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Author: William N. Copley
Publisher: Walther Konig Verlag
ISBN: 9783960987765
Category :
Languages : en
Pages : 270
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Book Description
Essays and conversations from the unclassifiable American advocate for surrealism and predecessor of pop art, William N. Copley For readers interested in the extraordinary life, work, and artistic milieu of the great American surrealist and proto-pop painter William Nelson Copley (1919-96), this volume will come as a thrilling revelation and a long-awaited peek into the mind of one of 20th-century art's most influential yet least recognized protagonists. Though best known for his radical work as a painter--which he pursued under the name CPLY--Copley was also a talented writer and the texts gathered here present his most significant essays, articles and conversations. Among Copley's reflections on art and artists is "Portrait of the Artist as a Young Dealer," a vividly humorous account of his brief tenure as a dealer in surrealist art in 1940s Los Angeles. Also included are key interviews and correspondence illuminating Copley's own practice and a selection of his newspaper articles, originally published in the 1950s and reprinted now for the first time.
Author: William N. Copley
Publisher: Walther Konig Verlag
ISBN: 9783960987765
Category :
Languages : en
Pages : 270
Get Book Here
Book Description
Essays and conversations from the unclassifiable American advocate for surrealism and predecessor of pop art, William N. Copley For readers interested in the extraordinary life, work, and artistic milieu of the great American surrealist and proto-pop painter William Nelson Copley (1919-96), this volume will come as a thrilling revelation and a long-awaited peek into the mind of one of 20th-century art's most influential yet least recognized protagonists. Though best known for his radical work as a painter--which he pursued under the name CPLY--Copley was also a talented writer and the texts gathered here present his most significant essays, articles and conversations. Among Copley's reflections on art and artists is "Portrait of the Artist as a Young Dealer," a vividly humorous account of his brief tenure as a dealer in surrealist art in 1940s Los Angeles. Also included are key interviews and correspondence illuminating Copley's own practice and a selection of his newspaper articles, originally published in the 1950s and reprinted now for the first time.
Author: William Nelson Copley
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: William Nelson Copley
Publisher: Hatje Cantz Pub
ISBN: 9783775706971
Category : Art
Languages : en
Pages : 127
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Book Description
This first publication after William N. Copley's death in 1996 gives a comprehensive survey of the so far scarcely known complete work that is however important for the tradition of Dada and surrealism in America as well as for pop art painting. For a short time owner of a gallery for surrealistic art in Los Angeles, Copley began to paint at the end of the forties. 1951 the American by birth went to Paris together with Man Ray where he lived about 13 years within the circle of the surrealists. Subsequently he worked in New York. In his work he is focusing on trivial motifs, induced by sex and eros, pin-ups or comic-like portrayals of American everyday's myths. To treat the symbols of state, such as flage, with irony is one of his subjects as well as the subtle persiflage of standard masterpieces of art.
Author: William Nelson Copley
Publisher:
ISBN: 9780982943311
Category : Sex in art
Languages : en
Pages : 0
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Book Description
Published on the occasion of the exhibition William N. Copley X-Rated, November 6-December 11, 2010
Author: William Nelson Copley
Publisher: Walther Konig
ISBN: 9783863354589
Category : Biography & Autobiography
Languages : en
Pages : 61
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Book Description
There can hardly be a better introduction to modern art than this humorous yet insightful book by a contemporary personally admitted info this fascinating, occasionally bizarre world through his encounters with key figures such as Man Ray, Max Ernst, Marcel Duchamp, and René Magritte. William Copley inherited a fortune as a young man and used his wealth to open a gallery in Beverly Hills shortly after World War II. Financially, the business was a flop, but Copley’s attempt to bring culture to the natives of Hollywood won him a place in the annals of art history. Copley himself was apainter and could well understand the work and thought processes of his heroes and coevals. This essay, written in 1976 for the exhibition ‘Paris-New York’, frankly and engagingly depicts episodes in the lives of Surrealist artists from the perspective of a younger colleague in a portrayal that is at once revealing and intimate. 0.
Author: Stephanie Seidel
Publisher:
ISBN: 9780996690683
Category :
Languages : en
Pages :
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Book Description
Author: John Updike
Publisher: Knopf
ISBN: 1400044189
Category : Art
Languages : en
Pages : 243
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Book Description
From a master of American letters and the author of the acclaimed Rabbit series comes a richly illustrated book of eighteen insightful essays about American art, written while he was the art critic at The New York Review of Books. “Remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Newsday When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this book, eighteen that deal with American art. After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.”
