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Author: Susan Lake
Publisher: Getty Publications
ISBN: 160606021X
Category : Art
Languages : en
Pages : 114
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Book Description
This in-depth study of the paintings of Willem de Kooning (1904-1997) from the 1940s through the 1970s breaks new ground in its analysis of the artist's working methods and yields new information about previously unreported materials. De Kooning's idiosyncratic working methods have long engendered intense speculation and debate among conservators and art historians, primarily on the basis of visual inspection and anecdotal accounts rather than rigorous technical analysis. This is the first systematic study of de Kooning's creative process to use comprehensive scientific examinations of the artist's pigments, binders, and supports to inform art historical interpretations, thereby presenting a key to the complicated evolution of the artist's work. Written for conservation scientists, conservators, specialists in modern art history, museum curators, and practicing artists, this book offers insights into the way an artist can achieve radical changes in style. The technical discussions will have practical applications for conservators, curators, collections managers, and collectors who care for twentieth-century art.
Author: Susan Lake
Publisher: Getty Publications
ISBN: 160606021X
Category : Art
Languages : en
Pages : 114
Get Book Here
Book Description
This in-depth study of the paintings of Willem de Kooning (1904-1997) from the 1940s through the 1970s breaks new ground in its analysis of the artist's working methods and yields new information about previously unreported materials. De Kooning's idiosyncratic working methods have long engendered intense speculation and debate among conservators and art historians, primarily on the basis of visual inspection and anecdotal accounts rather than rigorous technical analysis. This is the first systematic study of de Kooning's creative process to use comprehensive scientific examinations of the artist's pigments, binders, and supports to inform art historical interpretations, thereby presenting a key to the complicated evolution of the artist's work. Written for conservation scientists, conservators, specialists in modern art history, museum curators, and practicing artists, this book offers insights into the way an artist can achieve radical changes in style. The technical discussions will have practical applications for conservators, curators, collections managers, and collectors who care for twentieth-century art.
Author: Willem De Kooning
Publisher: The Museum of Modern Art
ISBN: 0870707973
Category : Art
Languages : en
Pages : 512
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Book Description
This publication offers an unparalleled opportunity to appreciate the development of the artist's work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s.
Author: Barbara Hess
Publisher: Taschen
ISBN: 9783822821350
Category : Art
Languages : en
Pages : 104
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Book Description
Dutch-born American painter Willem de Kooning (1904-1997) was a leader of the Abstract Expressionist movement. This text takes a look at his life and work.
Author: Mark Stevens
Publisher: Knopf
ISBN: 0375711163
Category : Biography & Autobiography
Languages : en
Pages : 770
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Book Description
Winner of the Pulitizer Prize and National Book Critics Award Circle Award. An authoritative and brilliant exploration of the art, life, and world of an American master. Willem de Kooning is one of the most important artists of the twentieth century, a true “painter’s painter” whose protean work continues to inspire many artists. In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s. The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.
Author: Willem De Kooning
Publisher: Walker Art Center
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Published in conjunction with an exhibition of the same name organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, and scheduled to appear as well in museums in Bonn, Rotterdam, and New York during 1996 and 1997. Until now, the 1980s paintings have been seen only in a handful of gallery exhibitions or in the context of large museum surveys; this presentation allows study of the distinguishing qualities of these late paintings, and the thoroughly researched essays explore the complex issues surrounding de Kooning's affliction with Alzheimer's disease. Annotation copyright by Book News, Inc., Portland, OR
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: David Thistlewood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
Author:
Publisher: Rizzoli Publications
ISBN: 0847843912
Category : Art
Languages : en
Pages : 0
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Book Description
This catalogue of an exhibition held at Gagosian Gallery, New York, highlights the critical three-year period, 1983–1985, in the last decade of de Kooning’s long career, during which he radically transformed his style. The paintings in this catalogue were selected by John Elderfield, curator of the widely acclaimed, full-scale retrospective of de Kooning’s work held at MoMA in 2011–12. Of the works of this period, Elderfield observed: "De Kooning truly reinvented himself in these extraordinary canvases.…They remain not only spatially complex, but also extremely physical pictures, both visually open and densely embodied." Elderfield’s essay discusses ten themes in de Kooning’s work specific to these paintings. The book also includes texts by five painters reflecting on de Kooning’s late works.
Author: Richard Shiff
Publisher:
ISBN: 9781861898531
Category : Art
Languages : en
Pages : 0
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Book Description
"'Order to me is to be ordered about", Willem de Kooning said. Between Sense and de Kooning is an exploration of how de Kooning both worked and thought concerning art, while respecting the artist's own ambiguities and his reluctance to embrace categorical distinctions between representation and abstraction. Richard Shiff acknowledges de Kooning's idea that art is not about concepts like progress or development, but is instead a sensory phenomenon.
Author: Sylvie Patry
Publisher:
ISBN: 9781911300885
Category : ART
Languages : en
Pages : 0
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Book Description
This book accompanies an exhibition organized by the Barnes Foundation, and the Musées d'Orsay et de l'Orangerie, Paris, dedicated to the affinities between the work of Chaim Soutine and Willem de Kooning. It was Dr. Albert Barnes who had made Soutine's career by buying the bulk of the unknown artist's available work in Paris in 1923. The exhibition and accompanying publication will show how the work of Soutine had a decisive influence on the development of de Kooning's art, especially following the posthumous Soutine retrospective held at The Museum of Modern Art in 1950. --Gallery website.
