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Author: Eva M. Dadlez
Publisher: Penn State Press
ISBN: 0271039817
Category : Psychology
Languages : en
Pages : 252
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Book Description
Fiction transports us. We inhabit new worlds in our imagination, adopt perspectives not our own, and even respond emotionally to persons and events that we know are not real. The very nature of our emotional engagement with fiction, says E. M. Dadlez, attests to the possibility of its moral significance, just as the nature of our imaginative engagement makes us collaborators in the creation of the worlds we imagine. This book engages contemporary debate over the seeming irrationality or inauthenticity of our emotional response to fiction, examining the many positions taken in this debate and arguing that we can understand the relation between cognition and emotion without devaluing our emotional responses to fiction. It takes Hamlet's famous query as the first step in an analytic philosophical inquiry and, by considering some of the answers that derive from that question, arrives at a set of necessary conditions for an emotional response to fiction. What Hamlet's player feels for Hecuba, proposes Dadlez, is no more illusory than what we feel for Hamlet; that the actor weeps for Hecuba reflects both our capacity to envision and understand a seemingly limitless variety of human situations&—to empathize with others&—and the capacity of fiction to facilitate such understanding. What's Hecuba to Him? is an enticingly written work that opens an entire philosophical arena to literary scholars and illuminates the significance that literature has for our moral life.
Author: Eva M. Dadlez
Publisher: Penn State Press
ISBN: 0271039817
Category : Psychology
Languages : en
Pages : 252
Get Book Here
Book Description
Fiction transports us. We inhabit new worlds in our imagination, adopt perspectives not our own, and even respond emotionally to persons and events that we know are not real. The very nature of our emotional engagement with fiction, says E. M. Dadlez, attests to the possibility of its moral significance, just as the nature of our imaginative engagement makes us collaborators in the creation of the worlds we imagine. This book engages contemporary debate over the seeming irrationality or inauthenticity of our emotional response to fiction, examining the many positions taken in this debate and arguing that we can understand the relation between cognition and emotion without devaluing our emotional responses to fiction. It takes Hamlet's famous query as the first step in an analytic philosophical inquiry and, by considering some of the answers that derive from that question, arrives at a set of necessary conditions for an emotional response to fiction. What Hamlet's player feels for Hecuba, proposes Dadlez, is no more illusory than what we feel for Hamlet; that the actor weeps for Hecuba reflects both our capacity to envision and understand a seemingly limitless variety of human situations&—to empathize with others&—and the capacity of fiction to facilitate such understanding. What's Hecuba to Him? is an enticingly written work that opens an entire philosophical arena to literary scholars and illuminates the significance that literature has for our moral life.
Author: Margrethe Jolly
Publisher: McFarland
ISBN: 078647887X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.
Author: Imtiaz H. Habib
Publisher: Susquehanna University Press
ISBN: 9780945636373
Category : Drama
Languages : en
Pages : 264
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Book Description
The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 1412
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Book Description
Author: Shirley Brooks
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 364
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 1118
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 902
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 914
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Book Description
Author: Johann Wolfgang von Goethe
Publisher: Good Press
ISBN:
Category : Religion
Languages : en
Pages : 20250
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Book Description
The anthology '50 Christian Books: Scripture, History, Theology, Spirituality and Fiction' represents an unprecedented assembly of philosophical, theological, and literary genius spanning centuries of Christian thought and storytelling. It binds together an eclectic mixture of genresfrom theological treatises and spiritual autobiographies to allegorical fiction and philosophical discourse. The diversity present within this collection allows for a comprehensive exploration of Christian ideals, ethics, and spiritual struggles. Among these pages, readers will find seminal works that have shaped Christian thought and influenced global literary movements, providing insights into the perennial questions of faith, good and evil, and human destiny. The contributing authors and editors, ranging from early church fathers like Saint Augustine and Gregory of Nyssa to Renaissance luminaries such as John Milton, up to modern philosophers like Friedrich Nietzsche and G.K. Chesterton, embody a wide spectrum of theological, philosophical, and cultural perspectives. This diversity reflects the anthology's commitment to displaying the rich tapestry of Christian literature, encompassing various epochs, cultures, and doctrinal viewpoints. Their collective works chart the development of Christian theology and philosophy, engage with the socio-political challenges of their times, and continue to provoke thoughtful reflection on moral and spiritual questions today. This collection is essential reading for anyone interested in the depth and diversity of Christian literary tradition. It offers readers the unique opportunity to engage with a myriad of perspectives and voices, all united by the theme of exploring the Christian faith but varied in their approaches and conclusions. Whether one approaches these works with scholarly intent, spiritual seeking, or mere curiosity about the influence of Christianity on world literature, there is much to be gleaned from the dialogue these texts provoke. '50 Christian Books' invites a journey through history, thought, and beliefa journey well worth taking for the richness of its scenery and the company of its guides.
