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Author: Emily Zazulia
Publisher: Oxford University Press
ISBN: 0197551939
Category : Music
Languages : en
Pages : 345
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Book Description
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Author: Emily Zazulia
Publisher: Oxford University Press
ISBN: 0197551939
Category : Music
Languages : en
Pages : 345
Get Book
Book Description
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Author: Emily Zazulia
Publisher:
ISBN: 9780197551929
Category : Musical notation
Languages : en
Pages : 308
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Book Description
Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions foregro.
Author: National Education Association of the United States
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1104
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Author: American Ophthalmological Society
Publisher:
ISBN:
Category : Ophthalmology
Languages : en
Pages : 412
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Author: American Association of Instructors of the Blind
Publisher:
ISBN:
Category : Blind
Languages : en
Pages : 674
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Author: American Medico-Psychological Association
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 356
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Author: British Association for the Advancement of Science. Meeting
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 1078
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Author: Convention of American Instructors of the Deaf
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
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Author: Medical Association of Georgia
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ISBN:
Category : Medicine
Languages : en
Pages : 466
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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 894
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