Wilhem's Method of Teaching Singing, Adapted ... by John Hullah, Etc. [With Examples.] PDF Download
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Author: Guillaume Louis BOCQUILLON-WILHEM
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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![Wilhem's Method of Teaching Singing, Adapted ... by John Hullah, Etc. [With Examples.] PDF](https://books.google.com/books/content/images/frontcover/6R8V7ps-JlAC?fife=w80-h100)
Author: Guillaume Louis BOCQUILLON-WILHEM
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 530
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Author: Toronto Public Library
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 256
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Author:
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 360
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Author: Sarah Collins
Publisher: Cambridge University Press
ISBN: 1108480055
Category : Art
Languages : en
Pages : 269
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Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 418
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Author: May and May (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 778
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Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 894
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Author: Benjamin Steege
Publisher: Cambridge University Press
ISBN: 1139510649
Category : Music
Languages : en
Pages : 295
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Book Description
The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.
Author:
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ISBN:
Category :
Languages : en
Pages : 712
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