Wilhelm von Bode and the American Art Market PDF Download
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Author: Michaela Watrelot
Publisher: Taylor & Francis
ISBN: 1003825400
Category : Art
Languages : en
Pages : 338
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Book Description
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author: Michaela Watrelot
Publisher: Taylor & Francis
ISBN: 1003825400
Category : Art
Languages : en
Pages : 338
Get Book Here
Book Description
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author:
Publisher: BRILL
ISBN: 9004532455
Category : Art
Languages : en
Pages : 308
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Book Description
The volume exposes the modus operandi of Wilhelm Bode’s strategic involvement in the art market and the formation and dissolution of public and private collections, showcasing his complex agency within the art marketplace of the late nineteenth and early twentieth centuries.
Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 1440633959
Category : Art
Languages : en
Pages : 364
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Book Description
A spellbinding account of the rapacious pursuit of the most exquisite paintings in the world In the Gilded Age, newly wealthy and culturally ambitious Americans began to compete for Europe's extraordinary Old Master pictures, causing a major migration of art across the Atlantic. Old Masters, New World is a backstage look at the cutthroat competition, financial maneuvering, intrigue, and double-dealing often involved in these purchases, not to mention the seductive power of the ravishing paintings that drove these collectors-including financier J. Pierpont Morgan, sugar king H. O. Havemeyer, Boston aesthete Isabella Stewart Gardner, and industrialist Henry Clay Frick. Packed with stunning reproductions, this is an ideal gift book for art lovers and history buffs alike.
Author: Catherine B. Scallen
Publisher: Amsterdam University Press
ISBN: 9789053566251
Category : Art
Languages : en
Pages : 422
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Book Description
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Author: Lynn Catterson
Publisher: Studies in the History of Coll
ISBN: 9789004419902
Category : Art
Languages : en
Pages : 572
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Book Description
Forming a collection -- Transacting an entire collection -- Dealers for dealers -- (No longer) obscure agents -- Issues of attribution.
Author: Charles Dellheim
Publisher: Brandeis University Press
ISBN: 1684580560
Category : Art
Languages : en
Pages : 688
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Book Description
The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.
Author: Esmée Quodbach
Publisher: Penn State University Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 272
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Book Description
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
Author: Maria Teresa Costa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110491257
Category : Art
Languages : en
Pages : 234
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Book Description
Art historians have been facing the challenge – even from before the advent of globalization – of writing for an international audience and translating their own work into a foreign language – whether forced by exile, voluntary migration, or simply in order to reach wider audiences. Migrating Histories of Art aims to study the biographical and academic impact of these self-translations, and how the adoption and processing of foreign-language texts and their corresponding methodologies have been fundamental to the disciplinary discourse of art history. While often creating distinctly "multifaceted" personal biographies and establishing an international disciplinary discourse, self-translation also fosters the creation of instances of linguistic and methodological hegemony.
Author: Frank Arnau
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
Author: Bernard Berenson
Publisher: Yale University Press
ISBN: 0300207379
Category : Literary Collections
Languages : en
Pages : 601
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Book Description
In 1925, the 22-year-old Kenneth Clark (1903–1983) and the legendary art critic and historian Bernard Berenson (1865–1959) met in Italy. From that moment, they began a correspondence that lasted until Berenson's death at age 94. This book makes available, for the first time, the complete correspondence between two of the most influential figures in the 20th-century art world, and gives a new and unique insight into their lives and motivations. The letters are arranged into ten chronological sections, each accompanied by biographical details and providing the context for the events and personalities referred to. They were both talented letter writers: informative, spontaneous, humorous, gossipy, and in their frequent letters they exchanged news and views about art and politics, friends and family life, collectors, connoisseurship, discoveries, books read and written, and travel. Berenson advised Clark on his blossoming career, warning against the museum and commercial art worlds while encouraging his promise as a writer and interpreter of the arts. Above all, these letters trace the development of a deep and intimate friendship.
