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Author: Jane Kramer
Publisher: Duke University Press
ISBN: 9780822315490
Category : Art
Languages : en
Pages : 148
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Book Description
Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community--and New York itself--over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them. This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots--provocative, surprising in its contradictions and complexities and not at all easy to resolve. Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.
Author: Jane Kramer
Publisher: Duke University Press
ISBN: 9780822315490
Category : Art
Languages : en
Pages : 148
Get Book Here
Book Description
Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community--and New York itself--over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them. This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots--provocative, surprising in its contradictions and complexities and not at all easy to resolve. Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.
Author: James Cuno
Publisher: Princeton University Press
ISBN: 0691188688
Category : Art
Languages : en
Pages : 209
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Book Description
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating--and surprisingly frank--roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
Author: Peter Brooks
Publisher: Yale University Press
ISBN: 0300081162
Category : Psychology
Languages : en
Pages : 354
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Book Description
Features contributors, Judith Butler, Frederick Crews, Leo Bersani, Juliet Mitchell, Robert Jay Lifton, Richard Wollheim and other theorists from such fields as literature, philosophy, film, history, cultural studies, neuroscience, psychotherapy. Under discussion in all these articles is whether Freud is still relevant, specifically whether psychoanalysis is still a valid theory of mind, if its therapeutic applications have been rendered obsolete by drugs, how psychoanalysis still figures in debates about sexual identity despite its rejection by many feminists, and how Freud's work still contributes to cultural analysis. The editor's conclusion is that Freud is not only still relevant but the "presiding genius of our culture and the author of its symptomatic illnesses." Papers were delivered in a 1998 symposium at Yale, the locale from which Freud launched his original invasion of the US psyche nearly a century before. Annotation copyrighted by Book News, Inc., Portland, OR
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 840
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Book Description
Author: Alan Warren Friedman
Publisher: University Press of Kentucky
ISBN: 0813161622
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
Author: Daniel Coit Gilman
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 960
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Book Description
Author: George J.E. Sakkal
Publisher: Maida Vale Publishing
ISBN: 9781913606558
Category :
Languages : en
Pages : 240
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Book Description
Whose Truth, Whose Creativity? is an expert analysis of both neuroscience and art theory - this new book delves into the source of all art and creativity, from ancient cave paintings to contemporary art masterpieces. It explores why postmodern art theory has had a damaging impact on the art world and explains how neuroscience can prove this. Does talent spring, as Paul Cézanne would have you believe, from our unconscious mind? Or does it, as Marcel Duchamp theorized, come from our consciousness? Cognitive neuroscientific psychology, a fairly new field of psychology explains a natural, mental basis for human creativity. One of the intentions of this book is to expose-in no uncertain terms-the many falsehoods and distortions of postmodern reasoning and to demonstrate how, by following this disturbing, unnatural direction for decades, the art establishment has been responsible for initiating an era of cultural chaos.
Author: Linda Walsh
Publisher: John Wiley & Sons
ISBN: 1118475550
Category : Art
Languages : en
Pages : 299
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Book Description
A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them. Covers both artistic developments and critical approaches to the period by leading contemporary scholars Uses an innovative framework to emphasize the roles of tradition, modernity, and hierarchy in the production of artistic works of the period Reveals the practical issues connected with the production, sale, public and private display of art of the period Assesses eighteenth-century art’s contribution to what we now refer to as ‘modernity’ Includes numerous illustrations, and is accompanied by online resources examining art produced outside Europe and its relationship with the West, along with other useful resources
Author: Daniel Herwitz
Publisher: University of Chicago Press
ISBN: 9780226328911
Category : Art
Languages : en
Pages : 388
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Book Description
Artists and critics regularly enlist theory in their creation and assessment of artworks, but few have scrutinized the art theories themselves. Making Theory/Constructing Art: On the Authority of the Avant-Garde is among the first philosophical texts to provide a close encounter with this theoretical tendency in twentieth-century art and aesthetics, exploring the norms, assumptions, historical conditions, and institutions that have framed the development and uses of theory in art. In a series of intricate readings of constructivism, Mondrian, and John Cage, Daniel Herwitz outlines the avant-garde's belief that theory can perfectly prefigure the avant-garde art object and invest it with utopian force. Through similarly insightful treatments of Arthur Danto, Andy Warhol, Jean-Francois Lyotard, Jean Baudrillard, and postmodern art and theory, Herwitz demonstrates how the contemporary art world is heir to the avant-garde's theoretical assumptions and practices. In fact, avant-garde art objects live as art only by partly resisting the master theories of their makers and interpreters. Skillfully resisting the lure of grand theory himself, Herwitz urges the art world to be more self-critical and self-reflective about its uses of theory. Making Theory/Constructing Art is as accessible and entertainingly written as it is philosophically incisive. Since the book is both a philosophical and a cultural encounter with theory in twentieth-century art, it will engage all those who have tried to grapple with the inscrutability of the theoretical art muse.
Author: Henry Noel Humphreys
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
