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Author: Nelson George
Publisher: Omnibus Press& Schirmer Trade Books
ISBN: 9780711995116
Category : Music
Languages : en
Pages : 280
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Book Description
This is the story of Tamla Mowtown Records, the Detroit hit factory that set the world dancing in the '60s. It presents the stories behind the rise of such all-time great acts as Smokey Robinson, The Supremes, Stevie Wonder, Marvin Gaye, The Four Tops, The Temptations and the Jackson 5."
Author: Nelson George
Publisher: Omnibus Press& Schirmer Trade Books
ISBN: 9780711995116
Category : Music
Languages : en
Pages : 280
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Book Description
This is the story of Tamla Mowtown Records, the Detroit hit factory that set the world dancing in the '60s. It presents the stories behind the rise of such all-time great acts as Smokey Robinson, The Supremes, Stevie Wonder, Marvin Gaye, The Four Tops, The Temptations and the Jackson 5."
Author: Gil Robertson
Publisher: Agate Publishing
ISBN: 157284714X
Category : Family & Relationships
Languages : en
Pages : 257
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Book Description
Where Did Our Love Go?, an anthology of essays written by many major public figures and celebrities, will explore the substantive issues related to marital problem in the African-American community. From the "my baby's mama" syndrome to the more serious implications of what a generation of single-parent households will mean to future generations, this comprehensive collection will provide an in-depth discourse on the trends and issues that have caused the problematic behaviors within African-American relationships to persist with little sign of relief. The book will consist of a total of 40 essays divided equally into 4 lifestyle categories (single, married, divorced, and widowed), to present a wide cross section of perspectives on this subject. Marriage plays an essential role in maintaining the vitality and character of a community, so it is deeply unsettling for many African Americans to find that the value of this institution has lost its allure. While marriage among African Americans has always fallen below the average of other population segments, the gap today has grown so pronounced that the subject has sparked an intense national dialogue. A 2006 Washington Post article, “Is Marriage for White People,” created waves of controversy on the issue. In 2010, Nightline dedicated an entire broadcast to this growing crisis. The marriage gap in Black America has become such an open secret that it’s now the source of endless bad jokes and prime time reality shows. The statistics even back this up, as according to the U.S. Census, 43.3% of black men and 41.9% of black women in America have never been married, and the rate of decline is nearly twice the national average. Marriage is a rite of passage that is fundamental to every culture, which underscores the tremendous need for an active dialogue to take place that will lay a foundation for discovery. With essays from 50 Cent, Viola Davis, Jabari Asim, Darnell Williams, Faith Evans, Mara Brock Akil, and more, Where Did Our Love Go? will ignite the fight for that conversation to begin.
Author: Mark Ribowsky
Publisher: Da Capo Press, Incorporated
ISBN: 0306815869
Category : Biography & Autobiography
Languages : en
Pages : 482
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Book Description
Biographer of Phil Spector (He's a Rebel), among others, Ribowsky takes a dishy, insider look at Berry Gordy's making of the Supremes, with some nasty swipes at Diana Ross while elevating Flo Ballard as the trio's martyr. In his detailed look at how Berry engineered his Motown empire, thanks to his smart sisters and a lot of luck and fortuitous pairing of talent, Ribowsky nicely intersperses some hindsight reflections by the main players, such as the brothers Brian and Eddie Holland of the legendary songwriting team with Lamont Dozier, with comparative accounts by Mary Wilson, Ross and others in order to sift the truth from the legend. While the author constantly snipes at Ross for her popping eyes and naked ambition, it was largely her single-minded drive that garnered attention to the trio's early incarnation as the Primettes, and her high girl-woman singing voice that established the Supremes' distinctive sound. Moreover, Ross's influence on Gordy (and his faith in her future solo stardom) motivated him to keep pushing the group into the limelight, in spite of other girl groups that had a bigger top hit following, such as Martha Reeves and the Vandellas. In this engaging, vivacious account, Ribowsky energetically and thoroughly underscores the Supremes' significance as one of the first crossover successes. (July) Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Author: Mary Wilson
Publisher: National Geographic Books
ISBN: 0500022003
Category : Design
Languages : en
Pages : 0
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Book Description
Sumptuously illustrated, engaging, and insightful, Mary Wilson’s book charts the glittering story of The Supremes, as it showcases their glamorous and iconic ensembles. As Motown’s leading act in the 1960s, The Supremes became synonymous with glamorous, elegant, coordinated ensembles. Supreme Glamour presents founding member Mary Wilson’s unparalleled collection, showcasing thirty-two of the group’s most eye-catching gowns, meticulously reassembled and photographed on the Grammy Museum stage. Detailed captions accompany each photograph, providing information about the design, fabric, and embellishments of each ensemble, as well as the occasion on which each was first worn. In addition to the fashion history of The Supremes, the book chronicles the evolution of the group and celebrates the cultural icons they became. Engaging and insightful narrative text by Mary Wilson and close personal friend Mark Bego is interspersed among hundreds of archival photos. Packed with anecdotes and insights, Mary Wilson tells the complete story of The Supremes, both on- and off- stage, from their founding in Detroit in 1959 as The Primettes to their 1964 breakthrough hit, “Where Did Our Love Go,” and from the departure of Diana Ross to The Supremes’ disco hits of the 1970s. Supreme Glamour builds a complete picture of the charm, sophistication, and magic of The Supremes.
