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Author: David Cockburn
Publisher: Anthem Studies in Wittgenstein
ISBN: 9781785279270
Category : Philosophy
Languages : en
Pages : 250
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Book Description
Author: David Cockburn
Publisher: Anthem Studies in Wittgenstein
ISBN: 9781785279270
Category : Philosophy
Languages : en
Pages : 250
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Book Description
Author: O. K. Bouwsma
Publisher: Hackett Publishing
ISBN: 9780872200081
Category : Philosophy
Languages : en
Pages : 128
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Book Description
"Remarkable how well Bouwsma understood Wittgenstein's approach to philosophical problems and how intelligently he was able to recount Wittgenstein's discussions. The bits about sensation are especially good. And the asides about the other philosophers--e.g. Dewey, Russell, Anscombe--are, while not frivolous, gossipy and titillating." --Riley Wallihan, Western Oregon University
Author: William Eaton
Publisher:
ISBN: 9781947175310
Category :
Languages : en
Pages :
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Book Description
Eaton's Cubist reading takes Wittgenstein's words and looks past their facing surfaces and to the vast network of lines that tie those words to Wittgenstein's life, to our lives, and to life. As Wittgenstein once wrote, how words are understood is not told by words alone.
Author: David Goodill, OP
Publisher: CUA Press
ISBN: 081323445X
Category : Philosophy
Languages : en
Pages : 337
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Book Description
Wittgenstein influenced a generation of philosophers and theologians, with works such as Fergus Kerr’s Theology After Wittgenstein showing the relevance of Wittgenstein’s philosophy for contemporary questions in theology. Nature as Guide follows many of the insights of this earlier generation of Wittgenstein influenced scholars, to bring Wittgenstein into conversation with contemporary Catholic moral theology. The first four chapters of the book provides a reading of key themes in Wittgenstein’s philosophy, and draw among others on G.E.M. Anscombe to situate Wittgenstein in relation to the Platonic tradition. Understanding the relationship between grammar, metaphysics and nature is central to this tradition and these themes are examined through an account of Wittgenstein’s philosophical development. These four chapters also provides a critical perspective on Wittgenstein’s thought, engaging with the criticisms of Wittgenstein offered by philosophers such as Rhees Rush and William Charlton. Chapter five lays the groundwork for a dialogue between Wittgenstein and moral theology. Firstly, by examining how open Wittgenstein’s philosophy is to dialogue with theology, and secondly through proposing the use of Servais Pinckaers’ definition of moral theology to structure the conversation developed in subsequent chapters. Pinckaers’ definition is based upon St Thomas Aquinas’ presentation of the principles of human acts in the Prima Secundae of the Summa Theologiae and the final three chapters focus on the question of human acts and their basis in human nature. The reading of Wittgenstein developed in the first part of the book is brought into dialogue with the tradition of Catholic moral theology represented by Pinckaers and other students of St Thomas, such as Anscombe, Josef Pieper, Herbert McCabe, Jean Porter and Alasdair MacIntyre. The book finishes with McCabe’s account of the transformation of human nature through God’s Word, showing how Wittgenstein’s understanding of human practices can shed light on the life of grace.
Author: Hanne Appelqvist
Publisher: Routledge
ISBN: 1351202650
Category : Philosophy
Languages : en
Pages : 281
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Book Description
The limit of language is one of the most pervasive notions found in Wittgenstein’s work, both in his early Tractatus Logico-Philosophicus and his later writings. Moreover, the idea of a limit of language is intimately related to important scholarly debates on Wittgenstein’s philosophy, such as the debate between the so-called traditional and resolute interpretations, Wittgenstein’s stance on transcendental idealism, and the philosophical import of Wittgenstein’s latest work On Certainty. This collection includes thirteen original essays that provide a comprehensive overview of the various ways in which Wittgenstein appeals to the limit of language at different stages of his philosophical development. The essays connect the idea of a limit of language to the most important themes discussed by Wittgenstein—his conception of logic and grammar, the method of philosophy, the nature of the subject, and the foundations of knowledge—as well as his views on ethics, aesthetics, and religion. The essays also relate Wittgenstein’s thought to his contemporaries, including Carnap, Frege, Heidegger, Levinas, and Moore.
Author: Stanley CAVELL
Publisher: Harvard University Press
ISBN: 0674029283
Category : Medical
Languages : en
Pages : 214
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Book Description
This book is an invitation to the life of philosophy in the United States, as Emerson once lived it and as Stanley Cavell now lives it--in all its topographical ambiguity. Cavell talks about his vocation in connection with what he calls voice--the tone of philosophy--and his right to take that tone, and to describe an anecdotal journey toward the discovery of his own voice.
Author: Robert Sokolowski
Publisher: Cambridge University Press
ISBN: 1139472992
Category : Philosophy
Languages : en
Pages :
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Book Description
In this book, Robert Sokolowski argues that being a person means to be involved with truth. He shows that human reason is established by syntactic composition in language, pictures, and actions and that we understand things when they are presented to us through syntax. Sokolowski highlights the role of the spoken word in human reason and examines the bodily and neurological basis for human experience. Drawing on Husserl and Aristotle, as well as Aquinas and Henry James, Sokolowski here employs phenomenology in a highly original way in order to clarify what we are as human agents.
Author: Ludwig Wittgenstein
Publisher: Wiley-Blackwell
ISBN:
Category : Philosophy
Languages : en
Pages : 200
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Book Description
Wittgenstein's notebooks included reflections on all kinds of topics alongside the more strictly philosophical work - on the nature of art, religion, culture, and the nature of philosophical activity.Culture and Value is a selection from these reflections. The new edition contains supplementary material which enhances the intelligibility of some of the entries in the original edition. It also includes all the variant versions to be found in the original manuscript sources (which are now given in detail). The original English translation has been extensively revised to suit the different editorial principles on which the revised edition has been produced.
Author: Sonia Sedivy
Publisher: Bloomsbury Publishing
ISBN: 1474255760
Category : Philosophy
Languages : en
Pages : 271
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Book Description
Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.
Author: Béla Szabados
Publisher: Rodopi
ISBN: 9401210993
Category : Philosophy
Languages : en
Pages : 221
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Book Description
This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein’s life and work. Wittgenstein’s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein’s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage. Béla Szabados has a Ph.D. in philosophy from the University of Calgary and is professor of philosophy at the University of Regina. His publications include Wittgenstein Reads Weininger (2004), Wittgenstein at the Movies (2011) and Wittgenstein on Race, Gender, and Cultural Identity: Philosophy as a Personal Endeavour (2010).