Author: Thomas BORSTELMANN
Publisher: Harvard University Press
ISBN: 0674028546
Category : History
Languages : en
Pages : 385
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Book Description
After World War II the United States faced two preeminent challenges: how to administer its responsibilities abroad as the world's strongest power, and how to manage the rising movement at home for racial justice and civil rights. The effort to contain the growing influence of the Soviet Union resulted in the Cold War, a conflict that emphasized the American commitment to freedom. The absence of that freedom for nonwhite American citizens confronted the nation's leaders with an embarrassing contradiction. Racial discrimination after 1945 was a foreign as well as a domestic problem. World War II opened the door to both the U.S. civil rights movement and the struggle of Asians and Africans abroad for independence from colonial rule. America's closest allies against the Soviet Union, however, were colonial powers whose interests had to be balanced against those of the emerging independent Third World in a multiracial, anticommunist alliance. At the same time, U.S. racial reform was essential to preserve the domestic consensus needed to sustain the Cold War struggle. The Cold War and the Color Line is the first comprehensive examination of how the Cold War intersected with the final destruction of global white supremacy. Thomas Borstelmann pays close attention to the two Souths--Southern Africa and the American South--as the primary sites of white authority's last stand. He reveals America's efforts to contain the racial polarization that threatened to unravel the anticommunist western alliance. In so doing, he recasts the history of American race relations in its true international context, one that is meaningful and relevant for our own era of globalization. Table of Contents: Preface Prologue 1. Race and Foreign Relations before 1945 2. Jim Crow's Coming Out 3. The Last Hurrah of the Old Color Line 4. Revolutions in the American South and Southern Africa 5. The Perilous Path to Equality 6. The End of the Cold War and White Supremacy Epilogue Notes Archives and Manuscript Collections Index Reviews of this book: In rich, informing detail enlivened with telling anecdote, Cornell historian Borstelmann unites under one umbrella two commonly separated strains of the U.S. post-WWII experience: our domestic political and cultural history, where the Civil Rights movement holds center stage, and our foreign policy, where the Cold War looms largest...No history could be more timely or more cogent. This densely detailed book, wide ranging in its sources, contains lessons that could play a vital role in reshaping American foreign and domestic policy. --Publishers Weekly Reviews of this book: [Borstelmann traces] the constellation of racial challenges each administration faced (focusing particularly on African affairs abroad and African American civil rights at home), rather than highlighting the crises that made headlines...By avoiding the crutch of "turning points" for storytelling convenience, he makes a convincing case that no single event can be untied from a constantly thickening web of connections among civil rights, American foreign policy, and world affairs. --Jesse Berrett, Village Voice Reviews of this book: Borstelmann...analyzes the history of white supremacy in relation to the history of the Cold War, with particular emphasis on both African Americans and Africa. In a book that makes a good supplement to Mary Dudziak's Cold War Civil Rights, he dissects the history of U.S. domestic race relations and foreign relations over the past half-century...This book provides new insights into the dynamics of American foreign policy and international affairs and will undoubtedly be a useful and welcome addition to the literature on U.S. foreign policy and race relations. Recommended. --Edward G. McCormack, Library Journal
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
ISBN: 9780300063417
Category : Art
Languages : en
Pages : 170
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Book Description
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author: Scott Beekman
Publisher: Syracuse University Press
ISBN: 9780815608196
Category : Biography & Autobiography
Languages : en
Pages : 300
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Book Description
William Dudley Pelley was one of the most important figures of the anti-Semitic radical right in the twentieth century. Best remembered as the leader of the paramilitary "Silver Shirts," Pelley was also an award-winning short story writer, Hollywood screenwriter, and religious leader. During the Depression Pelley was a notorious presence in American politics; he ran for president on a platform calling for the ghettoization of American Jews and was a defendant in a headlinegrabbing sedition trial thanks to his unwavering support for Nazi Germany. Scott Beekman offers not only a political but also an intellectual and literary biography of Pelley, greatly advancing our understanding of a figure often dismissed as a madman or charlatan. His belief system, composed of anti-Semitism, economic nostrums, racialism, neo-Theosophical channeling, and millenarian Christianity, anticipates the eclecticism of later cult personalities such as Shoko Asahara, leader of Aum Shinrikyo, and the British conspiracy theorist David Icke. By charting the course of Pelley's career, Beekman does an admirable job of placing Pelley within the history of both the anti-Semitic right and American occult movements. This exhaustively researched book is a welcome addition to the growing body of scholarship on American extremism and esoteric religions.
