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Author: Bernard Shaw
Publisher:
ISBN: 9780813029603
Category : History
Languages : en
Pages : 309
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Book Description
In Wisenthal and O'Leary's What Shaw Really Wrote About the War, Bernard Shaw speaks for himself--revealing his passionate views of World War I as neither unpatriotic nor pacifist. Aiming to correct misconceptions and explore the complexity of Shaw's wartime journalism, the editors have assembled the first annotated collection of his writings about the war, including What I Wrote About the War (1914),thepreviously unpublished More Common Sense About the War (1915), and What I Said in the Great War (1918). This landmark volume also includes an important piece called Peace Conference Hints, Shaw's unsolicited advice to the Allies at the end of the war. In addition, the authors draw parallels to Shaw's "theatre of war," noting how his attitudes about war infused his plays, including Heartbreak House and the Back to Methusaleh cycle he began to write during this period. "Shaw seems to be one of the belligerents in the War himself," the editors argue, "enjoying the use of his verbal firepower in his pugnacious campaign against politicians' ineptitude and his audience's fatal misunderstandings of what is going on." Essential reading for Shaw scholars and still relevant today, his work speaks to anyone who exercises the right to ask questions and voice objections in times of war. Contents include: Shaw's Theatre of War; Common Sense About the War (1914); More Common Sense About the War (1915); The Case of Rutland Boughton (1916); On British Squealing, and the Situation After the War (1917); What I Said in the Great War (1918); Preface for French edition of Peace Conference Hints (1919); Peace Conference Hints (1919); Index
Author: Bernard Shaw
Publisher:
ISBN: 9780813029603
Category : History
Languages : en
Pages : 309
Get Book Here
Book Description
In Wisenthal and O'Leary's What Shaw Really Wrote About the War, Bernard Shaw speaks for himself--revealing his passionate views of World War I as neither unpatriotic nor pacifist. Aiming to correct misconceptions and explore the complexity of Shaw's wartime journalism, the editors have assembled the first annotated collection of his writings about the war, including What I Wrote About the War (1914),thepreviously unpublished More Common Sense About the War (1915), and What I Said in the Great War (1918). This landmark volume also includes an important piece called Peace Conference Hints, Shaw's unsolicited advice to the Allies at the end of the war. In addition, the authors draw parallels to Shaw's "theatre of war," noting how his attitudes about war infused his plays, including Heartbreak House and the Back to Methusaleh cycle he began to write during this period. "Shaw seems to be one of the belligerents in the War himself," the editors argue, "enjoying the use of his verbal firepower in his pugnacious campaign against politicians' ineptitude and his audience's fatal misunderstandings of what is going on." Essential reading for Shaw scholars and still relevant today, his work speaks to anyone who exercises the right to ask questions and voice objections in times of war. Contents include: Shaw's Theatre of War; Common Sense About the War (1914); More Common Sense About the War (1915); The Case of Rutland Boughton (1916); On British Squealing, and the Situation After the War (1917); What I Said in the Great War (1918); Preface for French edition of Peace Conference Hints (1919); Peace Conference Hints (1919); Index
Author: Bernard Shaw
Publisher:
ISBN:
Category : Essays
Languages : en
Pages : 268
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Book Description
Author: Bernard Shaw
Publisher: Hesperus Press
ISBN:
Category : Drama
Languages : en
Pages : 126
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Book Description
Nobel laureate, Oscar winner, and author of more than 50 plays, Bernard Shaw is perhaps as renowned for his political views as for his awe-inspiring artistic output. A brand new selection of his writings on war bring once more to the forefront the polemical work of one of the most outspoken commentators of the early 20th century. As a cofounder of the Fabian society, an equal rights campaigner, and an ardent socialist, Shaw was never known to shy away from controversy, and was accused of treason for the 1914 publication Common Sense About the War, in which he affront patriots and the government alike. His vehemently anti-war stance was almost prophetic in its progressive nature, and holds particular resonance in today's climate of unrest.
