Willis Obrien's Gwangi PDF Download
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Author: Douglas Turner
Publisher: CreateSpace
ISBN: 9781500899332
Category : Art
Languages : en
Pages : 80
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Book Description
Willis O'Brien's Gwangi was an epic movie that was never completed. The visual effects genius that brought King Kong to life made elaborate plans for a spectacular motion picture project. Gwangi combined elements of The Lost World and King Kong with cowboys, rodeos, and Western themes. Like all of O'Brien's projects, it was meticulously pre-planned. Numerous artists were employed to illustrate the action and visual effects scenes. Particular scrutiny was placed on how each scene would be brought to the screen. The technical supplement was a unique document prepared by Willis O'Brien to augment the script and storyboards for Gwangi. It details all of the various elements - live-action, animation, background plates, process screens, miniatures, optical printing, and mechanical effects - required to produce the intricate visual imagery that O'Brien was famous for. The technical supplement is presented here in its original form.
Author: Douglas Turner
Publisher: CreateSpace
ISBN: 9781500899332
Category : Art
Languages : en
Pages : 80
Get Book Here
Book Description
Willis O'Brien's Gwangi was an epic movie that was never completed. The visual effects genius that brought King Kong to life made elaborate plans for a spectacular motion picture project. Gwangi combined elements of The Lost World and King Kong with cowboys, rodeos, and Western themes. Like all of O'Brien's projects, it was meticulously pre-planned. Numerous artists were employed to illustrate the action and visual effects scenes. Particular scrutiny was placed on how each scene would be brought to the screen. The technical supplement was a unique document prepared by Willis O'Brien to augment the script and storyboards for Gwangi. It details all of the various elements - live-action, animation, background plates, process screens, miniatures, optical printing, and mechanical effects - required to produce the intricate visual imagery that O'Brien was famous for. The technical supplement is presented here in its original form.
Author: Douglas Turner
Publisher: CreateSpace
ISBN: 9781500948016
Category : Art
Languages : en
Pages : 92
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Book Description
Willis O'Brien's Gwangi was an epic movie that was never completed. The visual effects genius that brought King Kong to life made elaborate plans for a spectacular motion picture project. Gwangi combined elements of The Lost World and King Kong with cowboys, rodeos, and Western themes. Like all of O'Brien's projects, it was meticulously pre-planned. Numerous artists were employed to illustrate the action and visual effects scenes. Particular scrutiny was placed on how each scene would be brought to the screen. These documents, diagrams, shooting schedules, budgets, script suggestions, etc (most never before published). shed new light on this epic that could have been.
Author: Steve Archer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
Author: Douglas Turner
Publisher: CreateSpace
ISBN: 9781500907884
Category : Art
Languages : en
Pages : 64
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Book Description
Willis O'Brien's Gwangi was an epic movie that was never completed. King Kong's visual effects wizard made elaborate plans for a spectacular motion picture project. Gwangi combined elements of The Lost World with cowboys, rodeos, and Western themes. Like all of O'Brien's projects, it was meticulously preplanned. Particular scrutiny was placed on how each scene would be brought to the screen.The Assistant Director's Breakdown Sheets are valuable clues to the epic that Willis O'Brien's Gwangi could have been. They detail characters, costumes, stunt doubles, extras, horses, dummy horses, props and sets. They describe process shots, glass paintings, miniatures and animation, as well as full size mechanical effects. Scanned from the original documents they are presented “as is” in full color, complete with the discoloration and stains that attest to their sixty plus years. The originals are in pencil, some of them in colored pencil. The different colors designate the various processes that had to come together to create a finished frame of film.
Author: Roy Kinnard
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Films about prehistoric animals range in quality from classics like The Lost World (1925), KingKong (1933), and One Million B.C. (1940), to duds like Reptilicus (1962). This book offers critiques and background information on the best and worst in this sub-genre, full cast and production credits for each, and a checklist of lesser films.
Author: Ray Harryhausen
Publisher: White Lion Publishing
ISBN: 9781845137120
Category : Animated films
Languages : en
Pages : 0
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Book Description
"This stunning array of images is a tribute to the scope of Harryhausen's imagination and his artistic skills which no student of special effects or cinema history will want to be without." -- Provided by publisher.
Author: Joe R. Lansdale
Publisher: IDW Publishing
ISBN: 168406290X
Category : Comics & Graphic Novels
Languages : en
Pages : 120
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Book Description
Set during the 19th century, and combining an unusual mix of racial unrest, odd ball characters, and strange happenings, Red Range is a unique take on “The Western.” During a Klan lynching, a mysterious rider appears, and proves to be a deadly shot! It is the Red Mask, a tough, lethal, black man who wisely keeps his identity concealed, especially while battling his enemies. Through a series of events, the Red Mask continues to thwart the violent and hateful actions of the Klan, while picking up an orphan along the way, and teaching him how to turn his hate into something more positive.
