual image, literary history, narrative structure and emotional reception. These, in turn, allow four mutually implicated aspects of "Chinese" modernity to come to the fore - the ethnic spectator, the fragmentation of tradition in popular literature, the problematic construction of a new "inner" reality through narration, and the relations between sexuality, sentimentalism and reading.
Author: Rey Chow
Publisher: U of Minnesota Press
ISBN: 9781452900490
Category : History
Languages : en
Pages : 230
Get Book Here
Book Description
In this era, analysis of the West has become not only possible but mandatory. Where does this analysis leave those ethnic peoples whose entry into culture is, precisely because of the history of Western imperialism, already "Westernized"? This is the primary question Rey Chow addresses in "Woman and Chinese Modernity". The author brings together a variety of texts about modern China - from Bertolucci's "Last Emperor" and the "Mandarin Duck and Butterfly" stories, to writings by male and female authors of the May Fourth period - and organizes them along four critical paths all of which involve "woman". Those include the visual image, literary history, narrative structure and emotional reception. These, in turn, allow four mutually implicated aspects of "Chinese" modernity to come to the fore - the ethnic spectator, the fragmentation of tradition in popular literature, the problematic construction of a new "inner" reality through narration, and the relations between sexuality, sentimentalism and reading.
Author: Rey Chow
Publisher: U of Minnesota Press
ISBN: 9780816618712
Category : History
Languages : en
Pages : 197
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Book Description
"We live in an era in which the critique of the West has become not only possible but mandatory. Where does this critique leave those peoples whose entry into culture is, precisely because of the history of Western imperialism, already Westernized? This is the primary question Rey Chow addresses in Woman and Chinese Modernity." -- Book cover.
Author: Rey Chow
Publisher:
ISBN: 9780816618705
Category : History
Languages : en
Pages : 197
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Book Description
"We live in an era in which the critique of the West has become not only possible but mandatory. Where does this critique leave those peoples whose entry into culture is, precisely because of the history of Western imperialism, already Westernized? This is the primary question Rey Chow addresses in Woman and Chinese Modernity." -- Book cover.
Author:
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 180
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Book Description
Author: Rey Chow
Publisher: Duke University Press
ISBN: 0822380161
Category : History
Languages : en
Pages : 337
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Book Description
These groundbreaking essays use critical theory to reflect on issues pertaining to modern Chinese literature and culture and, in the process, transform the definition and conceptualization of the field of modern Chinese studies itself. The wide range of topics addressed by this international group of scholars includes twentieth-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism; as well as the geographies of migration and diaspora. One of the volume’s provocative suggestions is that the old model of area studies—an offshoot of U.S. Cold War strategy that found its anchorage in higher education—is no longer feasible for the diverse and multifaceted experiences that are articulated under the rubric of “Chineseness.” As Rey Chow argues in her introduction, the notion of a monolithic Chineseness bound ultimately to mainland China is, in itself, highly problematic because it recognizes neither the material realities of ethnic minorities within China nor those of populations in places such as Tibet, Taiwan, and post–British Hong Kong. Above all, this book demonstrates that, as the terms of a chauvinistic sinocentrism become obsolete, the critical use of theory—particularly by younger China scholars whose enthusiasm for critical theory coincides with changes in China’s political economy in recent years—will enable the emergence of fresh connections and insights that may have been at odds with previous interpretive convention. Originally published as a special issue of the journal boundary 2, this collection includes two new essays and an afterword by Paul Bové that places its arguments in the context of contemporary cultural politics. It will have far-reaching implications for the study of modern China and will be of interest to scholars of theory and culture in general. Contributors. Stanley K. Abe, Ien Ang, Chris Berry, Paul Bové, Sung-cheng Yvonne Chang, Rey Chow, Dorothy Ko, Charles Laughlin, Leung Ping-kwan, Kwai-cheung Lo, Christopher Lupke, David Der-wei Wang, Michelle Yeh
Author: Jean Ma
Publisher: Duke University Press Books
ISBN: 9780822358763
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
From the beginning of the sound cinema era, singing actresses captivated Chinese audiences. In Sounding the Modern Woman, Jean Ma shows how their rise to stardom attests to the changing roles of women in urban modernity and the complex symbiosis between the film and music industries. The songstress—whether appearing as an opera actress, showgirl, revolutionary, or country lass—belongs to the lineage of the Chinese modern woman, and her forty year prevalence points to a distinctive gendering of lyrical expression in Chinese film. Ma guides readers through film history by way of the on and off-screen careers of many of the most compelling performers in Chinese film history, such as Zhou Xuan and Grace Chang, revealing the ways that national crises and Cold War conflict shaped their celebrity. As a bridge between the film cultures of prewar Shanghai and postwar Hong Kong, the songstress brings into view a dense web of connections linking these two periods and places that cut across the divides of war, national politics, and geography.
Author: Jin Feng
Publisher: Purdue University Press
ISBN: 9781557533302
Category : History
Languages : en
Pages : 244
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Book Description
Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals.
Author: Ping Wang
Publisher: U of Minnesota Press
ISBN: 1452904871
Category :
Languages : en
Pages : 283
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Book Description
An exploration of the history and cultural practice of footbinding in China reveals the traditions that contributed to and surrounded its thousand-year enforcement, as well as its related literature, music, contests, and rewards.
Author: Tani Barlow
Publisher: Duke University Press
ISBN: 9780822332701
Category : History
Languages : en
Pages : 502
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Book Description
DIVBarlow documents the history of “woman” as a category in twentieth century Chinese history, tracing the question of gender through various phases in the literary career of Ding Ling, a major modern Chinese writer./div
Author: Wen-hsin Yeh
Publisher: Univ of California Press
ISBN: 9780520222182
Category : History
Languages : en
Pages : 462
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Book Description
A splendid essay collection focusing on ordinary people in the chaotic post-emperor, pre-Communist period of China's history.
