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Author: Bernard Shaw
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 88
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Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 88
Get Book Here
Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 380
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Book Description
Author: George Bernard Shaw
Publisher: Penguin
ISBN: 1101157666
Category : Drama
Languages : en
Pages : 529
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Book Description
George Bernard Shaw demanded truth and despised convention. He punctured hollow pretensions and smug prudishness—coating his criticism with ingenious and irreverent wit. In Mrs. Warren’s Profession, Arms and the Man, Candida, and Man and Superman, the great playwright satirizes society, military heroism, marriage, and the pursuit of man by woman. From a social, literary, and theatrical standpoint, these four plays are among the foremost dramas of the age—as intellectually stimulating as they are thoroughly enjoyable. “My way of joking is to tell the truth: It is the funniest joke in the world.”—G. B. Shaw With an Introduction by Eric Bentley and an Afterword by Norman Lloyd
Author: Tony J. Stafford
Publisher: University Press of Florida
ISBN: 0813048559
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Picture the young George Bernard Shaw spending long days in the Reading Room of the British Museum, pursuing a self-taught education, all the while longing for the green landscapes of his native Ireland. It is no coincidence that gardens and libraries often set the scene for Shaw's plays, yet scholars have seldom drawn attention to the fact until now. Exposing the subtle interplay of these two settings as a key pattern throughout Shaw’s dramas, Shaw's Settings fills the need for a systematic study of setting as significant to the playwright's work as a whole. Each of the nine chapters focuses on a different play and a different usage of gardens and libraries, showing that these venues are not just background for action, they also serve as metaphors, foreshadowing, and insight into characters and conflicts. The vital role of Shaw's settings reveals the astonishing depth and complexity of the playwright's dramatic genius.
Author: Julia Glass
Publisher: Pantheon
ISBN: 030737792X
Category : Fiction
Languages : en
Pages : 417
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Book Description
Percy Darling, a seventy-year-old who lives alone in a farmhouse outside Boston, experiences a series of life changes with various members of his family after he helps his oldest daughter by allowing her to run a progressive preschool in his barn.
Author: Bernard Shaw
Publisher: Broadview Press
ISBN: 1554812631
Category : Drama
Languages : en
Pages : 210
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Book Description
The second of Shaw’s “unpleasant” plays, written in 1893, published in 1898, but not performed until 1905, The Philanderer is subtitled “A Topical Comedy.” The eclectic range of topical subjects addressed in the play includes the influence of Norwegian playwright Henrik Ibsen on British middle-class social mores (the second act of The Philanderer is set in the fictional Ibsen Club), medical follies, the rise of the “New Woman,” and, in particular, the destructive impact of Victorian marriage and divorce laws. Just as Shaw’s other “unpleasant” plays, Widowers’ Houses and Mrs Warren’s Profession, call, respectively, for reform of laws that allow corrupt property owners to exploit the poor and for radical change to economic structures that drive women into prostitution, so The Philanderer makes the case for more liberal legislation to allow easier divorce—particularly for women—when marriages become irretrievably broken. Shaw’s attack on divorce laws becomes even clearer and stronger in the final act that he wrote for the play but discarded in favour of the version he published. The discarded version is published for the first time in this Broadview edition of the play.
Author: A M Gibbs
Publisher: Springer
ISBN: 134905402X
Category : Literary Criticism
Languages : en
Pages : 574
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Book Description
Author: A. Gibbs
Publisher: Springer
ISBN: 0230599583
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
A.M. Gibbs provides an authoritative and comprehensive account of the life, career and associations of George Bernard Shaw (1856-1950), one of the most eminent and influential literary figures of the modern age. Drawing on a wide range of published and unpublished material, this work illuminates the complex fabric of Shaw's extraordinary career as playwright, novelist, critic, orator, political activist, social commentator, avant-garde thinker and controversialist. Images of Shaw's daily private life, and of his tangled love affairs, flirtations and friendships, are intertwined with the records of his prodigiously productive career as public figure and creative writer, in a fully documented study which is both a scholarly resource and a lively biographical portrait. An introductory chapter explores theoretical issues in biography raised by the chronology form; and a chapter on Shaw's ancestry and family supplies new evidence about his Irish background. A Who's Who section contains thumbnail sketches of over two hundred contemporaries of Shaw who had significant associations with him.
Author: Stanley Weintraub
Publisher: Penn State Press
ISBN: 0271026723
Category : Reference
Languages : en
Pages : 165
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Book Description
This is the first comprehensive annotated bibliography of works by and about Bernard Shaw. No book has appeared before that has surveyed all of the research and writing that the life and work of Bernard Shaw have evoked. The greatest dramaturgist in English after Shakespeare, Shaw was one of the dominant public figures of his time, a long lifetime (1856-1950) that began in the mid-Victorian period and extended into the Atomic Age. Inevitably, someone who straddled his age so visibly and so memorably, and whose works retain a continuing fascination, has been the subject of thousands of articles and hundreds of books, from criticism of individual works to multivolume biographies, editions, and studies. Stanley Weintraub has distilled his forty years of experience of Shaw studies to bring them into useful focus and sort out the significant writings from the burgeoning mass of publications. This book is an essential tool for both scholars and general readers interested in the multifarious world of Shaw. Readers will not only find out what has been done, but what still remains to be accomplished in Shaw studies; what Shaw's influence has been on other writers; even where Shaw has appeared as a character in other writers' poetry, fiction, and drama.
Author: Ben Iden Payne
Publisher: Yale University Press
ISBN: 9780300105520
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Ben Iden Payne spent more than seventy years in the theatre in England and America. On his retirement at the age of ninety it was a very different theatre from the one he entered at nineteen on joining Frank Benson's touring Shakespeare company. That change was due in no small part to his own efforts. Payne could point to many experiences that would have guaranteed him a place in theatre annals: He was a director of the Abbey Theatre in Dublin. He staged plays for such stars as John Drew, William Gillette, John and Ethel Barrymore, Otis Skinner, and Helen Hayes. And for eight years he was general director of the Shakespeare Memorial Theatre at Stratford-upon-Avon. Though Payne's career fills three columns in Who's Who in the Theatre, two unique achievements stand out from the others. In 1907, as director of Miss Horniman's Gaiety Theatre company in Manchester, he initiated the repertory movement in England. In four years he brought it to a peak of excellence that has never been surpassed. Later, in America, he began a career in educational theatre that would span half a century. At the Carnegie Institute of Technology he developed his "modified Elizabethan staging" - a technique that has left an indelible mark on the production of Shakespeare's plays. In this memoir Payne recalls the English theatre at the turn of the century with wit and affection. His accounts of the popular actor-managers, the fit-up companies, the Playboy riots, and of Yeats, Miss Horniman, and William Poel vividly depict an era. He captures the spirit of the American theatre of the teens, twenties, and thirties - the flamboyance of its producers, the foibles of its stars, and the casting practices that reduced able actors to types. Above all, Payne tells of his consuming desire to recreate the basic conditions of Shakespeare's own theatre in order to present his plays most effectively. No antiquarian, he does not quibble over structural details of the "wooden O's" that housed Elizabethan stages. Instead he writes as a practical theatre man determined to achieve the continuous and fluid movement needed to preserve the "melodic line" of Shakespeare's plays. The success with which he pursued this ambition has influenced theatre design and inspired others to carry on his work. Yet, in spite of the distinction of his long career, Payne recalls it with the modest simplicity that endeared him to generations of actors and students.