Author: Suzanne E. Smith
Publisher: Harvard University Press
ISBN: 0674043839
Category : Music
Languages : en
Pages : 336
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Book Description
Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.
Author: Peter Benjaminson
Publisher: Chicago Review Press
ISBN: 1569763038
Category : Biography & Autobiography
Languages : en
Pages : 249
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Book Description
In the months before she died, Florence Ballard, the spunky teenager who founded the most successful female vocal group in history--the Supremes--told her own side of the story. Recorded on tape, Flo shed light on all areas of her life, including the surprising identity of the man by whom she was raped prior to her entering the music business, the details of her love-hate relationship with Motown Records czar Berry Gordy, her drinking problem and pleas for help, a never-ending desire to be the Supremes' lead singer, and her attempts to get her life back on track after being brutally expelled from the group. This is a tumultuous and heartbreaking story of a world-famous performer whose life ended at the age of 32 as a lonely mother of three who had only recently recovered from years of poverty and despair.
Author: Andrew Flory
Publisher: University of Michigan Press
ISBN: 0472122878
Category : Music
Languages : en
Pages : 345
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Book Description
I Hear a Symphony opens new territory in the study of Motown’s legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit’s postwar black middle class; that Motown’s creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous “Motown Sound.” Throughout the book, Flory focuses on the central importance of “crossover” to the Motown story; first as a key concept in the company’s efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory’s work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.
Author: Gerald Posner
Publisher: Random House
ISBN: 0307538621
Category : Music
Languages : en
Pages : 386
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Book Description
In 1959, twenty-nine-year-old Berry Gordy, who had already given up on his dream to be a champion boxer, borrowed eight hundred dollars from his family and started a record company. A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown. Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002. Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.
Author: Mary Wilson
Publisher: Cooper Square Press
ISBN: 1461660947
Category : Biography & Autobiography
Languages : en
Pages : 750
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Book Description
More than 40 years ago, three girls from the Detroit projects made the world 'Stop!' and take notice of their fresh harmonies and classy style. Cultivated by the Motown star machine, Mary Wilson, Diana Ross, and Florence Ballard popped onto the charts with hits like "Baby Love" and "Where Did Our Love Go" and made the Supremes not only a household name, but rock and roll legends. The story of their journey to fame is one that fairy tales are made of—complete with battles, tragedies, and triumphs. It's a story that only one of the founders of this talented trio is able or willing to share with the world. In Dreamgirls & Supreme Faith: My Life as a Supreme, Supremes' co-founder Mary Wilson boldly brings to life all the intimate details of the group's struggle to top the charts. This is the first book to tell the complete story of Mary's courageous life from childhood through the height of the Supremes, to the turn of the century. This beautiful paperback edition combines the best-selling Dreamgirls with the sequel, Supreme Faith: Someday We'll Be Together, for the first time in one volume. The new afterword brings Mary's intriguing story up to date with details on. . . · The tragic car accident that claimed her son's life · The death of her mother, Johnnie Mae, and her dear friend, Mary Wells · Becoming a grandmother · Making her peace with Berry Gordy and Diana Ross · Being inducted into the Rock and Roll Hall of Fame and receiving a star on the Hollywood Walk of Fame The Supremes wonderful music isn't the only thing to remain in the public's mind. Diana Ross' push for dominance in the trio has become legendary. Mary Wilson speaks candidly about Ross' tactics to latch onto Berry Gordy, and force her will on the group's activities. For example, while on the early tours, Diana would threaten to call Gordy from the road if the men on the bus didn't behave to her approval. She also openly pushed for Flo's removal from the group. Wilson also openly shares her thoughts on . . .The group's never-ending b
Author: J. Randy Taraborrelli
Publisher:
ISBN: 9780345369253
Category : Biography & Autobiography
Languages : en
Pages : 614
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Book Description
She was Motown's brightest star, the one with guts enough and ambition enough to make her dreams come true, no matter where they took her. Rules that apply to others have never applied to Diana Ross. She won't let them. CALL HER MISS ROSS goes behind the footlights and stage facade, behind the broad smile and beautiful voice, for an exclusive look at the real Diana. J. Randy Taraborrelli has interviewed over 400 people and uncovered stories that have never been told before. The ultimate control maven, she became the star of The Supremes without giving Mary Wilson and Florence Ballard a second throught, but also gave them both money when they ended up broke; self-centered, she dated newlywed Smokey Robinson on the sly in order to get more work at Motown; fiercely devoted mother of five, she gives her children anything they desire; impossible employer, she insists that everyone call her "Miss Ross"; insecure star, she demands complete control over every record, every movie, and every performance, no matter what the result. Her triumphs and tragedies, her virtues and vices, her lovers and enemies -- here's Miss Diana Ross as she's never been seen before. "Enjoyable . . . [A] marathon bitchfest." -- The Village Voice
