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Author: Claudia Barnett
Publisher: Carnegie Mellon University Press Drama
ISBN: 9780887486654
Category : American drama
Languages : en
Pages : 120
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Book Description
In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the Weird Sisters from Macbeth explore the stories of women who disappear, whether by choice or force. Inspired by history, astronomy, and Shakespeare, Witches Vanish examines the nature of change and the value of human life.
Author: Claudia Barnett
Publisher: Carnegie Mellon University Press Drama
ISBN: 9780887486654
Category : American drama
Languages : en
Pages : 120
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Book Description
In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the Weird Sisters from Macbeth explore the stories of women who disappear, whether by choice or force. Inspired by history, astronomy, and Shakespeare, Witches Vanish examines the nature of change and the value of human life.
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 9780521534826
Category : Drama
Languages : en
Pages : 252
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Book Description
A detailed account of the theatre history of Shakespeare's Macbeth from 1607 to the present day.
Author: E. Lin
Publisher: Springer
ISBN: 1137006501
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Author: Sidney Homan
Publisher: Routledge
ISBN: 1000011658
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
In How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare. The collection is divided into four sections: studying the text as a script for performance; exploring Shakespeare by performing; implementing specific techniques for getting into the plays; and working in different classrooms and settings. The contributors offer a rich variety of topics, including: working with cues in Shakespeare, such as line and mid-line endings that lead to questions of interpretation seeing Shakespeare’s stage directions and the Elizabethan playhouse itself as contributing to a play’s meaning using the "gamified" learning model or cue-cards to get into the text thinking of the classroom as a rehearsal playing the Friar to a student’s Juliet in a production of Romeo and Juliet teaching Shakespeare to inner-city students or in a country torn by political and social upheavals. For fellow instructors of Shakespeare, the contributors address their own philosophies of teaching, the relation between scholarship and performance, and—perhaps most of all—why in this age the study of Shakespeare is so important.
Author: Lynsey McCulloch
Publisher: Oxford University Press
ISBN: 019049879X
Category : Music
Languages : en
Pages : 904
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Book Description
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Author: John Sallis
Publisher: Indiana University Press
ISBN: 9780253337726
Category : Philosophy
Languages : en
Pages : 262
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Book Description
Force of Imagination The Sense of the Elemental John Sallis A bold and original investigation into how imagination shapes thought and feeling. "This is a bold new direction for the author, one that he takes in an arresting and convincing manner.... a powerful, original approach to what others call 'ecology' but what Sallis shows to be a question of the status of the earth in philosophical thinking at this historical moment." --Edward S. Casey In this major original work, John Sallis probes the very nature of imagination and reveals how the force of imagination extends into all spheres of human life. While drawing critically on the entire history of philosophy, Sallis's work takes up a vantage point determined by the contemporary deconstruction of the classical opposition between sensible and intelligible. Thus, in reinterrogating the nature of imagination, Force of Imagination carries out a radical turn to the sensible and to the elemental in nature. Liberated from subjectivity, imagination is shown to play a decisive role both in drawing together the moments of our experience of sensible things and in opening experience to the encompassing light, atmosphere, earth, and sky. Set within this elemental expanse, the human sense of time, of self, and of the other proves to be inextricably linked to imagination and to nature. By showing how imagination is formative for the very opening upon things and elements, this work points to the revealing power of poetic imagination and casts a new light on the nature of art. John Sallis is Liberal Arts Professor of Philosophy at Pennsylvania State University. His previous books include Being and Logos: Reading the Platonic Dialogues; Shades--Of Painting at the Limit; Stone; Chorology: On Beginning in Plato's Timaeus (all published by Indiana University Press), Crossings: Nietzsche and the Space of Tragedy and Double Truth. Studies in Continental Thought--John Sallis, editor Contents Prolusions On (Not Simply) Beginning Remembrance Duplicity of the Image Spacing the Image Tractive Imagination The Elemental Temporalities Proprieties Poetic Imagination
Author: David Garrick
Publisher: SIU Press
ISBN: 9780809309689
Category : Drama
Languages : en
Pages : 500
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Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tempest. An Opera, 1756; and King Lear. A Tragedy, 1756.
Author: Karen Maitland
Publisher: Headline
ISBN: 1472215028
Category : Fiction
Languages : en
Pages : 480
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Book Description
Step back in time with Karen Maitland, author of the hugely popular Company of Liars. This dark tale is sure to thrill fans of The Witchfinder's Sister and C. J. Sansom with its chilling recreation of the Peasants' Revolt. 'A gem, crafted in the darkness ... Maitland has produced another gripping tale, from a darker age, which has surprising resonances with the present' Independent on Sunday By the pricking of my thumbs ... Lincoln, 1380. A raven-haired widow is newly arrived in John of Gaunt's city, with her two unnaturally beautiful children in tow. The widow Catlin seems kind, helping wool merchant Robert of Bassingham care for his ill wife. Surely it makes sense for Catlin and her family to move into Robert's home? But when first Robert's wife - and then others - start dying unnatural deaths, the whispers turn to witchcraft. The reign of Richard II brings bloody revolution, but does it also give shelter to the black arts? And which is more deadly for the innocents of Lincoln? What readers are saying about The Vanishing Witch: 'Engrossing, enchanting and mysterious - this book kept my mind busy from start to finish' 'Compulsive reading. Thoroughly researched, highly informative and just a downright good story!' 'Magical and mysterious. Against this fascinating historical background, Maitland weaves a sinister tale of witchcraft, betrayal and terror'
Author: Christopher Marlowe
Publisher: Cosimo, Inc.
ISBN: 1616401680
Category : Literary Collections
Languages : en
Pages : 450
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Book Description
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XLVI features four of the masterpiece tragedies by the greatest playwright in the English language-WILLIAM SHAKESPEARE (1564-1616)'s Hamlet, King Lear, Macbeth, and The Tempest, all written between 1599 and 1611. Also included in this volume is Edward the Second, a 1592 drama of court intrigue, by CHRISTOPHER MARLOWE (1564-1593), who greatly influenced Shakespeare's writing and who-some speculate-may actually have penned the plays credited to Shakespeare after faking his own death and taking on an assumed name.
Author: Catherine Egan
Publisher: Knopf Books for Young Readers
ISBN: 0553524860
Category : Young Adult Fiction
Languages : en
Pages : 384
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Book Description
"An exciting novel with magic and serial killers.... One of the hottest books coming out."—Hypable.com Fans of Marie Lu, Leigh Bardugo, and Kristin Cashore will be captivated by this stunning first book in a must-have new fantasy trilogy about a spy who can vanish at will and who discovers that monsters, mystery, and magic are also lurking—just out of sight. Julia has the unusual ability to be . . . unseen. Not invisible, exactly. Just beyond most people's senses. It's a dangerous trait in a city that has banned all forms of magic and drowns witches in public Cleansings. But it's a useful trait for a thief and a spy. And Julia has learned—crime pays. She's being paid very well indeed to infiltrate the grand house of Mrs. Och and report back on the odd characters who live there and the suspicious dealings that take place behind locked doors. But what Julia discovers shakes her to the core. She certainly never imagined that the traitor in the house would turn out to be . . . her. Murder, thievery, witchcraft, betrayal--Catherine Egan builds a dangerous world where her fierce and flawed heroine finds that even a girl who can vanish can't walk away from her own worst deeds.
