William Blake's Selfhood and the Atomistic Materialism of Lucretius' De Rerum Natura PDF Download
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Author: Joshua Schouten de Jel
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Joshua Schouten de Jel
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Joshua Schouten de Jel
Publisher: Springer Nature
ISBN: 3030888886
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
This book demonstrates the way in which William Blake aligned his idiosyncratic concept of the Selfhood – the lens through which the despiritualised subject beholds the material world – with the atomistic materialism of the Epicurean school as it was transmitted through the first-century BC Roman poet and philosopher Lucretius’ De Rerum Natura. By addressing this philosophical debt, this study sets out a threefold re-evaluation of Blake’s work: to clarify the classical stream of Blake’s philosophical heritage through Lucretius; to return Blake to his historical moment, a thirty-year period from 1790 to 1820 which has been described as the second Lucretian moment in England; and to employ a new exegetical model for understanding the phenomenological parameters and epistemological frameworks of Blake’s mythopoeia. Accordingly, it is revealed that Blake was not only aware of classical atomistic cosmogony and sense-based epistemology but that he systematically mapped postlapsarian existence onto an Epicurean framework.
Author: Joshua Schouten de Jel
Publisher: Taylor & Francis
ISBN: 1040003656
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory ‘Argument,’ there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon’s call to Theotormon’s eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon’s eagles and the wanton play of the girls with Oothoon’s articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake’s Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon’s self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon’s enlightened entelechy. Working with Michelangelo’s The Punishment of Tityus (1532) and Gian Lorenzo Bernini’s Ecstasy of Saint Teresa (1647–51), Oothoon’s ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon’s willing self-sacrifice.
Author: Lucretius
Publisher: W. W. Norton & Company
ISBN: 0393341739
Category : Poetry
Languages : en
Pages : 208
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Book Description
Reissued to accompany Stephen Greenblatt's The Swerve: the epic poem that changed the course of human thought forever. This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.
Author: Titus Lucretius Carus
Publisher:
ISBN: 9781617430428
Category : Language Arts & Disciplines
Languages : en
Pages : 212
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Book Description
An epic poem written in Latin as De rerum natura by Lucretius which explores the materialist philosophy of the Greek philosopher Epicurus. Lucretius divided his argument into six books. Books I and II establish the main principles of the atomic universe. Book III demonstrates the atomic structure and mortality of the soul and ends with a triumphant sermon on the theme "Death is nothing to us." Book IV describes the mechanics of sense perception, thought, and certain bodily functions and condemns sexual passion. Book V describes the creation and working of the world and the celestial bodies and the evolution of life and human society. Book VI explains remarkable phenomena of the earth and sky, in particular, thunder and lightning. Using poetic language and metaphor, the Lucretius describes a world ruled by physical principles, rather than the divine will. Called the "the most complete analysis of the atomic composition of matter prior to twentieth-century nuclear physics."
Author: Laura Quinney
Publisher: Harvard University Press
ISBN: 0674054466
Category :
Languages : en
Pages : 216
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Book Description
It has been clear from the beginning that William Blake was both a political radical and a radical psychologist, and in William Blake on Self and Soul Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity.
Author: Titus Lucretius Carus
Publisher:
ISBN: 9781466366930
Category :
Languages : en
Pages : 270
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Book Description
According to Lucretius's frequent statements in his poem, the main purpose of the work was to free Gaius Memmius's mind of the supernatural and the fear of death. He attempts this by expounding the philosophical system of Epicurus, whom Lucretius glorifies as the hero of his epic poem.Lucretius identifies the supernatural with the notion that the gods/supernatural powers created our world or interfere with its operations in any way. He argues against fear of such gods by demonstrating through observations and argument that the operations of the world can be accounted for in terms of natural phenomena-the regular but purposeless motions and interactions of tiny atoms in empty space.He argues against the fear of death by stating that death is the dissipation of a being's material mind. Lucretius uses the analogy of a vessel, stating that the physical body is the vessel that holds both the mind (mens) and spirit (anima) of a human being. Neither the mind nor spirit can survive independent of the body. Thus Lucretius states that once the vessel (the body) shatters (dies) its contents (mind and spirit) can no longer exist. So, as a simple ceasing-to-be, death can be neither good nor bad for this being. Being completely devoid of sensation and thought, a dead person cannot miss being alive. According to Lucretius, fear of death is a projection of terrors experienced in life, of pain that only a living (intact) mind can feel. Lucretius also puts forward the 'symmetry argument' against the fear of death. In it, he says that people who fear the prospect of eternal non-existence after death should think back to the eternity of non-existence before their birth, which they probably do not fear.Includes a biography of the Author
Author: Joseph Fletcher
Publisher: Anthem Press
ISBN: 178527953X
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early illuminated works, and reveals the way that poetry and visual art were for Blake an imaginative way of philosophizing. Blake’s poetry and designs reveal a consistent preoccupation with eighteenth-century natural philosophical debates concerning the properties of the physical world, the nature of the soul, and God’s relationship to the material universe. This book traces the history of these debates and examines images and ideas in Blake’s illuminated books that mark the development of the monist pantheism, which contends that every material thing is in its essence God, to the idealism of his later period, which casts the natural world as degenerate and illusory. The book argues that Blake’s philosophical thought was not as monolithic as has been previously characterized, and that pantheism is important to understanding his early works because it entails an ethics that respects the interconnected divinity of all material objects – not just humans – which in turn spurns hierarchical power structures.
Author: Joshua Schouten de Jel
Publisher:
ISBN: 9781032706306
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
"Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory 'Argument,' there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon's call to Theotormon's eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or as confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon's eagles and the wanton play of the girls with Oothoon's articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake's Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon's self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon's enlightened entelechy. Working with Michelangelo's The Punishment of Tityus (1532) and Gian Lorenzo Bernini's Ecstasy of Saint Teresa (1647-51), Oothoon's ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon's willing self-sacrifice"
Author: Lucretius
Publisher: Lulu.com
ISBN: 9781387789917
Category : Poetry
Languages : en
Pages : 126
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Book Description
On the Nature of Things by Roman philosopher and poet Lucretius outlines classical theories of physics and the natural world. Drawing on the atomism theory of Democritus, which dates over 400 years prior to his masterwork, Lucretius aim with his poem is to explain various theories on why the world is as it is. Designed to be read publicly by educators and by solitary readers, the wide ranging and lengthy poem examines the nature of existence, of sensation, of human consciousness, and of the celestial bodies above us. Conversations on matter, space and reality were unusual in ancient times, with many ordinary citizens encouraged to lay the responsibility for such with the Roman Gods. In writing this poem, Lucretius aimed to popularise the theories and explanations of individual physicists and thinkers, over those of the temple priests. Lucretius himself held logic and reason in high regard, championing the philosophers who sought to discover and refine their view of the world.
