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Author: Winslow Homer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
This magnificent volume is devoted to Winslow Homer's great landscape and marine paintings in the 1890's, which many believe to be the zenith of his art. By 1890, having spent hundreds of hours studying the ocean and its relationship to the cliffs at Prout's Neck, Maine, and penetrated meanings both universal and particular, he had achieved a complete mastery of marine painting, and from then on produced masterpiece after masterpiece, a large majority of them inspired by his Prout's Neck surroundings. -- Provided by publisher.
Author: Winslow Homer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Get Book Here
Book Description
This magnificent volume is devoted to Winslow Homer's great landscape and marine paintings in the 1890's, which many believe to be the zenith of his art. By 1890, having spent hundreds of hours studying the ocean and its relationship to the cliffs at Prout's Neck, Maine, and penetrated meanings both universal and particular, he had achieved a complete mastery of marine painting, and from then on produced masterpiece after masterpiece, a large majority of them inspired by his Prout's Neck surroundings. -- Provided by publisher.
Author: William R. Cross
Publisher: Farrar, Straus and Giroux
ISBN: 0374603804
Category : Biography & Autobiography
Languages : en
Pages : 435
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Book Description
The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose—yet whose own story has remained largely untold. In 1860, at the age of twenty-four, Winslow Homer (1836–1910) sold Harper’s Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist’s probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps
Author: Philip C. Beam
Publisher: Down East Books
ISBN: 1608933490
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
Winslow Homer was the antithesis of the unkempt bohemian artist of the nineteenth century. He not only always maintained the appearance of an English country gentleman, but was also an everyday sort of man, both in his life and his paintings. Yet he is ranked as one of America's greatest painters. The reason is not hard to discover, for Winslow Homer's powerful epic statements spoke for America with a breadth that few other artists have achieved. This is a lively, intimate, and immensely readable portrait of the artist that throws a new light on Homer's life and puts it in fresh perspective. This biography concentrates on Homer's years at Prout’s Neck on Maine’s rugged coast, where he would create his finest paintings, from 1883 until his death in 1920.
Author: William Barnes
Publisher:
ISBN:
Category : Pastoral poetry
Languages : en
Pages : 200
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Book Description
Author: Randall C. Griffin
Publisher: Penn State Press
ISBN: 9780271047942
Category :
Languages : en
Pages : 224
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Book Description
Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity. Not only does Griffin trace the interplay of issues of nationalism, class, and gender in American culture, but he also offers insightful readings of key paintings by Eakins and other canonical artists. Further, Griffin shows that by 1900 the nationalist project in art and criticism had helped open the way for the formulation of American modernism. Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism.
Author: Troy Jollimore
Publisher: Exile Editions, Ltd.
ISBN: 9781550960976
Category : Poetry
Languages : en
Pages : 114
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Book Description
Author: Jason Schwartz
Publisher: OR Books
ISBN: 1939293227
Category : Fiction
Languages : en
Pages : 106
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Book Description
John the Posthumous exists in between fiction and poetry, elegy and history: a kind of novella in objects, it is an anatomy of marriage and adultery, an interlocking set of fictional histories, and the staccato telling of a murder, perhaps two murders. This is a literary album of a pre-Internet world, focused on physical elements — all of which are tools for either violence or sustenance. Knives, old iron gates, antique houses in flames; Biblical citations, blood and a history of the American bed: the unsettling, half-perceived images, and their precise but alien manipulation by a master of the language will stay with readers. Its themes are familiar — violence, betrayal, failure — its depiction of these utterly original and hauntingly beautiful.
Author: Elizabeth Johns
Publisher: Univ of California Press
ISBN: 9780520227255
Category : Art
Languages : en
Pages : 286
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Book Description
"With this psychosocial approach, Johns relates the wood-engraved illustrations of Homer's early career to the values of his family; his images of the Civil War to the context of his young manhood; his paintings of the social scene and young women's place in it to his own potential for marriage; his images of fisherwomen at Cullercoats and fishermen at Prout's Neck to his interior vision during middle age; and his intrigue with the sea in his late works to his identification with the larger processes of the universe."--BOOK JACKET.
Author: Jack E. Davis
Publisher: Liveright Publishing
ISBN: 0871408678
Category : Nature
Languages : en
Pages : 475
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Book Description
Winner • Pulitzer Prize for History Winner • Kirkus Prize for Nonfiction Finalist • National Book Critics Circle Award (Nonfiction) A New York Times Notable Book of the Year Named one of the Best Books of the Year by the Washington Post, NPR, Library Journal, and gCaptain Booklist Editors’ Choice (History) Longlisted for the Andrew Carnegie Medal for Excellence In this “cri de coeur about the Gulf’s environmental ruin” (New York Times), “Davis has written a beautiful homage to a neglected sea” (front page, New York Times Book Review). Hailed as a “nonfiction epic . . . in the tradition of Jared Diamond’s best-seller Collapse, and Simon Winchester’s Atlantic” (Dallas Morning News), Jack E. Davis’s The Gulf is “by turns informative, lyrical, inspiring and chilling for anyone who cares about the future of ‘America’s Sea’ ” (Wall Street Journal). Illuminating America’s political and economic relationship with the environment from the age of the conquistadors to the present, Davis demonstrates how the Gulf’s fruitful ecosystems and exceptional beauty empowered a growing nation. Filled with vivid, untold stories from the sportfish that launched Gulfside vacationing to Hollywood’s role in the country’s first offshore oil wells, this “vast and welltold story shows how we made the Gulf . . . [into] a ‘national sacrifice zone’ ” (Bill McKibben). The first and only study of its kind, The Gulf offers “a unique and illuminating history of the American Southern coast and sea as it should be written” (Edward O. Wilson).
Author: Metropolitan Museum of Art, The
Publisher: Abrams
ISBN: 1683352882
Category : Art
Languages : en
Pages : 48
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Book Description
“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.” —Leonardo da Vinci Based on this simple statement by Leonardo, eighteen poets have written new poems inspired by some of the most popular works in the collection of The Metropolitan Museum. The collection represents a wide range of poets and artists, including acclaimed children’s poets Marilyn Singer, Alma Flor Alda, and Carole Boston Weatherford and popular artists such as Mary Cassatt, Fernando Botero, Winslow Homer, and Utagawa Hiroshige. Accompanying the artwork and specially commissioned poems is an introduction, biographies of each poet and artist, and an index.