Author: Ray Harryhausen
Publisher: Aurum Press
ISBN: 9781845135010
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
From the age of thirteen Ray Harryhausen knew his future lay in special effects. Drawing inspiration from his mentor Willis O’Brien, creator of King Kong, Ray took the art and skill of stop-motion animation one step further, weaving his magic on dinosaurs, aliens and mythological creatures alike. From early experiments with animating fairy tales in his father’s garage to creating groundbreaking effects for blockbuster movies, Ray Harryhausen shares the fascinating story of his “animated life”. The last great animator before the introduction of CGI, he takes us through the pleasures and pitfalls of sixty years dedicated to making movie magic.
Author: Vanessa Harryhausen
Publisher: Artmedia (Acc)
ISBN: 9781911054344
Category :
Languages : en
Pages : 208
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Book Description
100 objects selected by the animator Ray Harryhausen's daughter - packed with personal stories that have never previously been heard or publishedA fascinating examination of the work of the pioneer of the special effects that we see in modern cinemaContributions from experts in the field and in conjunction with the Ray and Diana Harryhausen FoundationA broad readership drawn from those who appreciate art, film, science fiction and fantasyTells the story of the man who changed the face of modern cinema - the pioneer of stop-motion animationSteven Speilberg and Tom Hanks are among his legion of fansEntries often include earlier versions of finished models and sketches of scenes that illustrate how Harryhausen worked and developed his modelsAccompanies a major exhibition at the National Galleries of Scotland from October 2020 Special effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects that meant the most to her as she watched her father make world-famous films that changed the course of cinema. The book includes many newly restored works and items that have never previously been seen. In addition to Vanessa's reflections, many of those who worked with Harryhausen or were inspired by him add their own memories and comments. Ray Harryhausen's work included the films Jason and the Argonauts, the Sinbad films of the '50s and '70s, One Million Years B.C and Mighty Joe Young, and a wider portfolio including children's fairy tales and commercials. He also inspired a generation of film-makers such as Peter Jackson, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. 2020 will be the 100th anniversary of his birth.
Author: David Conover
Publisher:
ISBN: 9781593934811
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
This latest addition to Philip J Riley's Alternate History of Classic Filmonsters series is a collaborative effort with fellow film historian David Conover that delves into one of the most famous unproduced motion pictures of all time, Merian C. Cooper's legendary WAR EAGLES! Planned as a full Technicolor production at MGM in the late 1930s, WAR EAGLES would have eclipsed Cooper and long-time SFX partner Willis O'Brien's KING KONG as the greatest fantasy epic of the period had it not fallen victim to pre-war studio politics and the rise of Hitler's Third Reich on the eve of World War II. Long considered a lost film effort, Conover's research has actually uncovered a richly detailed pre-production history, complete with never-before -published artwork, storyboards, test footage frames and more, direct from studio archives and the estates of technicians and artists who actually worked on the film. Also included is the full, never-published final draft of WAR EAGLES by Cyril Hume (screenwriter of MGM's Tarzan series and the sci-fi masterpiece FORBIDDEN PLANET) along with Merian C. Cooper's original treatment and production designer Howard Campbell's notes and budgets for the ill-fated production. For decades, stop-motion fans and film researchers considered an early, coverless draft attributed to Willis O'Brien-- but actually written by Harold Lamb and James Ashmore Creelman-- to be the only existing script for WAR EAGLES, but Conover's discovery of the original typescripts at the USC film library in 2003 turned up 7 more drafts and multiple revisions that eventually led to the final Hume draft. Pre-production artist Duncan Gleason began detailed storyboarding and illustration based on this draft and it is very likely that it would have become the actual shooting script. Detailed models and sets were built and Technicolor test footage featuring stop-motion animation by Willis O'Brien and his crew (including Kong/Mighty Joe Young creators Marcel Delgado and George Lofgren) was shot, and the exciting tale of a lost race of Viking warriors astride giant prehistoric eagles doing battle with Nazis over the skies of modern day Manhattan almost reached the screen until the reality of impending war halted production in 1940... David Conover is a film writer and historian who began his quest to uncover the history of WAR EAGLES as a 13-year-old reader of Famous Monsters of Filmland magazine. He was a columnist and reviewer for the Louisville Eccentric Observer for 9 years and his work was syndicated widely during that period as well. He is also the Vice President and Programming Director for WonderFest, an international modeling, toy, film and FX expo that takes place annually in Louisville, Ky, where he lives with his wife, daughter, and a tiny piece of the stegosaurus model from the original KING KONG. If you ask him, he'll show it to you, along with the final page of Cyril Hume's WAR EAGLES script. He's not crazy, just enthusiastic..