Author: Bernard Shaw
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 468
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Book Description
Author: George Bernard Shaw
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 74
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Book Description
"Arms and the Man" by George Bernard Shaw is a witty and satirical play that explores themes of war, love, and the illusions of heroism. Set during the Serbo-Bulgarian War of 1885, the play follows the romantic entanglements of its characters against the backdrop of military conflict. Shaw's protagonist, Captain Bluntschli, challenges traditional notions of heroism with his pragmatic and cynical views on warfare. Through sharp dialogue and humorous situations, Shaw critiques the romanticized ideals of war and nationalism, offering a biting commentary on the futility of armed conflict. As the characters navigate the complexities of love and honor, they confront their own illusions and prejudices, leading to unexpected revelations and personal growth. "Arms and the Man" is a thought-provoking and entertaining play that continues to captivate audiences with its wit, intelligence, and timeless relevance. Shaw's clever satire and incisive social commentary ensure that the play remains a classic of modern drama, celebrated for its sharp insights into the human condition and its enduring relevance in today's world.
Author: Robert Gould Shaw
Publisher: University of Georgia Press
ISBN: 0820342777
Category : History
Languages : en
Pages : 481
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Book Description
On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.
Author: Bernard Shaw
Publisher: Hal Leonard Corporation
ISBN: 9781557835611
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
(Applause Books). "With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his." - From SHAW ON SHAKESPEARE Celebrated playwright, critic and essayist George Bernard Shaw was more like the Elizabethan master that he would ever admit. Both men were intristic dramatists who shared a rich and abiding respect for the stage. Shakespeare was the produce of a tempestuous and enlightening era under the reign of his patron, Queen Elizabeth I; while G.B.S. reflected the racy and risque spirt of the late 19th century as the champion of modern drama by playwrights like Ibsen, and, later, himself. Culled from Shaw's reviews, prefaces, letters to actors and critics, and other writings, SHAW ON SHAKESPEARE offers a fascinating and unforgettable portrait of the 16th century playwright by his most outspoken critic. This is a witty and provocative classic that combines Shaw's prodigious critical acumen with a superlative prose style second to none (except, perhaps, Shakespeare!).
Author: Andrzej Gasiorek
Publisher: John Wiley & Sons
ISBN: 1118607333
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A History of Modernist Literature offers a critical overview of modernism in England between the late 1890s and the late 1930s, focusing on the writers, texts, and movements that were especially significant in the development of modernism during these years. A stimulating and coherent account of literary modernism in England which emphasizes the artistic achievements of particular figures and offers detailed readings of key works by the most significant modernist authors whose work transformed early twentieth-century English literary culture Provides in-depth discussion of intellectual debates, the material conditions of literary production and dissemination, and the physical locations in which writers lived and worked The first large-scale book to provide a systematic overview of modernism as it developed in England from the late 1890s through to the late 1930s
Author: Lagretta Tallent Lenker
Publisher: Springer Nature
ISBN: 3031496043
Category :
Languages : en
Pages : 258
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Book Description
Author: Brian Tyson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773585133
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
The literary genetics of Shaw's most famous play are here examined for the first time. The sources of Saint Joan are closely compared with the original shorthand manuscript and that is compared with its subsequent revisions. This evidence is supplemented by facts drawn from Shaw's correspondence in print, in the British Library, and in private collections, and by accounts both in print and in the correspondence of people who knew Shaw at the time of his writing Saint Joan. The manuscript and its revisions are examined in the light of all that has been written about the play since it first appeared in 1923. Tyson examines the events that led Shaw to write Saint Joan, establishes the times and places of its composition, and speculates on the "models" upon which Shaw may have based his heroine. The scene-by-scene investigation of the original manuscript accounts as far as possible for later alterations and revisions and discusses passages of critical or historical interest. The concluding chapters survey the circumstances surrounding the first production of the play in the United States, Great Britain, France, and Germany and reflect on the impact that Saint Joan has had on drama for more than half a century.
